Roger Russell Wall Decorations

This is a beautiful oil on canvas painting after Raphael, depicting the Madonna and Child in the original giltwood Florentine frame, Circa 1880 in date. It bears a label to the reve...

Italian Renaissance style (modern) oil painting of Madonna & Child in antique gold carved frame

This is a Antique Christian paintings Artwork, portraits of the Madonna and Child Jesus placing a crown of flowers on her head, mid 19th century. From the 19th century. The Virgin Mary is also holding a flower, a Lily, which is a symbol of nobility, candour and purity. This is an Antique Oil Painting on Canvas from the 19th century.  Catholic religious...

This is a beautifully painted KPM porcelain plaque after the famous painting of the Madonna of the Chair or Madonna della Sedia by Raphael, which was originally painted 1513-1514. Ma...

Beautiful oil painting on canvas dating back to the Piedmontese school of the early 18th century. The work depicts the Madonna with the Baby Jesus in her arms and next to them is the...

A Early 20th Century Italian old master style painting of Madonna and Child. The painting has been cleaned, restreached and relined and has an early frame that may or may not be ori...

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

19th century oil on canvas painting of the Madonna and Child, shown seated with an open book in a moment of quiet intimacy. The work is presented in a wide giltwood frame with beaded...

ABOUT Peruvian Cuzco School, Madonna & Child, Untitled. Oil on canvas, pre 1970. CREATOR Unsigned. DATE OF MANUFACTURE c. pre 1970. MATERIALS AND TECHNIQUES Oil on Canv...

Italian Renaissance style (19th Cent) gilt framed oil painting of Madonna and child with 3 attendants.

Madonna and child, Classical 19th century painting. This lovely oil painting was purchased in Spain. The artist is unknown. The painting still maintains its original finish and ha...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...