Antiques Decorative

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

Pair of 19th-century British plant botanicals Engravings with Insects – John Curtis (1791-1862) Sold as a pair -  Please let us know your choice on your purchase order: 1 - Dandeli...

An evocative early 20th century oil painting, executed in the expressive manner of Maurice de Vlaminck, depicting a tranquil rustic village nestled within a moody, wooded landscape. ...

Pair of Vintage Irish Donegal watercolours by Frank Murphy R.H.A., R.U.A. This pair of Vintage Irish Donegal watercolours by Frank Murphy R.H.A., R.U.A. captures the timeless beauty...

19th-Century Portrait of William Morton, Civil Engineer Inscribed top left William Morton at 50 1882 Step into history with this exceptional 19th-century portrait of William Morton,...

Early 19th Century Oil Painting of Wakefield Cathedral, Yorkshire — Attributed to John Cawthorn Oil on canvas Attributed to John Cawthorn (British, active early 1800s) Circa 1810–1...

A captivating and finely executed 19th-century English still life painting, rendered in oil on wood panel, depicting an abundant bouquet of mixed flowers in a terracotta urn. This hi...

Venetian Painting by Emanuele Cappello – Stunning Original Oil Painting of Venice Discover an exquisite Venetian painting by renowned Italian artist Emanuele Cappello. This original...

Antique French Gentleman Portrait – 19th/20th Century Oil Painting – Fine Art for Collectors This is a stunning antique portrait of a distinguished French gentleman, an exquisite 3/...

Spain, Circa 1750 Hand-painted silk Giltwood frame Devotional artwork A rare and exquisitely detailed 18th-century Spanish devotional panel, finely executed on silk and depicting ...

An evocative early 20th-century oil portrait depicting a poised young British gentleman, likely a merchant or naval officer, painted against a moody, clouded sky with a distinct pago...

After J.R. Lucotte – Stonemasons at Work Medium: Oil on paper Dimensions: 178 cm x 210 cm Date: 20th Century Attribution: After Jacques-Raymond Lucotte (1733–1804) This strikingly l...

18th-Century Richard Wilson Landscape – A Masterpiece of British Old Master Art This 18th-century Richard Wilson landscape, attributed to the circle of Thomas Jones, is a stunning p...

Early 19th-Century Italian School Oil on Canvas – After Raphael The Holy Family with Saint Elisabeth and the Infant Saint John the Baptist Introduction: A Masterpiece Inspired by Rap...

Sheraton 18th-century mahogany tripod Table This George III Sheraton 18th-century mahogany tripod table is an exceptional example of Georgian furniture and a fine piece of antique E...

Lovely atmospheric oil painting of tug boats on the River Thames with London Bridge in the background. This midcentury oil painting captures a dynamic and bustling scene of tugboats ...

By the American artist Pauline Bomphrey This midcentury impressionistic oil painting captures a vibrant still life of flowers, showcasing the elegance and charm of purple Delphinium...

Fabulous Midcentury South of France Mediterranean Harbour Scene – South Of France Mediterranean Oil Painting This exquisite South of France Mediterranean Oil Painting beautifully ca...

Large George III Mahogany Cellarette / Wine Cooler – 18th Century Antique from Sussex 📜 Provenance – George III Mahogany Sarcophagus Cellarette, England, circa 1800 Sourced from a ...

Lovely still of roses by Anna Hornby Vintage Still Life of Roses by Anna Hornby'Christmas Roses' by Anna Hornby is an exquisite portrayal of delicate hellebores, known as Christmas ...

This fine 18th-century gouache on paper is a quintessential example of Grand Tour artistry, depicting an Italian Palladian villa rendered with architectural precision and classical r...

Regency Mahogany Dining /Breakfast Table This early 19th-century Regency Mahogany Breakfast Table showcases a classic rectangular shape, making it perfect for both dining and casual...

Rare Antique Botanical Prints by James Sowerby (1757–1822): A Timeless Tribute to British Flora Step into the enchanting world of 18th-century botanical artistry with our exceptiona...

Pretty Watercolour Painting of Mousehole Harbour, Cornwall – T.H. Victor (1894-1980) Stunning Original Artwork – Signed by Renowned Cornish Artist Enhance your art collection with ...

Introducing the Archie Shine Mid-Century Honduran Rosewood ‘Hamilton’ Coffee Table by Robert Heritage – a true icon in vintage mid-century modern furniture. This exquisite Hamilton c...

Mid Century Dining Chairs Designed By Robert Heritage For Archie Shine rare set of six dining chairs from the Hamilton furniture, a wonderful set of Mid Century Dining Chairs By Arch...

Vintage Ercol Hoop-Back Windsor Dining Chairs – Set of 6, Including Two Armchairs This set of 6 vintage Ercol hoop-back Windsor dining ...

