Wojciech Fangor Posters

Combining black and white photography with bright modernist daubs of paint in a clash of realism and abstraction, Wojciech Fangor created one of the most ethereally beautiful and powerful images of Audrey Hepburn ever produced for a movie campaign. The first Polish artist to have a solo exhibition at the Guggenheim and co-founder of the Polish School of Posters, Fangor remains one of the country's most celebrated artists. As American publicity materials were banned during the Soviet era in the Communist Bloc, the state-commissioned artists were able to operate with total creative freedom from the demands of the big Hollywood studios, offering quirky and sometimes surreal interpretations which often had little reference to the film. Billy Wilder's 1957 romantic comedy 'Love in the Afternoon...