Pierre Corneille Van Geel Prints and Multiples

Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs. Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Print size: 75 x 54 cm Framed: 80 x 60 cm approx. Inspired by Victorian era taxidermy dioramas...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº4 + Year: 2022 + Edition Size: 20 + St...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Marble Blue Silk Pattern + Year: 2022 + Edition Size: 50 + Medium: Cyanotype on Watercolor Paper + Sta...

"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...

Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa. The Netherlands: 1705....

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº3 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...

London: Scatcherd & Whitaker, 1784. Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...

Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...

Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Flower bouquet design. Sealed on the back with the design studio name and number 484 We offer a small number of these original illustration designs by this design studio based in Al...

Each a lithograph with hand coloring on watermarked Arches wove paper with a deckle edge. Each 16 1/4 x 12 1/4 (412 x 312 mm); sheet 26 x 19 3/4 inches (661 x 502 mm), each with full...