Di Mano In Mano Coop Portrait Paintings

Oil on Canvas. Northern Italian school of mid-17th century. The man portrayed appears dressed in a wide black cape, severe if edged with white lace at the wrists, seated at his desk ...

Oil on Canvas. On the back is cartouche with attribution and title of the work. Sir John Watson Gordon established himself as a portrait painter, producing portraits of a great many ...

Oil on Canvas. Portrait of a nobleman, proud with his hand resting on the 'hilt of his sword and dressed in an ermine-edged cloak. On the upper right appears the coat of arms of his ...

Oil on Canvas. Central European school of the 18th century. The distinguished lady, flaunting a dress embellished with bows and lace, is seated at her desk and holding a letter; in t...

Oil on Canvas. Italian School of the 18th century. The man, dressed in black with a white collar, poses in front of a shelf on which rest some objects: a crucifix, a bell, and an ink...

Oil on Canvas. 17th century Dutch school. The young nobleman, very serious, looks out from an oval painted frame, on which he rests his hand to flaunt the family ring. The painting...

Oil on Canvas. 17th century Dutch school. The young nobleman, very serious, looks out from an oval painted frame, on which he rests his hand to flaunt the ring of the household. The...

Oil on Canvas. French school of the late 1700s-early 1800s. Portrait of a gentleman in elegant bourgeois dress. The canvas has slight tears and is in need of cleaning. It is presente...

Oil on Canvas. Signed at right, mid-canvas. It is a portrait of a mourning woman, a young widow, as can be inferred, not only from the black dress, but rather from the headdress and...

Tempera on wood depicting a half-length female figure; she wears a red dress over a light-colored tunic, while a green drape rests on her right shoulder. The red hair is tied up with a central parting and is partly covered by a white headdress; the full face has an absorbed expression: a thoughtful gaze, arched eyebrows and slightly furrowed lips. Presented in a frame made with parts of an ancient larger frame. Historical-critical analysis: Our table in question is one of the numerous derivations from a lost fresco by Andrea del Sarto...

Oil on gattice wood in octagon. Il gruppo di otto dipinti in oggetto (figg. 1-8) rappresenta, nel classico formato fiorentino dell’ottagono, una serie di effigi femminili a mezza figura. Più precisamente, si tratta di giovani fanciulle elegantemente vestite, disposte in varie attitudini ma accomunate, ad eccezione di due esemplari sui quali ci soffermeremo in seguito, dall’accento sulla ricchezza, evidenziata sia da particolari di fastose console e drappeggi, sia da collane di perle o tessuti preziosi che le donne talvolta maneggiano, ponendovi così l’accento. Una delle figure porta in testa una corona reale, altre dei turbanti o inconsueti copricapi. Questi dettagli conferiscono ai personaggi un aspetto principesco, talvolta abbinato a richiami orientaleggianti. Una formula che riporta alla mente il caso di un dipinto da poco riscoperto nella sua vera identità, il “Ritratto fino a mezzo busto di Regina Armena” di Mario Balassi, seducente connubio di recuperi alloriani ed elementi di fantasia conservato alle Gallerie degli Uffizi (vedi F. Berti, Da ritratto mediceo di Jacopo Ligozzi...

Olio su tela. Scuola italiana del XVIII secolo. Nel ritratto di questo gentiluomo spicca in particolare la veste da camera realizzata in un elegante tessuto fiorato, nelle tonalità d...

Oil painting on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur...