Robert Littleford Drawings and Watercolor Paintings

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

Lovely 19th century watercolor painting with an angler in a mountain stream landscape painting, this is signed William Bradley with a place and date on the lower left hand corner. Mists fall over the central mountain rising above the stream with rocks and boulders. A mountain ridge is on the left, and trees above boulders on the right. William radley Lamond was a self taught artist flourishing from mid to late 19th century. This would be a later work by this artist. The attribution is based on the period, the style the landscape subject and signature. The painting is presented in an attractive new wooden frame with fresh glass...

This is an exclusive handprinted limited edition cyanotype of a beautiful Aloe plant. Details: + Title: Jurassic Aloe Leaves + Year: 2022 + Edition Size: 100 + Stamped and Certifica...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt. Details: + Title: C...

William Beattie-Brown is a 19th century Scottish artist, and a master landscape painter using tonal color in a naturalistic style. 'Old Bobbin Mill on ...

[CHINESE SCHOOL]. Chinese Craft on the Pearl River. Canton, circa 1810. Pencil, water colour and body colour drawings of craft, heightened with white on paper watermarked ‘J Whatm...

Artist Commentary: A stunning, colorful Texas sunset. Keywords: Landscape & Nature Artist Biography: Judith grew up 15 miles north of Milwaukee in the ...

Artist Commentary: Texas hill country sunset on a warm October evening. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wis...

Peter Caledon Cameron (American, born Scotland, 1852-c. 1920) Absecon Island, New Jersey, 1894 Watercolor on paper, 17 1/2 x 27 inches (sight) FRAMED: 26 1/2 x 36 1/2 inches Signed and dated at lower left: "ABSECON.ISLAND./ N.J-U.S.A Cameron/1894" N.J-U.S.A Cameron/1894" Born in Perth, Scotland, Peter Caledon Cameron won awards for drawing and penmanship at a Glasgow public school. He claimed that at the age of fourteen his watercolors were already "in demand," and that before turning twenty he had "crossed every ocean in the world, sketching and painting as he went." He attended the Government School of Design in London and was certified as an art master in 1883. Cameron immigrated to the United States that year, settled in Philadelphia, and commenced work on large history paintings such as Niagara in Winter (unlocated) and Vesuvius in Grand Eruption (unlocated) that he exhibited in various northern cities. He exhibited one painting at the Pennsylvania Academy of the Fine Arts in 1902. Nothing is known of his activities later in life. In a lengthy inscription that accompanies this watercolor, Cameron noted that Absecon was "a piece of the best sand-dune region characteristic of the whole coast of New Jersey State from Sandy Hook point in the North to Cape May Point in the extreme south." This was one among a number of studies the artist made for a large oil painting titled "Captain Kidd Burying His Treasure" (unlocated). The famous Scottish privateer Captain William Kidd...

We are delighted to present this enchanting winter landscape by the Sundsvall-born artist Oscar Lycke. Executed in 1911, Motif from Ljusdal captures the serene beauty of a snow-cover...

The idyllic atmosphere of this country scene falls within a couple of styles one being regionalism, an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting scenes of rural and small-town America primarily in the Midwest and frequently associated with Grant Wood and Thomas Hart Benton. The other style is romanticism wherein the scene depicted is a more desired or dramatic version of what actually is. “Untitled (Winter Road)” is a quiet country scene depicting a road leading into the distance either going to or coming from a local farm. The snow does not particularly seem fresh suggesting a melt and the coming of spring. This piece has been professionally reframed with acid-free matting and conservator glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles...

Artist Commentary: Thanksgiving sunset in the Texas Hill Country. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in t...