Almut Wager Contemporary Art

Contemporary painting by Spanish artist Santiago Castillo. The artist was born in Madrid in 1970 and continues to live and work there. Santiago Castillo has exhibited in Spain and ...

The new exclusive series of limited edition collages by acclaimed American artist Mickalene Thomas comes in two series of 10 unique collage prints. Phaidon, Artspace, and Avant Arte...

A large aboriginal painting by Ningura Napurrula (1938-2013). Title: "Rockhole Site of Wirrulnga" Artists: Ningura Napurrula (Australian Aboriginal, c.1938-2013) Birthplace: Watul...

Nicely framed contemporary oil on canvas abstract not signed dated 1998. With great texture cream and gold colors.

Possibility of laminated on dibond, with metal structure, on request. Depth 3 cm for lamination otherwise photograph sent in roll - Printing in seven copies. Cedric Roulliat...

John Dugdale (American, b. 1960). Turbulent Dream, NYC, 1998. Platinum-palladium print. Image size 8-3/4 x 6-3/4 inches paper size with margins 17 x 14 inches Signed and editi...

Serigraph by Alex Foxton, 2021: This captivating serigraph by Alex Foxton is part of a 2001 series entitled 'Frankenstein'. This magnificent artwork on vellum paper, signed and num...

1980s indulgence captured in this custom art work image by photographer Jim Shick. Surrounded by a black lacquer frame, the photographer's definition of 1980s indulgence includes a beautiful diamond necklace, a Gucci handbag...

Black and white engravings with accents of gold by contemporary French artist Foucher Poignant Raised geometric patterns created      

One-of-a-kind ML1701 mosaic part of the collection “Voos” (flights) by contemporary artist Mariana Lloyd. About the collection: "In early 2020, the Covid-19 (SARS-Cov-2) began t...

"Beauty at the Window" Street Photography /2000, Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date and print date on vers...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...