Hans Olsen Teak Dining Chairs – Set of 6 Frem Røjle Danish Design (Sussex) This stunning set of 6 Hans Olsen teak dining chairs introduces timeless elegance to your home. Designed in...

1960s Pop Art Mixed Media Painting by Pietro Psaier – "Home-Grown Big Joints" Original Mixed Media Artwork from the Hollywood & Vine Head Shop Series (19...

Sydney Harbour poster Sydney Harbour Bridge poster design Attributed to Douglas Annand in our opinion, this was an original drawing for the 1932 poster competition. In 1932, the poster competition committee asked Douglas Annand and Arthur Whitmore to collaborate together to produce the now-famous 19th March 1932 poster. There are clear similarities between ours and the collaborative poster. Our design clearly shows more of an Art Deco and feminine design, as opposed to the more masculine, collaborative Sydney Harbour Bridge poster design. Our drawing is Gouache on paper laid down on the artist's board. The drawing is in the original frame and mount, dated March 1932 and is unsigned. BIOGRAPHY Douglas Shenton Annand (1903-1976), graphic designer and artist, was born on 22 March 1903 at Toowoomba, Queensland, the third child of Frederick William Gadsby Annand, accountant, and his wife Helen Alice, née Robinson, both Queenslanders. Having taken the commercial course at the Central Technical College, Brisbane, in 1920, Douglas j...

A Timeless Depiction of the English Fox Hunt The early 19th-century fox hunting scene, attributed to Dean Wolstenholme Elder, is a stunning representation of the aristocratic traditi...

Atmospheric Blacksmith Forge Interior by Edvard Petersen signed by monogram This magnificent late 19th-century painting of an atmospheric blacksmith forge interior is by the renowned realist Danish painter Edvard Petersen. Depicting a richly detailed industrial workshop scene, it is a remarkable example of Danish realism. As an authentic Edvard Petersen painting, it showcases the artist’s dedication to portraying the lives of craftsmen and workers in the late 1800s. If you are an art collector or enthusiast seeking to purchase an original blacksmith interior artwork, this vintage realism painting not only holds artistic value but also represents an essential piece of Danish heritage art. Below, we explore the painting’s intricate details, its historical context, and Edvard Petersen's life. 1. Artwork Overview: A Glimpse into the Industrial Past This vintage painting of a blacksmith’s forge reflects the hardworking spirit of the late 19th century. The atmospheric industrial art is meticulously rendered with a keen eye for lighting, texture, and realism. Key aspects of this Danish blacksmith workshop artwork include: Industrial Setting: The painting captures the interior of a blacksmith workshop, filled with well-used tools and the dim glow of the forge. Lighting Mastery: The late 19th-century atmospheric blacksmith interior is defined by its masterful use of light and shadow. The forge fire creates a vivid, warm glow, contrasting with the cooler daylight filtering through a window. Human Element: The blacksmith figures appear in dynamic postures, emphasising the laborious nature of their craft. The workers’ silhouettes against the glow of the fire add depth and dimension. Textural Details: The texture of worn wood, metal tools, and stone flooring is painstakingly realistic, typical of Edvard Petersen’s style. 2. Artistic Style and Techniques A. Realism and Atmosphere As a prominent Danish realist painting, this work exemplifies the realist tradition for which Petersen is known. His choice of subdued, earthy tones highlights the authentic industrial atmosphere. The blend of warm, fiery hues with darker, shadowy tones creates a dramatic and contemplative mood. B. Composition and Structure The composition follows a well-organised structure, with: Foreground Elements: Anvil, tools, and a large wooden barrel. Middle Ground: Figures working at the forge and a workbench. Background: The illuminated workshop window and hanging tools. Colour Palette: Predominantly browns, greys, and ochres with contrasting fiery highlights. Lighting Effect: The combination of natural and artificial lighting enhances the sense of depth and space. 3. Significance of the Painting A. Cultural Context This late 19th-century blacksmith painting...

