Victor Marais-Milton Interior Paintings

The painting is dated and signed on the bottom left side. Description: Alfred Jacomin was a landscape and genre painter. He was a student of his father, Jean-Marie Jacomin, the Swiss...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Frame dimensions: 38.75 H x 1.25 D x 32.5 W inches (98.5 H x 3.25 D x 82.5 W cen...

A rural interior scene by Austrian artist Edmund Adler. The scene is typical of Adler's paintings of Austrian culture and rural life. It is full of gemütlichkeit.

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

A Surprising Visit" by Eduardo León Garrido (Spanish, 1856-1949) invites viewers into a sumptuous journey through 19th-century European luxury. Eduardo León Garrido, a distinguished Spanish artist born in 1856 and leaving an artistic legacy until 1949, displayed a remarkable ability to capture the essence of his time through his brushstrokes. This antique masterpiece, rendered in oil on panel and measuring 22 1/2 x 29 3/4 inches, unveils a world of opulence within a Royal European...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Provenance: Sold: Jackson's Auctioneers & Appraisers, Cedar Falls, Iowa, December 8, 2009, Lot 4 A Pompeiian Love Song" by Antonio Rivas (Spanish, 1845-1911) transports viewers back ...

"Arabian Cafe I” Figurative Oil Painting 47" x 47"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...