Louis Sognot Dining Room Chairs

Fabulous set of twelve dining chairs designed by famed French artist, decorator and designer Louis Sognot (1892-1970) in 1959 for Arflex, Italy. The seating on this set of twelve c...

Fabulous set of ten dining chairs designed by famed French artist, decorator and designer Louis Sognot (1892-1970) in 1959 for Arflex, Italy. The seating on this set of ten chairs has been fully restored comprising new original high specification Pirelli rubber webbing, new high quality foam throughout, and finshed in high quality , linen and wool mix ,Danish Kvadrat 'Sunniva 2'' fabric color tone '811' which overall has a linen type appearance. The brass legs have been sympathetically hand polished and look lovely, please be aware that small insignificant marks ie light small scratches in the brass may still exist commensurate with originality age and use, it is completely unrealistic to assume that genuine chairs which are now over 50 years old will have perfect mark free brass legs. Please ask for additional photos. This beautiful Sognot model is illustrated in an original 1962 Arflex catalog, where this model is confirmed as designed by Louis Sognot. In addition the catalog states this model was available in two options , either with luxurious brass legs or with cheaper black enameled legs. This set feature the luxury brass leg option which have a beautifully elegant tapered profile finished off with swivel joint feet to take up irregular floor surfaces. Maurice Rinck edited another variant of this model for Sognot in France but only with the cheaper black enameled legs to suit the more rationalist taste of the French during this period. The Rinck edition featured alongside the luminaires of Serge Mouille at the 1960 'Salon des arts menagers in Paris', please see scan in this listing. Patrick Favardin's tome on French midcentury design 'les decorateurs des annees 50' also confirms both the Arflex, Italy and Rinck editions. The Arflex brass leg version was also documented in the Italian design journal 'Rivista dell Arredamento' in 1963. Please see literature references below Literature: Original ARFLEX manufacturer's catalog, 1962, (illustrates example with red upholstery and brass legs) and documents Sognot as the designer. The catalog confirms two sales options were originally avaible, either the luxury option with brass legs or with cheaper black enamelled legs. 'RIVISTA DELL ARREDAMENTO' issue number 105, 1963, page 32. 'LES DECORATEURS DES ANNEES 50', FAVARDIN, page 163, NORMA EDITIONS 2002 documents the variant with black enamelled legs edited by Maurice Rinck with black enamelled legs at the Maurice Rinck stand at the 1960 'salon des arts menagers' alongside the luminaires of Serge Mouiie. The text also confirms that Arflex produced the brass leg variant for Sognot. PLEASE SEE SCAN. Sognot was an early protagonist of Cubism and the Modern Movement but soon began to stand out by moving away from the radicalism of functionalism to assert some idea of comfort and quality, this singular position explains his dual involvement both as member of the 'l'Union des artistes de´corateurs, cre´ateurs, ensembliers' and of the ' l'Union des artistes modernes'. Sognot studied at the Ecole Bernard Palissy and learned cabinetry at the famed JANSEN workshops. He moved on to run the famed PRIMAVERA workshop which was one of the founding sites of the Art Deco movement who allowed him to present his first collection of furnitue at the 'Salon d'Automne' et au 'Salon des artistes de´corateurs' in Paris. Sognot soon became inspied by the modernist movement and his creations soon began to show the influences of cubism, notably a collection of furniture he presented at the Primavera pavillion at the 1925 ' l'Exposition internationale des Arts de´coratifs et industriels modernes'. At this time he discovered the achievements of Robert Mallet-Stevens and Francis Jourdain who thei influence can be seen in his output of this period. Although influenced by the tubular steel furnitue created by Marcel Breuer, Louis Sognot soon found his own style in the Modern Movement during the late 1920s. In association with Charlotte Alix, he invented many sets of metal furniture but lookined to escape the "clinical Style" to reconcile with the quality of the French tradition of the 'Salon decorators'. He added the use of other materials such wood, wicker, leather or colored fabrics. This furniture was widely acclaimed by the critics of the time because they seem to reconcile industrial production with individual decoration. 1937 marked a new milestone for Sognot, at the ''Exposition internationale des arts et des techniques' he presented for the first time a series of high quality modern furniture...

