Nathan Oliveira Art
American, 1928-2010
Born 1928, Oakland, California; Died 2010, Stanford, California.
Nathan Oliveira was a leading member of the second generation of the Bay Area figurative painters. He is best known for his brilliantly colored figurative and landscape paintings as well as intricate bronze sculptures with colorful patinas. Oliveira achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation. In 1959, he was the youngest painter included in the important exhibition New Images of Man at the Museum of Modern Art in New York, which also featured works by Francis Bacon, Alberto Giacometti, Richard Diebenkorn, and Jackson Pollack. Overnight, Oliveira found wide acclaim for his nervous human images, built up with thick layers of scuffed and scratched paint.
Nathan Oliveira employed a bravura, brushy style of paint application. His abstracted figures and landscapes, however, reflected an affinity with the darker vision of European artists like Oskar Kokoschka and Edvard Munch or more nearly contemporary artists like Alberto Giacometti and Francis Bacon, who shared his sense of human conflict and existential angst. Particularly influential was the German painter Max Beckmann, with whom he studied briefly.
Nathan Oliveira had solo exhibitions in major museums all over the world. His paintings are held in the collections of many distinguished institutions, including the Art Institute of Chicago; the Carnegie Institute, Pittsburgh; the Fine Arts Museums of San Francisco; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Museum of Modern Art, New York; the National Gallery of Art, Washington, DC; the San Francisco Museum of Modern Art; and the Tate Modern, London, among others.to
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Sleeping Female Nude
By Nathan Oliveira
Located in New York, NY
Nathan Oliveira's "Female Sleeping Nude" is a captivating artwork that elegantly combines style, technique, and layered interpretation, offering a rich and multifaceted experience to...
Category
1960s Abstract Expressionist Nathan Oliveira Art
Materials
Watercolor, Graphite
Nude Stepping from the Carpet
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Nude Stepping from the Carpet" is a contemporary painting, oil on canvas in a palette of reds, greens, and beiges by Bay Area figurative artist Nathan Oliveira. The artwork is signed in the lower right, "N Oliveira 62".
During the early years, Oliveira’s lone figures often suggest an existential angst similar to that of Giacometti, but there is also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig.
Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category
Mid-20th Century Contemporary Nathan Oliveira Art
Materials
Canvas, Oil
Figure with Blue Eyes
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Figure with Blue Eyes" is a figurative painting, oil on canvas in a palette of browns and creams with a pop of blue by Bay Area Figurative artist Nath...
Category
Late 20th Century Contemporary Nathan Oliveira Art
Materials
Canvas, Oil
Miramar I
By Nathan Oliveira
Located in Wilton Manors, FL
Artwork title: Miramar
IArtist name: Nathan Oliveira
Date created: 1969
Classification: print
Medium: lithograph
Edition: 75
Dimensions: 29 3/8 × 22 1/8 in. (74.6 × 56.2 cm)
Signed...
Category
1960s Nathan Oliveira Art
Materials
Lithograph
Nathan Oliveira abstract oil painting on canvas signed , dated
By Nathan Oliveira
Located in Los Angeles, CA
This is a master abstract oil painting by the well known artist Nathan Oliveira . This work was originally purchased by the original owner Joyce Freedman in Bel Air , California from...
Category
1950s American Modern Vintage Nathan Oliveira Art
Materials
Paint
Untitled
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64".
A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959.
During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig.
Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category
Late 20th Century Post-War Nathan Oliveira Art
Materials
Canvas, Oil
Stelae No. 5
By Nathan Oliveira
Located in Palm Desert, CA
"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in.
A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959.
During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig.
Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category
1990s Nathan Oliveira Art
Materials
Oil, Canvas
Head
By Nathan Oliveira
Located in San Francisco, CA
Watercolor, gouache, ink wash, crayon, and pencil on paper
Category
1950s Nathan Oliveira Art
Materials
Crayon, Ink, Watercolor, Gouache, Pencil
Pessoa's Sleigh II
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Monotype
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Untitled (for the journal, XX Siécle)
By Hans Hartung
Located in Fairlawn, OH
Untitled (for the journal, XXe Siécle)
Color lithograph on wove paper, 1973
Unsigned (as issued)
From: XXe Siecle,, December 1973, No. 41
Published by G. di San Lazzaro for A. Maeght, Paris
Printed by Mourlot, Paris
Edition 3000 (There was also a signed edition of 75 on larger paper)
Catalogue raisonné: Subsequent to Schmücking
Condition: Excellent
Image/Sheet size: 12 1/4 x 9 1/2 inches
"Hans Hartung
B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE
Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements.
Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner.
In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship.
Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes.
Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...
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1970s Abstract Nathan Oliveira Art
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By Joan Miró
Located in Fairlawn, OH
Bouquet de reves pour Leila-Poemes d'Yuan Goll
Color lithograph, 1964
Unsigned (as issued)
From: XXe siecle, No. 24, December 1964
Publisher: G. di San Lazzaro, Paris
Printer: Mourlot, Paris
Edition: c. 1500
Reference: Mourlot 546
Condition: Excellent
Glue residue on left amrgin from binding in the book
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1970s Abstract Nathan Oliveira Art
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Located in Barcelona, Barcelona
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Artist: Anonymous
Technique: Oil on canvas
Dimensions: 39.4 x 31.9 in
Period: c. 2000
Condition: Good
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The Fall of Icarus
Located in London, GB
Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass.
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Located in Wilton Manors, FL
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Price on request
Biography:
Birth place: Manchester, NH
Addresses: Primarily in NYC from 1852
Profession: Still-life, genre, portrait painter
Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson
Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889
Member: ANA, 1853; NA, 1868; Century Assn.
Work: MMA; BM; BMFA
Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...
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Offered for sale is a 1958 Mid-century Modern abstract oil painting on linen canvas by Willy Mu...
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Joan Miró - MARAVILLAS CON VARIACIONES... Lithograph Contemporary Art Abstract
By Joan Miró
Located in Madrid, Madrid
Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró I
Date of creation: 1975
Medium: Lithograph
Media: Gvarro paper
Edition: 1500
Size: 49,5 x 35,5 cm
Condition: I...
Category
1970s Abstract Nathan Oliveira Art
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"Motions" (2016) by Nick Runge, Original Oil Painting, Nude
Located in Denver, CO
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Category
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Materials
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Previously Available Items
Nathan Oliveira 'Seated Woman with Dog' 1961 Bay Area Figurative Painting
By Nathan Oliveira
Located in Los Angeles, CA
From a Beverly Hills estate.
1928 - 2010
Mr. Oliveira was an American artist.
His works are in museums and collections throughout the USA and abroad.
This is one of his early classic Bay Area...
Category
Mid-20th Century American Modern Nathan Oliveira Art
Materials
Paint
Nathan Oliveira 'Nude' Limited Edition Signed Lithograph Print
By Nathan Oliveira
Located in San Rafael, CA
Nathan Oliveira (American, 1928-2010)
Nude, 2004
Lithograph in colors on wove paper
Edition 9/10
Signed, numbered, and dated in pencil along lower edge
(Unframed) Sheet: 22-1/2 x 18-...
Category
21st Century and Contemporary Abstract Expressionist Nathan Oliveira Art
Materials
Lithograph
Copper Plate Nude II (2) 2001. Aquatint - signed, dated front - Nathan Oliveira
By Nathan Oliveira
Located in Burlingame, CA
Vivid and beautiful female figurative nude with lifted arms by Nathan Oliveira - color sugar lift and spit bite aquatints, aquatint and texture from the back of a discarded plate 23 ...
Category
21st Century and Contemporary Abstract Expressionist Nathan Oliveira Art
Materials
Aquatint
Nathan OliveiraCopper Plate Nude II (2) 2001. Aquatint - signed, dated front - Nathan Oliveira, 2001
H 27.75 in W 23 in D 1.5 in
Skating Figure
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
Untitled Standing Figure
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
Standing Figure
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
Untitled Figure
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
Figure
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
At The ADAA Art Show - Figure with Arm Up
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
Revisited Standing Figure
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Materials
Oil, Canvas
Untitled Nude
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Head #1
By Nathan Oliveira
Located in San Francisco, CA
Category
Nathan Oliveira Art
Nathan Oliveira art for sale on 1stDibs.
Find a wide variety of authentic Nathan Oliveira art available for sale on 1stDibs. You can also browse by medium to find art by Nathan Oliveira in paint, canvas, fabric and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the post-war style. Not every interior allows for large Nathan Oliveira art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Arne Hiersoux, Paul Wonner, and William Theophilus Brown. Nathan Oliveira art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $55,000 and tops out at $135,000, while the average work can sell for $115,000.