Jennifer Lin Nude Photography

Underwater black and white nude photograph of a young woman wrapped in sunbeams. There were five grandpianos at her house, a pool on the third floor, and a sad man on the bottom of ...

"Chasing Luna" Black & White Photography 24" x 18" in Ed. 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24 x 18 inch Edition of 7 32 x 24 inch ...

"Return to Earth" Black & White Photography 30 x 40 in Ed. 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 18 x 24 inch Edition of 7 24 x 32 inch ...

"Willful Sin II" Nude Photography 24" x 36" in Ed. 1/7 by Aaron Mcpolin Archival Giclee Print & Museum Framed NOT framed. Ships in a tube. OTHER SIZES AVAILABLE: Edition of 15:...

This ethereal monochromatic underwater nude photograph captures a young woman wrapped in flowing translucent fabric. The sepia-toned composition emphasizes texture and movement, wher...

Untitled (Nr. 0517) Black & White Photography 36" x 44" Ed. 1/12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination...

"Seraphim II" Nude Photography 40" x 32" in Ed. 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch Edition of ...

"Radiance III" Figurative Nude Photography 30" x 24" in Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch...

"Untitled (Nr. 0971)" Black & White Photography 18 x 24 in Ed. of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey...

"Crescent" Figurative Nude Photography 30" x 24" in Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch Edi...

"Always You" Black & White Photography 32" x 24" in Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24 x 18 inch Edition of 7 32 x 24 inch Edi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...