Adrian Alan Table Lamps

Pair of Louis XVI style polychrome marble and bronze-mounted baluster form urns, later fitted as lamps, with beaded necks and gilt bronze swags, raised on square bases and furnished ...

Pair of Napoleon III lamps Origin France 19th century, circa 1860 electrified 220 w perfect condition gilt bronze, onyx and cloisonné enamel 39 cm high up to the screen frame. The Na...

This exquisite 19th-century Italian Napoleon III-style lamp features a beautifully detailed gilt bronze cherub seated on an ornate scrolling base. The beautiful cherub, depicted in a...

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square marble base. The lampshades are silk and custom made by Blanche Field...

A pair of good Napoleon III rouge marble vases, each mounted in ormolu with a pair of square bracket handles and collars of pointed leaves, now fitted for electricity. French, circa ...

MODEL PRESENTED AT THE 1867 PARIS UNIVERSAL EXHIBITION Listed in the Ferdinand Barbedienne’s catalogue as the “Deux femmes debout” (Two standing ladies) Signed on each one P. Dubois – F. Barbedienne Fondeur and A. Falguière – F. Barbedienne Fondeur Rare pair of parcel-gilt and patinated bronze figures, representing two women dressed in Antique style costume with jewels, each upholding a seven lights-arm candelabra. Standing on round bronze bases and black marble socles. Paul Dubois (1827-1905) entered the Paris Beaux-Arts School in 1858. He exhibited at the 1865 Salon the Chanteur Florentin, illustrating Florentine sculpture, observed after his journey in Italy. This work, cast that time in silvered bronze, was exhibited at the 1867 Paris Universal Exhibition (now preserved at the Orsay museum). Dubois' success brought him many commissions, both private (Portrait of Duc d'Aumale) and public (Jeanne d'Arc, in Reims). Appointed curator at the Luxembourg museum in 1873, Dubois became also a member of the Institute and finally headmaster at the Beaux-Arts School in 1878. Alexandre Falguière (1831-1900) studied under Jouffroy at the Paris Ecole des Beaux-Arts, began his career at the Paris Salon in 1857 and won as soon as 1859 the “Prix de Rome”. Falguière became very quickly successful and was several times awarded medals at the Salon, such in 1868 with his marble sculpture Tarcisius the Christian Boy-Martyr, or at the 1867 Paris Universal Exhibition, where he won the first medal in his category. Thanks to that success, he was immediately commissioned by private collectors as well as by the French State, whom asked him in 1878 to realize the Triomphe de la République, placed in 1881 at the summit of the Paris Arch of Triumph...

A Pair of Antique Altar Candle Sticks which have been electrified and shaded. Pair of tall, tripod footed lamps, with bobeche and single bu...

Impressive Japanese bronze urn or vase featuring scenes of Phoenix's decorating the body. Twin handled elephant forms adorn the neck and the vase i...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

A Billy Haines style pair of late 19th or early 20th century cloisonné vases loose mounted on newly painted wooden plinths and French wired with new sockets. Very Hollywood Regency, ...

This is a rather stunning Chinese porcelain vase made for export to the West in the early 20th century. The vase has been mounted on a heavy brass base. The porcelain is painted wit...

Louis XVI style French Sevres cobalt porcelain and dore bronze-mounted ormolu vases pair table lamp. One side is painted with pastoral love sce...