Fabulous set of ten dining chairs designed by famed French artist, decorator and designer Louis Sognot (1892-1970) in 1959 for Arflex, Italy. The seating on this set of ten chairs has been fully restored comprising new original high specification Pirelli rubber webbing, new high quality foam throughout, and finshed in high quality , linen and wool mix ,Danish Kvadrat 'Sunniva 2'' fabric color tone '811' which overall has a linen type appearance. The brass legs have been sympathetically hand polished and look lovely , please be aware that small insignificant marks ie light small scratches in the brass may still exist commensurate with originality age and use, it is completely unrealistic to assume that genuine chairs which are now over 50 years old will have perfect mark free brass legs. Please ask for additional photos The sympathetic restoration involved stripping each chair back to its bare tubular steel frame. We have photos of the entire restoration process including stripping down of the original chairs with worn original fabric. We have managed to retain the original Arflex fabric labels which have been reattached to the underside of the seats. This beautiful Sognot model is illustrated in an original 1962 Arflex catalog, which we have in our library, where this model is confirmed as designed by Louis Sognot. In addiiton the catalog states this model was available in two options , either with luxurious brass legs or with cheaper black enameled legs. This set feature the luxury brass leg option which have a beautifully elegant tapered profile finished off with swivel joint feet to take up irregular floor surfaces. Maurice Rinck edited another variant of this model for Sognot in France but only with the cheaper black enameled legs to suit the more rationalist taste of the French during this period .The Rinck edition featured alongside the luminaires of Serge Mouille at the 1960 'Salon des arts menagers in Paris', please see scan of page, image 2 in this listing. Patrick Favardin's tome on French midcentury design 'les decorateurs des annees 50' also confirms both the Arflex,Italy and Rinck editions. The Arflex brass leg version was also documented in the Italian design journal 'Rivista dell Arredamento' in 1963. Please see literature references below which will be made available to seriously interested clients. Literature :- Original ARFLEX manufacturer's catalog , 1962 , (illustrates example with red upholstery and brass legs) and documents Sognot as the designer . The catalog confirms two sales options were originally avaible, either the luxury option with brass legs or with cheaper black enamelled legs. 'RIVISTA DELL ARREDAMENTO' issue number 105, 1963, page 32 . 'LES DECORATEURS DES ANNEES 50', FAVARDIN, page 163, NORMA EDITIONS 2002 documents the variant with black enamelled legs edited by Maurice Rinck with black enamelled legs at the Maurice Rinck stand at the 1960 'salon des arts menagers' alongside the luminaires of Serge Mouiie. The text also confirms that Arflex produced the brass leg variant for Sognot. PLEASE SEE IMAGE 2 ============================================================ Sognot was an early protagonist of Cubism and the Modern Movement but soon began to stand out by moving away from the radicalism of functionalism to assert some idea of ??comfort and quality , this singular position explains his dual involvement both as member of the 'l'Union des artistes de´corateurs, cre´ateurs, ensembliers' and of the ' l'Union des artistes modernes'. Sognot studied at the Ecole Bernard Palissy and learned cabinetry at the famed JANSEN workshops. He moved on to run the famed PRIMAVERA workshop which was one of the founding sites of the Art Deco movement who allowed him to present his first collection of furnitue at the 'Salon d'Automne' et au 'Salon des artistes de´corateurs' in Paris. Sognot soon became inspied by the modernist movement and his creations soon began to show the influences of cubism, notably a collection of furniture he presented at the Primavera pavillion at the 1925 ' l'Exposition internationale des Arts de´coratifs et industriels modernes'. At this time he discovered the achievements of Robert Mallet- Stevens and Francis Jourdain who thei influence can be seen in his output of this period. Although influenced by the tubular steel furnitue created by Marcel Breuer, Louis Sognot soon found his own style in the Modern Movement during the late 1920s. In association with Charlotte Alix, he invented many sets of metal furniture but lookined to escape the " clinical Style" to reconcile with the quality of the French tradition of the 'Salon decorators' . He added the use of other materials such wood, wicker , leather or colored fabrics . . This furniture was widely acclaimed by the critics of the time because they seem to reconcile industrial production with individual decoration. 1937 marked a new milestone for Sognot ,at the ''Exposition internationale des arts et des techniques' he presented for the first time a series of high quality modern furniture...

Single dining chair designed by famed French artist, decorator and designer Louis Sognot (1892-1970) in 1959 for Arflex, Italy. Seating restored. The seating on this chair has be...

Fabulous set of 12 dining chairs designed by famed French artist, decorator and designer Louis Sognot (1892-1970) in 1959 for Arflex, Italy. Seating restored. The seating on thes...

