Saint Clair Cemin Abstract Prints

1960s Antoni Tàpies Lithographic cover to Derrière le miroir: Lithographic publication cover; circa 1968. 11 x 15 inches. Good overall vintage condition as pictured. Unsigned from a...

Artist: Alexandra Nechita Title: Soft Velvet Cat Year: 1998 Lithograph on Arches Archival Paper    Size; 35½'' x 23½'' inches Edition: Signed in pencil, dated and marked 65/199 Embo...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. Ibram Lassaw (1913-2003) was primarily known for his sculpture. Born in Egypt to a Russian family...

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

Alexander Calder (United States, 1898-1976) 'Sala Gaspar (avant la lettre)', 1973 lithograph on heavy-weight paper 25.8 x 19.9 in. (65.4 x 50.5 cm.) Unframed Ref: CAL2001-P001 Condit...

Here we have an Original Pencil Signed and Numbered Lithograph by Rufino Tamayo, famous Mexican American Artist…. known for abstract Figurative Expressionist images There was only a...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. The Whitney Museum of American Art has a set. The dimensions, 12 x 9 1/4 inches, are for the sheet; this work signed and dated in the plate. Ray Kaiser...

Bibliography: The work appears reviewed in the catalog raisonné: Miró Litografo V, 1972 – 1975 . Maeght Éditeur. Patrick Cramer. Page 50. Reference number 913. Technical details of ...

Karel Appel. Title: See me running again by Appel Series. Technology: Lithograph. Published by Atelier Dumas of New York, U.S.A. Paper size format: 76 x 56 cm. Year: 1978. Framed...