Mecox Gardens Side Tables

Romo(a): [object] that has no point or edge, or has a rounded tip. Mono-material side tables, whose constructive logic consists of three plates that can be inserted into each othe...

Modern one-inch-thick two-tier clear acrylic side table or end table. The top and base are having chiseled details that appear like crystalliz...

Pair of geometric Max-Beam side tables by Ludovica + Roberto Palomba for Kartell. These modern transparent smoked grey acrylic side accent tables are also strong enough to use as sto...

Romo(a): [object] that has no point or edge, or has a rounded tip. Mono-material side tables, whose constructive logic consists of three plates that can be inserted into each othe...

Alentejo side table is a glimpse over the South of Portugal where thousands of cork oaks trees raise their canopies to the sky. Resembling the typ...

The Miter is an elemental side table that evokes mass and stability. It's available in yellow resin, raw aluminum, or burl wood, with all three versions constructed by connecting she...

Side table with burnt wood taken in acrylic glass. Exceptional piece.

This is Carnevale Studio’s first acrylic collection of tables. Shown first on 1stdibs. This collection consist of a coffee table, side table & bedside table. Jessica had been w...

From one of the most stylish line of furniture produced by Drexel, this Oxford square end, or side table is in original, clean and ready to use condition. The table has an open storage space (9.75 in H) over one large drawer. The pecan wood case features the signature faux inlay design, and brass colored metal corners and recessed bail style drawer pull, on bun style feet. 1970's mod meets classic campaign style, equals Drexel Oxford Square...

Mid-century clear acrylic cube side table. The side table measures: 18 wide x 18 deep x 18.25 inches high All pieces of furniture can be had in what...

Inspired by the intricate texture of a cherished 1970s lamp, these sculptural tables are made from coloured eco-resin. Resin has many desirable qualities, it is easily mouldable, mor...

MATERIALITY series represents the thinnest line between sculpture and design. TECHNICAL DATA: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass & cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Dimensions: l 47 cm / w 46 cm / h 42cm Ultra limited edition of 12 + 4 ap. * shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. * dimensions may vary 1 – 2 cm. FEW WORDS FROM THE ARTIST: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. PLASTIC CONCEPT: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...