Kristy Chettle Still-life Paintings

Hand signed and dated by the artist lower right. Includes a beautiful contemporary wooden gilded frame. In excellent conditions. References: - Catalogo della mostra di Pio Semeghini...

oil on wood panel 7 x 8 x 2 inches This listing is available from Carrie Haddad Gallery, based in Hudson, NY. David Konigbserg offers a small still life painting of an olive oil cruet...

A fantastical arrangement of blue—turquoise, royal and sky-blue flowers amid spherical shapes, Moon Flower is one of a new series of abstract oil and acryl...

Dutch artist Nico Heilijgers (1964) works in the tradition of the great seventeenth-century still life painters. In his work we see conventional object...

Inspired by 17th century botanical illustrations of women naturalists, Fiona Ackerman’s beautiful acrylic series of paintings are delicately detailed compositions of natural images—f...

Dutch artist Nico Heilijgers (1964) works in the tradition of the great seventeenth-century still life painters. In his work we see conventional objects such as crispy vegetables, ju...

Deep colours of burgundy and cream flowers dominate the canvas in this beautiful oil painting by British artist Jennifer Hornyak. Known for her abstract and figurative work in vivid ...

Ingrid Smuling Still life in Red 22 x 37 cm ( frame is included in price, size with frame is 35 x 50 cm) Artist Ingrid Smuling, 80 years in August '24, is still most in her element ...

Nest: Black Swallowtails by Pam Burnley-Schol is a detailed oil painting on gold leaf. This painting is a nature themed still life, featuring...

Still life with Calla Lily is an oil painting on masonite realized by Ugo Celada da Virgilio. Hand-signed on the lower left. Provenance: Galerie Sigfrid O...

Nest: Black Swallowtails by Pam Burnley-Schol is a detailed oil painting on gold leaf. This painting is a nature themed still life, featuring a bird's nest with a single blue egg wit...

Saxophonist. 2021. Oil on canvas, 80x60cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...