Sante Monachesi Still-life Drawings and Watercolors

Italian School, 18th Century, Circle of Grassi, This old master drawing is drawn in the late-Baroque or Rococo style. It depicts a woman worshipping Venus/ preparing a sacrifice for ...

Figurative, still life chalk drawing of flowers in a vase against collaged vintage book pages 'One Red One' by Louise Laplante in 2024 pastel on collaged vintage book pages 27.5 x 29...

Chiura Obata Dahlias, 1940 Signed, dated and stamped lower right Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

Chiura Obata Nasturtiums, circa 1940 Signed and stamped lower left Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

Robin Cole's (US based) "When They Bloom" is an original, handmade ink and charcoal drawing that depicts two grey monochrome artichokes beginning to b...

Pencil on cream laid paper, 10 x 8 3/4 inches (254 x 222 mm). Uniform age tone, scattered surface soiling, and handling wear. One pea-sized area of skinning in the top-center sheet ...

Secret Garden 2, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of micr...

Four pencil drawings, each with hand coloring in watercolor, each 6 3/4 x 10 inches (sheet) (172 x 254 mm), full margins. Each with inscriptions and notations by the artist in the up...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 28.4 x 24.3 cm (11 ⅛ x 9 ⅝ inches) Signed lower right, L. Rodo Provenance Private Collection, London This work is ...

Secret Garden 12, 2020 white ink on black cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic...

French School, 18th century Study of foot skeleton Beautiful study in the period's frame. Dimensions with frame 44 x 53 cm

Pastel by Lech Polcyn