Adrian Alan Decorative Objects

A Pair of Louis XVI Style Gilt and Patinated Bronze Figural Candelabra. After The Model by Clodion. Each modelled with a dancing putto, emblematic of music and wine. Supporting vine...

Émile-Coriolan-Hippolyte Guillemin (French, 1841-1907) A Fine Multipatinated Bronze Orientalist Bust of A Young Woman. Signed and dated 'Ele. ...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

An Exhibition Gilt-Bronze and Champlevé Enamel Jardinière, By George Servant, Paris. This magnificent ‘Louis Seize’ jardinière is designed in the Néo-Grec style. The handles are su...

A Large Rosso Antico Marble Model of the Sarcophagus from the Tomb of the Scipios. Attributed To The Workshop Of Benedetto Boschetti. The lid with palm-scrolled ends, is inscribed ...

Sir William Hamo Thornycroft (British, 1850-1925) A Patinated Bronze Statue Of Teucer The standing figure of the male nude holding his bow in his outstretched left hand, raised on a...

A Fine English Tripod Table Regulator Clock by Thomas Cole, With Integral Thermometer and Barometer, Retailed by Hunt & Roskell, London Signed to the dial for the retailer ‘Hunt & Roskell, London.’ No. 1318 /38 The circular six-inch silvered dial with cast bezel, signed ‘Hunt & Roskell, London’, above Roman chapters and blued steel spade hands, set with a large subsidiary seconds dial below XII, the centre finely engraved with scrolling strapwork decoration. The steel winding square protruding through an engraved and shaped plate immediately below 6 o'clock with handset achieved by adjustment to the rear. The movement with tapered plates joined by cylindrical screwed pillars, a two-part backplate, a going barrel, and deadbeat escapement. The pendulum suspended from the apex of the tripod from a G-bracket, with plumb line above, fine regulation achieved by a sliding cylindrical weight on the rod, terminating in a heavy silvered spherical bob secured via Cole's pendulum-locking system. The case formed of three cylindrical rods set on a gilt and stepped circular base engraved with scrolling foliage, the recessed centre with a semi-circular glazed barometer with silvered register scale, blued steel hand and manually adjustable gilt recording hand. The tilted thermometer within an engraved and gilded surround. Below the tip of the pendulum is a beat scale resting on a bimetallic bar providing thermal compensation, the base resting on three adjustable gilt-metal levelling nuts. Retaining its original glass dome and brass winding key. England, Circa 1855. This fine and rare timepiece by Thomas Cole is a masterpiece of design. Described by Hawkins in 'Thomas Cole & Victorian Clockmaking' as “the first English table regulator for a gentleman’s library table,” Cole’s strut clock underwent over eight iterations before achieving a design that combined precision with extraordinary elegance. The use of a tripod to determine the optimal pendulum suspension point is just one of several ingenious mechanisms Cole employed. Three adjustable nuts serving as feet allow for effective levelling of the clock, while a plumb line and bob ensure precise vertical alignment. Relocating the winding square directly beneath the dial eliminates the risk of scratching the surface or damaging the hands, while the inclusion of a thermometer, angled at 45 degrees, effectively conceals the beat scale and pendulum locking mechanism. Ingeniously designed, the locking mechanism positioned just below the pendulum’s tip includes a beat scale resting on a brass bar that can be raised to secure the pendulum in place. This mechanism also provides thermal compensation through a bi-metallic strip, which automatically raises or lowers the bob in response to temperature fluctuations. Both inventive and aesthetically striking, this rare clock exemplifies the highly ornamental Victorian timepieces...

Sir George James Frampton (British, 1860-1928) A Patinated Bronze Statue Of Peter Pan Depicted playing the pipes and conducting with his right hand. Standing on a naturalistically cast base. Signed 'G F' in a monogram and 'P P' in a roundel. Dated 1913. England, Dated 1913. Provenance: Gerald Rufus Isaacs, 2nd Marquess of Reading (1889 –1960) and Eva Violet Mond Isaacs, Second Marchioness of Reading (1895–1973). Thence by descent until sold in 1996. The present charming statuette of Peter Pan, dated 1913, is an exceptionally fine and early reduction of the life-size bronze exhibited by Frampton at the Royal Academy in 1911. Barrie unveiled the statue in Kensington Gardens on 30 April 1912, without fanfare and without permission, so that it might appear to children that the fairies had put it in place overnight. He published a notice in The Times newspaper the following day, 1 May: "There is a surprise in store for the children who go to Kensington Gardens to feed the ducks in the Serpentine this morning. Down by the little bay on the south-western side of the tail of the Serpentine they will find a May-day gift by Mr J.M. Barrie, a figure of Peter Pan blowing his pipe on the stump of a tree, with fairies and mice and squirrels all around. It is the work of Sir George Frampton...

