Shelly Fink Figurative Prints

Joan Miró (Spanish, 1893-1983) La Boite Alerte, 1959 Color lithograph Signed lower right, numbered 98/200 lower left 9.75 x 6.75 inches Joan Miró Ferra was born April 20, 1893, in B...

Joan Miró (Spanish, 1893-1983) Atmosfera Miró, 1959 Color lithograph Signed lower right, numbered 108/160 lower left 8.25 x 8 inches Joan Miró Ferra was born April 20, 1893, in Barc...

This vintage exhibition poster reproduces The Boy Hidden in an Egg by David Hockney from his Six Fairy Tales from the Brothers Grimm, 1969. A shirtless young man curls up inside a d...

Artist: Alexandra Nechita Title: Soft Velvet Cat Year: 1998 Lithograph on Arches Archival Paper    Size; 35½'' x 23½'' inches Edition: Signed in pencil, dated and marked 65/199 Embo...

THREE BALLET DANCERS is an original hand drawn lithograph by Moses Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. THREE BALLET DANCERS was hand printed on archival Arches printmaking paper, 100% acid free, signed in pencil by Moses Soyer. THREE BALLET DANCERS depicts a sensitive, realistic portrait of three young female ballet dancers, all dressed in dance rehearsal...

Rare, striking signed Francis Bacon lithograph from 1980, number 182 / 250. Details of the work are as follows: Francis Bacon (irish, 1909 ...

SEATED WOMAN CROSSED ARMS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Paint...

Alexandra Nechita Can this be real From the my journey collection - 1999 Print - Lithograph on Arches Archival Paper   35½'' x 23¾'' inches Edition: Signed in pencil, dated and marked 139/199 Embossed with Mourlot Paris Stamp "I am so blessed to have a younger brother named Maximillian. Can this be real? I feel so infinitely happy, so full of life, so complete to have Maximillian. Loving to open up a chest full of race cars and trucks or kicking a ball the way boys do, was something unknown to me.""Having my pony tail pulled so much was another surprise of having a little brother. Even wild adventures like building pyramids out of live snails was nothing compared to trying to hold our garden spiders...

HOLD THE LINE is an original limited edition lithograph by the American artist, Merv Corning printed from hand drawn lithographic stones using traditional...

HAPPY IN PINK is an original limited edition lithograph by the Dutch artist Karel Appel printed using traditional hand lithography techniques on archival printmaking paper, 100% acid...

This artwork "Little Chinese Girl" 1982 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 24.5 x 22 inches, sheet size is 28 x 24.5 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Mary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...