Kojun Color Photography

large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

LETTER H by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christ...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...

LETTER O by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints formed into a collage mounted on a stretched canvas. Printed November 1989. Mounted December 1989. dated lower left. Includes protective canvas slip covering. Size: 81"H x 72"W (205.74 cm x 182.88 cm). Provenance: Bass Museum, Miami Beach, Florida This was exhibited at the Norton Museum in Palm Beach and Bears their exhibition label verso. Rafael Salazar (Cuban- American photographer) was born in Cuba in 1945 and has been a South Florida resident since 1965. He has photographed the development of the City of Miami as well as Miami’s budding art scene over the years. He is primarily known for his panoramic photographs and photo assemblage montages which have both a documentary quality to them but are full of enchantment and depth. Of great importance to him is the preservation on film of art works, especially those of a transitory nature, this has led him to photograph two of Christo and Jeanne-Claude projects; Miami’s Surrounded Islands and the Pont Neuf in Paris. He has also documented the works of Fernando García, Ed Ruscha, and Philip Johnson. His work draws inspiration from his love of the cosmos, spirituality, architecture, Eastern philosophy, and nature. He has been exhibiting his fine art both nationally and internationally for many years. Salazar’s images have earned him a reputation as an innovative and sensitive artist. He has close ties with the Miami-Dade Public Library System and photographed much of the development of Main Library as well as the early exhibitions and events held there. He photographed the library’s Artmobile, painted by New York Realist artist Lowell Nesbitt, an art gallery on wheels decorated with zebra patterns and native flowers that was in service from 1976 until 1992. He also documented the Grand Opening Celebration of the Metro-Dade Cultural Center held in 1986. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. "Fact and Fiction: The State of Florida Photography...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...