PLEASE NOTE THE LISTED PRICE INCLUDES THE FOLLOWING RESTORATIONS; HAND POLISHING OF THE BRASS LEGS , NEW PIRELLI RUBBER WEBBING,NEW HIGH QUALITY AND HARD TO FIND LATEX FOAM AND THE LABOR COSTS OF REUPHOLSTERY IN A FABRIC OF THE CLIENT'S CHOICE, THE COST OF THE FABRIC IS NOT INCLUDED IN THE LISTED PRICE, THE CLIENT CAN PROVIDE THEIR OWN FABRIC OR WE CAN SUPPLY A FABRIC TO SUIT THE CLIENT'S NEEDS AT COST PRICE. These chairs are currently stripped back to their bare frames and have had new pirelli rubber support webbing installed, the process of polishing the brass legs has also started. We have kept all the original Arflex cloth manufacturer's labels which we will sew onto the new upholstery, Fabulous set of 14 dining chairs ( only 12 in photos) by famed French artist, decorator and designer Louis Sognot (1892-1970). These beautiful chairs were designed in 1959 and were manufactured by Arflex, Italy and are published in an original 1962 Arflex catalog which we have where they are confirmed as designed by Louis Sognot and according to the catalog were available with either a luxurious brass leg finish or a cheaper black enamel finish to the legs. These chairs are the rare luxury option featuring beautiful tapered brass tubular legs with swivel cup feet to take up irregular floor surfaces. The underside of the seats still retain their original ARFLEX fabric labels. Maurice Rinck in France edited another variant for Sognot only with black enameled legs to suit the more rationalist taste of the French during this period This is an incredibly rare opportunity to buy a set of 12 of these rare chairs, we want to leave it up to the buyer to select the type and color of upholstery. The indicated sales price includes restoration of the chairs by our in house restoration team to include ,replacing the seat webbing, renewing the latex foam , polishing the brass legs and cost of recovering but not including the cost of the fabric which can be supplied by the buyer or by us at cost price. The variant with black enameled legs edited by Maucie Rinck, France featured alongside the luminaires of Serge Mouille at the 1960 'Salon des arts menagers'. Arflex in Italy produced this design in Italy and also offered an option with the more opulent brass legs, a fact documented in the original 1962 Arflex catalog and also in Patrick Favardin's tome on French mid century design 'les decorateurs des annees 50' and documented in the original Arflex manufacturer's catalog of the time. The ARFLEX brass leg version was also documented in the italian design journal 'Rivista dell Arredamento' in 1963 LITERATURE :- ARFLEX manufacturer's catalog , 1962 , documents Sognot as the designer and confirms two options wither with brass legs or with black enamelled legs. 'RIVISTA DELL aRREDAMENTO' issue number 105, 1963, page 32 ,documents that Arflex,Italy produced two variants,a more expensive version with brass legs and a cheaper variant with black enamelled legs). PLEASE SEE IMAGE 9 'LES DECORATEURS DES ANNEES 50', FAVARDIN, page 163, NORMA EDITIONS 2002 documents the variant with black enamelled legs edited by Maurice Rinck with black enamelled legs at the Maurice Rinck stand at the 1960 'salon des arts menagers' alongside the luminaires of Serge Mouiie. The text also confirms that Arflex produced the brass leg variant for Sognot. PLEASE SEE IMAGE 10 ============================================================ Sognot was an early protagonist of Cubism and the Modern Movement but soon began to stand out by moving away from the radicalism of functionalism to assert some idea of ​​comfort and quality , this singular position explains his dual involvement both as member of the 'l'Union des artistes décorateurs, créateurs, ensembliers' and of the ' l'Union des artistes modernes'. Sognot studied at the Ecole Bernard Palissy and learned cabinetry at the famed JANSEN workshops. He moved on to run the famed PRIMAVERA workshop which was one of the founding sites of the Art Deco movement who allowed him to present his first collection of furnitue at the 'Salon d'Automne' et au 'Salon des artistes décorateurs' in Paris. Sognot soon became inspied by the modernist movement and his creations soon began to show the influences of cubism, notably a collection of furniture he presented at the Primavera pavillion at the 1925 ' l'Exposition internationale des Arts décoratifs et industriels modernes'. At this time he discovered the achievements of Robert Mallet- Stevens and Francis Jourdain who thei influence can be seen in his output of this period. Although influenced by the tubular steel furnitue created by Marcel Breuer, Louis Sognot soon found his own style in the Modern Movement during the late 1920s. In association with Charlotte Alix, he invented many sets of metal furniture but lookined to escape the " clinical Style" to reconcile with the quality of the French tradition of the 'Salon decorators' . He added the use of other materials such wood, wicker , leather or colored fabrics . . This furniture was widely acclaimed by the critics of the time because they seem to reconcile industrial production with individual decoration. 1937 marked a new milestone for Sognot ,at the ''Exposition internationale des arts et des techniques' he presented for the first time a series of high quality modern furniture...