Vatche Geuvdjelian Abstract Paintings

Felix Ferreras - Me and my lovers - Oil on canvas Oil measurements 73x100 cm. Frameless. Félix Ferreras is a visual artist with numerous national and international awards and distin...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed signed and dated 74' inscribed verso framed: 32.5 x 26 inches canvas: 32 x ...

French Surrealist artist, circa 1960’s oil painting on canvas with stuck on magazine art, unframed canvas: 15 x 18 inches provenance: private collection, Paris condition: overall good

What About Death? is a visually arresting and emotionally layered work by Nigerian contemporary artist Bukola Orioye, known for fusing African spiritual heritage with provocative sym...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Title: Battle of Constantine Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on board Dimensions (unframed): 9 x 12.6 in Dimensions (framed): 17.3 x 20.9 in Signature: Signed in the lower right corner Period: Second half of the 20th century Provenance: Galeria d’Art Àmbit, Barcelona Description Battle of Constantine is a symbolic and fragmented composition that showcases the dreamlike world so characteristic of Antoni Pitxot. Through an array of rock-like, anthropomorphic forms, the artist constructs a mythical and dramatic landscape that suggests an epic confrontation. The vivid pink sky and tactile textures reinforce the visual tension, evoking ruins, bodies, and reliefs that seem to emerge directly from the earth. In this piece, Pitxot applies his meticulous technique and unmistakable visual language, where ambiguity is a tool for the viewer's imagination. The boundary between figure and landscape blurs, creating a poetic vision that feels both ancient and surreal. About the Artist Antoni Pitxot i Soler (1934–2015) was a prominent Catalan painter born in Figueres, Girona, into a family with a long artistic tradition. He spent much of his life in Cadaqués, where he developed a highly personal style centered on compositions of stone-like forms that resemble human and animal figures, blending nature with mythology and memory. Pitxot was a close friend and collaborator of Salvador Dalí. Their artistic connection led to Pitxot playing a key role in the creation of the Dalí Theatre-Museum in Figueres, where he later served as the museum's lifelong director. After Dalí’s death...

YURI MARTINEZ RAMOS "TOAST TO THE SEA" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2008 40 X 30 INCHES Toast to the sea is a depiction of the beautiful women at Miami beaches, sunny days, drinks, and having a good moment feeling. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Victor Brauner (1903-1966) La récapitulation de l'amour 1934 oil on canvas 50.2 x 61.2 cm Price: £85,000 GBP Provenance: Edouard Léon Théodore Mesens, Brussels Thence by descent N...

Vintage Surreal Oil Painting on Canvas c.1940s to 1950s. Classic Surrealism brought to life on canvas by a very talented artist. The painting has no visible signature. Canvas dimen...

There’s been a lot of gray and stainless steel in decorating in recent years. For someone tentatively thinking of introducing some fresh excitement into their minimalist maison, cons...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Abstract Composition is an original artwork realized by Giorgio Lo Fermo in 2015. Oil on canvas applied on hardboard. This contemporary painting is a pleasant example of an abstra...