Luigi Spazzapan Still-life Paintings

Antique American modernist oil painting. Oil on canvasboard. Signed.

This piece has a strong presence with bold brushwork and heavy use of paint. A classic Mid-20th Century Modern piece on canvas depicting a floral still life with a white roses arrang...

Antique American school modernist still life painting. Oil on canvas. Framed. Signed.

THE STRIPED CLOTH Size: 49.5 x 38 cm (including frame) Oil on canvas An vibrant mid-century interior still life painting, executed in oil onto canvas. The composition presents a w...

STILL LIFE WITH GREEN BOTTLES Size: 49.5 x 58.5 cm (including frame) Oil on canvas A charming modernist still life painting that captures a domestic tabletop scene with pared-down e...

Antique impressionist flower still life oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 37 inches overall.

This captivating oil on board painting by Paul Kauvar Smith (1893–1977) showcases a vibrant American Modernist still life featuring zinnia flowers in hues of red and orange. Set with...

Modern Cézanne style still life with collage by Dorothy Jane (Milne) Eggen (American, 1907-1986) Her still life is a Homage to Paul Cézanne's ...

Elegant floral still life of a beautiful spring bouquet in an antique ivory soup tureen by Elizabeth Fitzgerald Forbes (Dallam) (American, 1875-1933). Exhibition placard on verso signed "Elizabeth Forbes...

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed i...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Crimson Apples Size: 51.5 x 64.5 cm (including frame) Oil on board A striking and characterful still life composition executed in oil on board, by the established Swedish artist Eri...