20th Century Interiors Denver More Furniture and Collectibles

A handsome magazine holder designed by Aksel Kjersgaard for Salin Møbelfabrik, Denmark, 1960s. Rarely seen in rosewood, this elegant piece features dual leather slings in rich chocol...

A striking 1970s Replogle globe on a sleek, minimalist bronze stand, reminiscent of Paul McCobb's timeless design. The bronze base exhibits a beautiful, rich patina that adds under...

A pair of 1970s Electro Voice EV SP8B speakers in walnut cabinets custom made for the Poul Cadovius Royal System. Cabinets are notched for perfect fit into the vertical rails of th...

A monumental and stately ceramic floor vase in a beautiful beige cream finish, unusually subtle and sophisticated for Robinson Ransbottom Pottery Co. ceramics. Ready for patio or ga...

This beautiful grand piano was built by Erard in Paris in 1895. With irreplaceable original cabinet art created and signed by an artist named Finel - specifically commissioned by th...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...

Fantastic early Art Deco pram stroller. 1940s, California. Magenta enameled metal with chrome sides and bumpers. Plastic hood, interior and detachable ...

Beautiful early modernist chrome coat tree by Gilbert Rohde for Troy Sunshade.

The "Lulu" cradle was designed in 1963 by Nanna Ditzel for her new baby daughter, and that original cradle has been passed down to each new generation of her family, adding a small n...