Joe Brubaker Still-life Sculptures

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed his original drawings and patterns onto, which he then cut and assembled into this thr...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture with additional wire and copper details. The finished piece measures 40”h x 35”w x 11”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Manuele Bernardi was born in 1959 in Saint-Tropez. She lives and works in Roussillon, in the south of France. After completing studies at the Roederer Academy in Paris, she completed...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...