Alexander's Antiques Busts

A large and unusual 19th century hand-carved Roman bust representing Achilles, executed in polychrome specimen marbles. The figure is shown wearing a crested helmet and classical mil...

An Impressive 19th Century Italian Hand-Carved Carrara Marble Model of The Three Graces, Originally by Antonio Canova. The carving on this piece is exceptionally well done. The faces, hair, hands and draped clothing...

A large pair of Belle Epoque style French Majolica Porcelain Busts of Royals. Each is beautifully hand-painted with extraordinary care and skillful artwork. Both royals are wearing r...

A Pair of 19th Century Italian Hand-Carved and Hand-Polished Carrara Marble Models of Children Reading and Writing, Signed A. Piazza, After Antonio Canova. Antonio Canova (1757–1822...

An Incredible and Large Pair of Multi-Specimen Marble and Porphyry Busts of Ceasars Domitian and Augustus of Prima Porta. Each composed of multiple stone specimens and mounted on squ...

A Pair of Grand Tour Period 18th C. Italian Roman Busts of Emperors Domitian and Nerva. These busts depict the Roman Emperors Domitian and Nerva, and demonstrate finely cast and han...

An Outstanding Pair 19th Century Italian Hand-Carved Carrara Marble Busts of Apollo & Artemis, One Bust is Signed on the Back, "F Vichi". This pair of stunning marble busts, hand-car...

A Large French Terracotta Figure of Bacchus and a Beauty, Signed Albert Ernest Carrier-Belleuse. This terracotta sculpture is a representation of the 1868 work by French sculptor Alb...

A Set of Four 19th Century French Patinated Bronze Marble Mounted Busts of Philosophers. The stunning patina adorning each bust accentuates the intricate facial expressions, breath...

A monumental 19th C. Italian Marble Bust of The Grandparents, Titled: Rimembranze, Signed Vichi. Presenting an exquisite Italian masterpiece from the 1800s, we have a captivating white Carrara marble bust group entitled "Rimembranze" (Remembrance). This remarkable sculpture portrays an endearing elderly couple locked in a tender embrace, their love emanating through the gentle touch of the man's hand on the lady's chin and face. The profound affection and mesmerizing connection between them are beautifully captured in the expressions gracing their faces. Renowned for his exceptional talent, Ferdinando Vichi meticulously crafted this sculpture, paying meticulous attention to every detail. The couple's wrinkles, veins, and musculature, as well as the delicate rendering of their clothing and expressions, are expertly brought to life by Vichi's craftsmanship, establishing this artwork as one of his most remarkable and meticulously executed pieces. The sculpture rests on a contrasting black marble base with the title "Rimembranze" etched into the side, further enhancing its aesthetic appeal. Vichi's artistry is truly captivating. The old woman's knitted shawl, meticulously fashioned out of marble, appears astonishingly lifelike, while the choice of beautiful white marble exudes a refreshing allure. The old man's playful gesture of touching the lady's chin is captured with natural grace and warmth. Vichi's exceptional ability to sculpt fabric with such finesse creates an illusion of softness that defies the medium of marble itself. The remarkable attention to detail, from the intricately carved wrinkles and smile lines to the depiction of a lifetime shared in joy, evokes a profound sense of admiration. Ferdinando Vichi, a member of the esteemed Florentine School and associated with the Bazzanti Gallery in Florence, Italy, was part of a talented group of Tuscan sculptors. His body of work encompasses a wide range of subjects, including romantic busts, orientalist themes, and Renaissance-inspired models. Similar to his contemporaries from the late nineteenth century, Vichi often drew inspiration from romantic and tender subjects. This is exemplified in the beautifully detailed marble group depicting an elderly man's playful courtship and deep love for his wife. This 19th-century Italian marble group titled "Rimembranze" is signed by the esteemed artist Ferdinando Vichi, who was associated with the renowned Pietro Barzanti...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

An Exceptional Antique French 1st Empire Period Dore Bronze Grouping of Lovers, Attributed to Pierre-Philippe Thomire a Paris. Exceptionally cast, hand-chiseled and further burnished and matted with two-tone gold, this dore bronze grouping of two neoclassical lovers is of the upmost quality and craftsmanship. As Pierre-Philippe Thomire is regarded as one of the greatest bronzier's of the late 18th century and early 19th century, this dore bronze piece could only be made by someone with his artistic talents. The lovers are seen with the man seated on a cushioned bench with tasseled...

A Fabulous and Large Louis XVI Style Patinated Bronze Bust of a Court Jester, Stamped A. PANDIANI.MILANO 1888. Antonio Pandiani did an exceptional job at casting this truly remarkabl...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

An important, extremely rare, and rather large 18th century Meissen Porcelain Group of a Thalia with a Harlequin Child, By Johann Joachim (J.J.) Kändler, Circa: 1744. This is an incredible and extremely rare 18th century Meissen Porcelain piece modeled by the greatest Meissen modeler ever in the Company, Johann Joachim (J.J.) Kändler. Thalia can be seen seated on a gorgeous hand-carved and hand-painted flowered and vined porcelain pedestal. Her right arm is raised holding a Phantom of the Opera Black and White Mask, while in her other arm is a young Harlequin dancing and singing holding a hat. Thalia is wearing a gilt-edged dark blue bodice with white floral decorations over a black corset draped in a red-over-yellow robe...

A Very Large 19th century Meissen porcelain Group of Russian Calvary General, believed to be Mikhail Kutuzov, the hero of Borodino, with aide de camp, marked with the Meissen underglaze blue crossed swords, and incised and impressed with numbers. While Russia endured great hardships during Napoleon's invasion, it was the skill of her general's and a terrible Russian winter...

A magnificent and monumental pair of patinated bronze figures depicting native Americans, La Peche and La Chasse. Known as the "Allegory Of Fishing", sculpted and signed by Duchoiselle, these marvelous patinated bronze figures are seen seated on canoes, hunting. On the Chief's canoe are his hunting spoils, which include birds and wild boar. Bronze with a brown and parcel-gilt patina can be found throughout each subject with elaborate chissel work, making these two as life-like and as natural as possible. The two are further adorned with 24k parcel-gilt decoration on their arm and ankle bangles, feathered crowns, jewelry and fish netting. Duchoiselle is an exceptional artist known for supplying ceiling reliefs for the Louvre and Garnier's Paris Opera in 1882. These Native American models can also be found in marble at the Frilli Gallery...

A gorgeous 19th century French ormolu sculpture of a Baccante, by Jean-Léon Gérôme. This incredible sculpture is by Jean-Léon Gérôme (French, 1824-1904), one of the most famous and i...

A Fabulous and Large Patinated Bronze Figure of a Soldier on a Horse. Beautifully cast and well patinated with a dark brown patina. The soldier is seen seated on a horse, beautifully...

A Fabulous Pair of Antique French mid 1800s Louis XVI Style Patinated Bronze Putti Seated on Fluted Plinths. Each putti is seen seated with their arms an...

A fabulous and large sized Louis XVI style patinated bronze sculpture of a cherub, signed by Auguste Moreau, titled "Amour Sifflant". This is a fabulous piece that has been crafted b...

A fabulously hand carved antique neoclassical style Italian Carrara marble bust of Daphne. This bust is of immaculate quality and craftsmanship. Daphne's hair is beautifully hand car...

A striking late 18th-early 19th century bust of the Roman Emperor Titus Domitian. The head is made from hand carved white Carrara marble, the tunic and t...