Viola Frey Still-life Paintings

Pocket Juicy Plum 2c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

With Dream Flower, Fiona Ackerman has painted a gorgeous ethereal abstract arrangement of brilliant pink, purple, mauve, orange flowers and organic shapes against a background of vib...

A fantastical arrangement of blue—turquoise, royal and sky-blue flowers amid spherical shapes, Moon Flower is one of a new series of abstract oil and acryl...

"Evening Blue Clouds" By Carl Grauer Oil on Canvas 20x20 inches 21 x 21 x 3 inches framed, custom painted white wood floater frame Signed en verso Artist Carl Grauer captures the qu...

Vibrant orange, purple, and green hues typical of this master of still life abstraction. Mostly known for her fondness for the abstracted still life, Jennifer Hornyak draws inspirati...

Carmine is one of a new series of stunning acrylic abstract paintings by Vancouver-based artist Fiona Ackerman. Inspired by 17th century botanical illustrations by women naturalists,...

Inspired by 17th century botanical illustrations of women naturalists, Fiona Ackerman’s beautiful acrylic series of paintings are delicately detailed compositions of natural images—f...

Una Lekuze originally intended to study law in China, learned Chinese, excellent English, studied Japanese for one year at the University of Latvia, but con...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Tony lived with his grandmother when he was a child. He has seen many Peranakan tableware at her house. Although the artist is not the descendent of Peranakan, he is deeply influenced by multicultural environment in his growth background. Peranakan is not just one symbol of diverse cultures in Malaysia, but is more about an emotional connection between grandmother and him. This is a painting of a Kamcheng sitting on a batik. The edges of the painting has gold plates finishing. Kamcheng refers to the elaborately-decorated, traditional Peranakan storage vase and also means friendship, the theme for this year's Peranakan Festival. The Peranakans or Peranakan Chinese are a sub-ethnic group defined by their genealogical descent from the first waves of Chinese settlers in the Malay Peninsula and Indonesian Archipelago. In Malaysia, the Peranakan Chinese commonly refer to themselves as Baba-Nonya. The term Baba 峇峇 is an honorific for Straits Chinese...

Vancouver artist, Fiona Ackerman strays from botanical-themed compositions to explore the concepts of philosophy in this new abstract acrylic piece, one of two. Her colourful palette...

Bright colorful Still Life with peaches and man, on the background beautiful sunny landscape with blue sky and mountains Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...