Rashid Johnson Sculptures

Folding in Motion 10 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 16 cm × 30 cm × 11 cm (6.3 × 11.8 × ...

"Shifting Diamonds - Pickup Truck”, by ceramic dynamo Katharine Morling is a whimsical porcelain installation of a truck loaded with gold and diamonds. Th...

Entrapped 8 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 21 × 30 × 27 cm (8.3 × 11.8 × 10.6 in). The sculpture is signed and comes w...

100% Art, 2020 Grayson Perry Glazed porcelain plate From the edition of an unknown size Published by the Holbourne Museum, Bath Diameter: 21 cm (8.3 in)

Shell is a unique sculpture by contemporary artist Sharon Brill. This is a wheel thrown altered and sandblasted porcelain sculpture, sold with a stand made of painted clay, dimension...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Double Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital...

My work explores transformation using the kiln as a vehicle for deconstruction. The porcelain grid systems become an architecture over which to stretch a fluid skin that warps or col...

Barbara Kruger War Platter, 2018 Glazed Earthenware Artists name fired on the underside which is considered her authorized signature as she officially does not sign her works Hand nu...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

Wall Object #1 is a unique wall paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 32 × 17 × 10.5 cm (12.6 × 6.7 × 4.1 in). The sculpture is signed an...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...