Jennifer Bartlett Abstract Drawings and Watercolors

This vintage 1960s abstract painting by renowned New Mexico modernist artist Ward Lockwood (1894–1963) is an exceptional example of mid-century modern art. The original artwork, crea...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1942) and created circa 1985. Matted dimensions: 24 H x 18 W x .25 D inches. Born in Bolivia, Mario Cespedes immigrated...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Multi-layered collotype by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. Patricia Pearce (Americ...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Vision I by Cheryl R. Riley Metallic abstract geometric symbols, purple, yellow, gray, gold Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporar...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...