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of elongated slender out-shape. Each with cobalt blue-ground neck and cover with gilt-embossed deco...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

A Fine Louis XVI Style Gilt-Bronze and Sèvres Porcelain Mounted Cartel Clock and Aneroid Barometer En Suite, After the Models by Martinout and Passemant. The clock having a circula...

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed 'Linke'. This rare example of a clock by François Linke has a twin train eight-day mov...

A White Marble Figural Group of Venus and Cupid by Henri Weigele. Signed ‘H. Weigele’ and titled ‘IL PASSEPA' Born in Schierbach, Haut-Rhin, Henri Weigele (1858- 1927) studied sc...

Val d'Osne Foundry - A Rare Pair of Cream-Painted and Gilt-Decorated Cast Iron Busts and Pedestals Allegorical of Spring and Winter. One with an engraved plaque signed ‘FONDERIES DU...

A Pair Of Napoleon III Patinated-Bronze Figures, Modelled As Classically Robed Maidens Bearing Urns, by Victor Paillard. The models attributed to Albert-Ernest Carrier-Belleuse (French, 1824-1887). Each with oval stamp 'VOR PAILLARD / FANTS DES BRONZE / A PARIS' France, Circa 1865 Victor Paillard (French, 1805-1886) Paillard first exhibited his work at the Exposition des produits de l'industrie in 1839. He had been experimenting with gilt and silvered bronze since...

A Pair of Charles X Gilt-Bronze Reversible Cassolettes / Candlesticks Each with pierced dome lid surmounted by a butterfly finial. The lids reversible, the undersides fitted with c...

A Large Louis XVI Style Patinated Bronze and Rouge Griotte Marble Figural Pedestal Clock. The patinated bronze figural group of Bacchantes is cast from a model by Claude Michel, kn...

A Gilt-Bronze Mounted Chinese-Style Porcelain Vase With Dragon Handles and Elephant Head Feet, In the Manner of Ferdinand Barbedienne. French, Circa 1860.

A Very Fine Pair of Regence Style Gilt-Bronze and Rouge Griotte Marble Jardinières on Stands. Each jardinière has a scrolling foliate frieze above a tapering rouge Griotte marble...

A Pair of Green and White Overlay Glass Lustres. Originally Bohemian Gothic Glassware was made of green glass known as 'forest' glass. In the Renaissance period, the glassmaking p...

A Pair of Sèvres-Style Gilt-Bronze Mounted Two Handled Vases with Covers, each painted with a continuous scene within a 'jewelled' gilt and bleu celeste border. The front of each v...

‘Open Sesame’ A Finely Cast Gilt and Patinated Bronze Concealed Erotic Figure Of A Young Woman in A Cloak, by Carl Kauba. This rare gilt and patinated bronze by Carl Kauba is finel...

A Champlevé Enamel Three Piece Desk Set, Attributed to Barbedienne. Comprising a gilt-bronze pen tray and a pair of candleholders all finely decorated in Champlevé enamel. The pen...

A Fine Louis XVI Style Gilt-Bronze Cartel Clock, by Beurdeley. Signed 'A Beurdeley Fils à Paris'. Surmounted by a ribbon tied globe the gilt-bronze case of this fine cartel clock...

A Gilt-Bronze Mounted Turquoise Sèvres Porcelain Rectangular Jewellery Casket, painted with a seated mother and child before a window. This is with...

A Bronze Figure of 'La Nature se dévoilant devant la Science' by Louis-Ernest Barrias. Inscribed 'E. Barrias' and with Susse Frères foundry cachet and further Susse inscription. S...

A Fine Pair of Napoléon III Gilt-Bronze and Patinated Bronze Athéniennes Modelled in the Classical Antique Style, Attributed to Henri Picard. The bronze impressed with the number R...

A Pair of Restoration Period Gilt and Patinated Bronze Four-Light Figural Candelabra. French Circa 1830.

A Patinated and Gilt-Bronze Hanging Clock, with an enamelled dial and Arabic Numerals. The dial signed 'E. Artult / Moulins S.Allier'. The clock with a twin-train movement and a ...

The Warwick Cup An Important Victorian Silver Presentation Horse Racing Trophy For The 1853 Warwick Races, by Elkington & Co. England. Modelled by Pierre-Emile Jeannest (French, 18...

A Pair of Louis XV Style Candlesticks. Each baluster stem cast with C-scrolls and below a nozzle and drip-pan, on a spreading rocaille-cast and moulded circular base These charmi...

A Napoleon III Gilt and Patinated Bronze Three Pieces Figural Clock Garniture. By Charpentier & Cie., Paris. Comprising a mantle clock modelled with playful cherubs with white enam...

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of urn out-shape with loop handles. Each with cobalt blue-ground neck and cover with gilt-embossed ...

A Pair of Large Gilt-Bronze Mounted Sèvres Style Turquoise Ground Porcelain Vases. Each of baluster form with gilt-bronze collar above an inverted pear-shaped body flanked by acanth...

