Naata Nungurrayi Paintings
Aboriginal Australian, b. 1932
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Creator: Naata Nungurrayi
Large Stunning Australian Aboriginal Painting by Naata Nungurrayi
By Naata Nungurrayi
Located in Atlanta, GA
A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work.
The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary.
Medium: acrylic on Belgium Linen
Cat no. NN200315
Provenance: Yanda Aboriginal Art, NT.
The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown.
Reference and further reading:
For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt.
Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons.
Artist's biography:
Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...
Category
21st Century and Contemporary Australian Modern Naata Nungurrayi Paintings
Materials
Canvas
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Mariane Stikas
59 Walker Street
New York, NY 10013
Born: Washington, D.C. 1947
Education:
1974 MFA Virginia Commonwealth University, Richmond, VA
1971 BFA Maryland Institute College of Art, Baltimore, MD
1970 University of Saskatchewan, Painting Workshop, Emma
Lake, Saskatchewan, Canada (Summer)
1966-1968 Corcoran School of Art, Washington, D.C>
1965 Art Student's League, New York
Solo Exhibitions:
1992 The Galbreath Gallery, Lexington, Kentucky, Linda
Schwartz, Agent
1990 John Davis Gallery, New York, NY
1989 John Davis Gallery, New York, NY
1984 Hill Gallery, Birmingham, Mi
1983 Baskerville & Watson, New York, NY
1981 Holly Solomon Gallery, New York, NY
1980 Galerie Liatowitsch, Basel
Feigenson-Rosenstein Gallery, Detroit, MI
Cutler/Stavarides Gallery, Boston, Ma
1979 Holly Solomon Gallery, New York, NY
1978 Feigenson-Rosenstein Gallery, Detroit, MI
1976 2nd Street Gallery, Charlottesville, Va
Eric Schindler Gallery, Richmond, Va
1975 Wilson College, Chambersburg, Pa
1974 Anderson Gallery, Virginia Commonwealth Univ.,
Richmond, Va.(Graduate Thesis Exhibition)
1973 Marsh Gallery, University of Richmond, Richmond, Va
Selected Group Exhibitions:
1993 "The Eidetic Image; Comtenporary works on paper"
Krannert Art Museum, Champaign, Il
1993 The Galbreath Gallery, Lexington, Kentucky
1992 Group Exhibition, The Galbreath Gallery, Lexington,
Kentucky, in cooperation with Linda Scwartz
1990 "Artists in the Abstract", Weatherspoon Museum,
University of North Carolina at Greensboro,
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Trevor Sutton, Sean Scully and Michael McKeown)
1989 "Art on Paper/1989", Weatherspoon Art Gallery
1988 John Davis Gallery, New York , NY
1987 "Romantic Science", One Penn Plaza, New York, NY
1986-1988 "after Matisse", Queens Museum, New York and
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Portland Museum of Fine Art, Portland, Me;
Bass Museum of Fine Art, Miami Beach, Fl;
The Phillips Collection, Washington, DC;
Dayton Art Institue, Dayton, Oh.
1986-1988 Worcester Art Museum, Worcester, Ma
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A striking contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and presented in a white wood frame. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary.
Medium: acrylic on Belgium Linen
Cat no. AENA1007-12KM Verso
Provenance: Yanda Aboriginal Art, NT. Nanda/Hobbs Contemporary, Sydney, Australia.
The painting comes with a copy of COA valuation letter by Nanda/Hobbs dated 2016 from the previous owner.
Reference and further reading:
For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt.
Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons.
Artist's biography:
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