Klassik Design Obelisks

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...

A beautiful Italian travertine marble Obelisk, in the Modern style, circa 1970s, Italy. A great decorative object for a shelf, credenza, office, library, cocktail table, etc. Very go...

This is a lovely hand painted folding screen with a botanical motif by Maitland-Smith. It dates to the later part of the twentieth century. It is marked and in very good condition. I...

Vintage Hand-painted "Trompe L'oile" Folding Screen, Maitland-Smith Style Offered for sale is a vintage three panel folding-screen that is painted with hand-painted with a "trompe l...

A pair of reclaimed Ashford black marble obelisks salvaged from an ex UK private collection. This pair of matching Grand Tour style obelisks are inlaid with an array of beautifully ...

Pair of Chinese blanc de chine porcelain elephant bookends designed by Maitland-Smith. Retains original labels as pictured. Measurements are for each piece.

Free shipping in the continental United States. Over 6 feet tall. RARE Maitland Smith birdcage. Mahogany birdcage with brass accents on a me...

Lovely pair of Black Marble Obelisks.

A classic style. Add to your collection.

A gorgeous porcelain obelisk on a marble base. The lovely white color porcelain obelisk with highly crated white, hand painted love birds on the top. Great condition. Italy 1950s. ...

Opulent, large scale, Maitland Smith hand-painted room divider folding screen. The Greco-Roman themed folding screen features neoclassical architecture and sculpture as decadent as the halls of the Roman Senate. Each of the four panels measures 34″ wide! The screen stands at 8 feet tall. The palatial scene could easily be used as theatrical backdrop...

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...