A Louis XVI Style Gilt-Bronze and Wedgwood Porcelain Cartel Clock and Companion Barometer, by Maison Millet, Paris, after the model attributed to Pierre Gouthière. The clock dial is...

An Important Lifesize Statuary Marble Figural Group of a Mother and Her Two Children, Entitled 'Mamma ce n'è una sola' (You only have one mother), By Silverio Martinoli (Italain, 183...

An Exceptional Pair of Gilt-Bronze Mounted Sèvres Style Iridescent-Ground Porcelain Vases and Covers. Each vase of slender oviform, with domed cover and cone finial, the elongated...

Luca Madrassi (Italian, 1848–1916) A Fine And Large Patinated Bronze Figure Of A Sea Nymph, Entitled ‘La Fée Des Mers’ (The Spirit Of The Seas) The semi clad winged nymph, holding a...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

A Fine Carved Alabaster Group of The Birth of Venus, On Pedestal. Modelled with Venus standing in an open oyster shell holding the hand of a nymph seated at her feet. On a veined alabaster pedestal. Italy, Circa 1900. The Birth of Venus depicts the moment described by the Roman poet Ovid when, having emerged from the sea in a shell, Venus lands at Paphos in Cyprus. Venus, or Aphrodite in Greek mythology, wears a pearl neckless...

An Unusual Patinated Bronze Sculptural Inkwell By Jean-Baptiste Carpeaux (1827–1875). Modelled as a fountain with pedestal surmounted by a bust of ‘Rieur napolitain’ (The Laughing N...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

A Large Gilt-Bronze Four-Glass Mantel Regulator Calendar Clock. The architectural case composed of two columns supporting a stepped top. The front and back with bevel glazed doors. The enamel clock...

A Baroque Style Sculptural Carved Wood Cradle. The oval shaped shell with scrolled finial surmounted by a putto in flight. The front underside with a climbing putto. The shell held...

A Louis XVI Style Gilt-Bronze and Blue Enamel Cartel Clock and Barometer, By Maison Mottheau & Fils., Paris. This exceptional cartel clock and aneroid barometer exhibit the finest p...

'La Nature se dévoilant devant la Science', A Large and Rare Gilt and Silvered Bronze and Marble Figure entitled ('Nature unveiling itself before science') By Louis-Ernest Barrias (...

A Large Gilt-Bronze and Sèvres Style Cobalt Blue Ground Porcelain Three-Piece Clock Garniture. Comprising a mantle clock and a pair of vases and covers. The mantel clock modelled w...

A pair of Large Louis XV Style Gilt and Patinated Bronze and Marble Figural Candelabra. Each modelled with naturalistically cast rocaille and laurel leaf candle branches above cher...

A Louis XVI Style Gilt and Patinated Bronze and Marble Clock Garniture, Comprising a 'Pendule à Cercles Tournants' Modelled with the Three Graces and a Pair of Cherub Four-Light Cand...

An Important and Extremely Rare Grand Figural Cartel Clock, After a Design by Gilles-Marie Oppenord. Of grand proportions and of exceptional quality this rare cartel clock is after...

A Fine Pair of Patinated Bronze Allegorical Busts of Autumn and Summer By Pierre-Louis Détrier. Finely modelled and cast, the busts depict young maidens allegorical of Summer and Au...

A Large and Important Multi-Patinated Bronze Figure of an Arab Warrior by Henri Honoré Plé. Signed Henri Plé to the base. The figure is finely modelled as an Arab warrior, with sw...

A Pair of Large Louis XVI Style Gilt-Bronze Mounted Rouge Griotte Vases and Covers. Designed in the Neoclassical Style with intwined serpent handles above ram’s masks joined by aca...

A Fine Pair of Bronze Figures Entitled 'Avant le Combat' and 'Apres le Combat', Cast from the models by Etienne-Henri Dumaige (1830 - 1888). Signed H. Dumaige, with title plaquet...

A Pair of Sèvres Porcelain Presentation Vases, Designed by Albert-Ernest Carrier-Belleuse. France, Dated 1874. Marked to the base of each vase ‘Doré A Sèvr...

A Pair of Patinated Bronze Figures Of The Egyptian High Priest 'Pastophore' and The Egyptian Scribe 'Hierogrammate' By Emile Louis Picault (French, 1833-1915). Each signed 'Picau...

A Rare Louis XV Style Gilt-Bronze Inkwell. Designed by Léon Messagé and Cast By The Ferdinand Barbedienne Foundry, Paris. Designed in the exuberant Rococo style surmounted by a sea...

A Fine Patinated Bronze Figural Group of Cupid and Psyche, Entitled 'L'Amour Vainqueur' ('A Love Vanquished') By Adolphe Itasse (French, 1830 - 1893). On a revolving rouge de Fran...

A Fine Patinated Bronze Group, Entitled 'Thesée Combattant le Centaure Bianor' ('Theseus Fighting the Centaur Bianor'), Cast by Ferdinand Barbedienne, From the Model By Antoine Louis...