Skip to main content

William Monk Figurative Prints

1863-1937

Born in 1863 in Chester, England, William Monk learned to etch while studying in Antwerp. On his return to Chester, he continued working in this medium, producing many highly regarded images of local interest. In 1892, he moved to London to teach at the Bery Art School, St. John’s Wood, where he became director in 1897. Monk was elected an Associate of the Royal Society of Painters-Etchers and Engravers in 1894 and became a Fellow of the Society in 1899. In 1903, Monk inaugurated the Calendium Londinense or the London Almanac which consisted of a 15 x 11 inch print with the calendar of the year printed below. These hand-printed images were in wide circulation. In 1906, Monk toured Ireland and then traveled to New York where he created a series of etchings which were exhibited there at A. Ackerman and Son Galleries. The impact New York had on Monk lead him to advocate his newfound conviction that every art student should travel to America as well as Italy as part of their training. Monk returned to his native Chester after a long sojourn in London and died there in 1937. His work is represented in the collection of the British Museum and the South Kensington Museum.

to
1
1
Overall Width
to
Overall Height
to
1
876
683
375
309
1
1
1
1
1
1
1
1
1
1
1
Artist: William Monk
'The Elevated, East 42nd Street, New York' — 1910 American Realism
By William Monk
Located in Myrtle Beach, SC
William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...
Category

1910s American Realist William Monk Figurative Prints

Materials

Etching

Related Items
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category

Mid-20th Century American Realist William Monk Figurative Prints

Materials

Drypoint, Etching

Union Street, San Francisco
By Edith (Mark) Milsk
Located in San Francisco, CA
This artwork titled "Union Street, San Francisco" is an original etching on creme wove paper by American artist Edith (Mark) Milsk, 1899-1982. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 5.5 x 3.65 inches, framed size is 16.5 x 13.40 inches. Custom framed in a red Oak frame, with beige matting. It is in excellent condition. About the artist: Edith Milsk...
Category

Mid-20th Century American Realist William Monk Figurative Prints

Materials

Etching

Vanity
By Louis Russomanno
Located in San Francisco, CA
This artwork titled "Vanity" 1980 is an original sepia etching by American artist Louis Russomanno, b.1946. It is hand signed, titled and numbered 113/185 in pencil by the artist. Th...
Category

Late 20th Century American Realist William Monk Figurative Prints

Materials

Etching

Vanity
Vanity
H 20 in W 16 in D 1.25 in
TAOS INDIAN JESTERS
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996) TAOS INDIAN JESTERS, 1944 Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...
Category

1940s American Realist William Monk Figurative Prints

Materials

Etching, Aquatint

THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category

1940s American Realist William Monk Figurative Prints

Materials

Etching

Scott's Antiques
Located in San Francisco, CA
This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category

Late 20th Century American Realist William Monk Figurative Prints

Materials

Etching

Scott's Antiques
Scott's Antiques
H 19 in W 23.85 in D 0.01 in
A Burro Train, New Mexico
By Peter Moran
Located in San Francisco, CA
This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163. About the artist: The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer. Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs. In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...
Category

Late 19th Century American Realist William Monk Figurative Prints

Materials

Etching

A Burro Train, New Mexico
A Burro Train, New Mexico
H 14.75 in W 18.75 in D 0.7 in
Fourteenth Street Oriental
By Isabel Bishop
Located in Middletown, NY
New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...
Category

Mid-20th Century American Realist William Monk Figurative Prints

Materials

Drypoint, Aquatint

Merry-Go-Round
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Merry-Go-Round, etching and engraving, 1938, signed in pencil lower right and inscribed Forty Proofs lower left, [also signed in the plate lower left and inscribed SC]. Reference: Sasowsky 179, fourth state (of 4). In good condition, with margins (a paper loss upper right corner well outside of the platemark, stains from prior hinging, notations in pencil lower margin edge). 10 x 8, the sheet 11 1/2 x 9 1/8 inches. A very good impression, printed in black on a wove paper with a partial FRANCE watermark. Sasowsky notes that Marsh printed 15 impressions of this state (and only one or two of the prior states), and considered only 10 of the 15 valuable. His notation “Forty Proofs” is therefore surely an expression of a hoped-for edition size, as opposed to an actual edition size. We have found this quite often the case with Marsh prints – he indicates an edition size but the actual number of impressions printed is considerably smaller. There is an eerie, almost ominous note in this, as in several of Marsh’s merry-go-round prints...
Category

1930s American Realist William Monk Figurative Prints

Materials

Engraving, Etching

My Ain Fireside, from the portfolio Some Modern Etchings
Located in Middletown, NY
Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...
Category

Late 19th Century American Realist William Monk Figurative Prints

Materials

Handmade Paper, Laid Paper, Etching

Villefranche-sur-mer
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...
Category

Early 20th Century American Realist William Monk Figurative Prints

Materials

Drypoint, Etching

TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category

1940s American Realist William Monk Figurative Prints

Materials

Etching

William Monk figurative prints for sale on 1stDibs.

Find a wide variety of authentic William Monk figurative prints available for sale on 1stDibs. You can also browse by medium to find art by William Monk in etching and more. Not every interior allows for large William Monk figurative prints, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of John Edward Costigan, Adolf Arthur Dehn, and Warrington Colescott. William Monk figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,500 and tops out at $1,500, while the average work can sell for $1,500.

Recently Viewed

View All