Mid-Century Oil Painting of Sailboats on the Capri Coast by Giuseppe Cavalleri – Impressionist Marine Art on Board Discover a breathtaking mid-century sailboat painting by renowned Italian artist Giuseppe Cavalleri. This original oil on board painting beautifully captures the tranquil waters of the Capri coast in Italy, portraying a serene Mediterranean seascape filled with graceful sailing boats and sunlit reflections. A masterwork of Impressionist maritime art, this piece transports viewers to the calm, sun-drenched shores of southern Italy during the 20th century. Ideal for collectors of vintage Italian seascape paintings, enthusiasts of Impressionist coastal art, or those seeking an authentic marine painting that radiates peace and atmosphere. Artistic Highlights: Style, Technique & Composition 1. Impressionist Style and Technique This vintage marine painting by Giuseppe Cavalleri exhibits hallmarks of the Impressionist style, focusing on capturing natural light, mood, and momentary impressions over fine detail. The brushwork is fluid yet deliberate, allowing viewers to feel the gentle motion of the sea and the softness of the cloud-strewn sky. The artist skillfully uses short, broken brushstrokes to render the rippling water and textured sky, a signature of mid-century Impressionist techniques. The composition prioritises atmosphere and sensory experience, inviting a sense of immersion into the coastal environment. 2. Balanced Composition with Depth Cavalleri creates a strong sense of depth, using atmospheric perspective and clever placement of the boats. The largest sailboat is positioned off-centre to the right, drawing the eye with its elegant white and tan sails—an excellent use of asymmetrical balance. The horizon line sits just above the center of the painting, expanding the sense of openness and space. 3. Evocative Color Palette A soft, tonal blend of sky blues, aqua, and whites dominates the painting, giving it a serene, almost dreamlike feel. Subtle warm beige and peach tones in the sails contrast against the cool blues of the sea, adding both visual interest and harmony. Cavalleri masterfully blends hues to depict light reflections on water, making this an exceptional example of Italian tonalist marine painting. 4. Tranquil Atmosphere & Emotional Appeal This painting evokes a timeless sense of tranquility, reflecting the leisurely pace of coastal life in mid-20th-century Italy. The distant boats, hazy clouds, and calm water contribute to a peaceful, reflective mood. Whether viewed from a distance or up close, the scene resonates with themes of freedom, simplicity, and quiet beauty, making it a perfect centrepiece for any interior that values art with emotion and soul. Artist Biography: Giuseppe Cavalleri (1893–1951) Giuseppe Cavalleri was a gifted Italian painter born in Milan, Italy, on November 24, 1893. He studied under Ricardo Pellegrini at the esteemed Brera Academy, one of Italy’s most prestigious art institutions. Furthering his artistic development, he later trained in Barcelona, exposing him to a diverse range of European art influences. Cavalleri’s life was marked by resilience. After serving in World War I from 1915 to 1918, he sustained a permanent injury to his dominant right arm. Refusing to let this end his artistic journey, he taught himself to paint with his left hand, showcasing a rare determination and passion for art. Over his career, Cavalleri travelled extensively, capturing a wide array of Mediterranean landscapes, seascapes, and coastal scenes. His works reflect a deep connection to nature, light, and maritime life. He is best known for his tonalist landscape and marine oil paintings, which have become highly collectable. One of his celebrated pieces, Tramonto di Marina, features two anchored boats at sunset beside a distant channel marker—exemplifying his ability to infuse mood and narrative into seascapes. Giuseppe Cavalleri passed away in 1951, leaving behind a legacy of evocative, impressionistic art that continues to captivate viewers and collectors worldwide. Why This Painting is Perfect for Collectors & Enthusiasts Whether you’re an art investor, an interior designer sourcing coastal artwork, or a private collector of mid-century Italian paintings, this piece offers exceptional value and beauty. Ideal For: Collectors of original Italian seascape oil paintings Admirers of Impressionist marine art Enthusiasts of Capri and Amalfi Coast paintings...

🖼️ Midcentury North African Abstract Expressionist Oil on Paper Painting — Signed 1964 This Midcentury North African Abstract Expressionist...

18th-Century Italian Painted Commode Chest of Drawers 📜 Provenance – 18th-Century Italian Painted Commode, circa 1770 Discovered on a recent sourcing trip through northern Tuscany,...

This charming oil-on-paper painting captures a serene landscape near Haarlem, evocative of Andreas Schelfhout's masterful Dutch Romantic style. The work features a quintessentially D...

Country HouseAn exceptional mid-18th-century oil painting from the Studio of Pompeo Batoni (1708–1787), presenting a revered composition: The Madonna of the Annunciation. This rema...

Captivating portrait oil on board by Pino Daeni This could be the original oval oil study for Girl in a Yellow Shawl. This captivating portrait study by Italian American artist Pino...

Timeless Features of the R. W. Toothill Lounge Chairs 1. Danish-Inspired Mid-Century Design These Mid-century Lounge Chairs by R.W. Toothill feature clean lines, minimalist shapes, ...

Vintage Frank Pash Australian Outback Painting – Rare Collectable Artwork Frank Pash, Australian Outback Painting, is a renowned Australian outback artist. He was born in Australia ...

Mid-Century Hamilton Dining Table by Robert Heritage for Archie Shine – Elegant Danish Rosewood Design Introducing our exquisite Mid-Century Hamilton Dining Table by Robert Heritage for Archie Shine. Crafted in the late 1950s, this extendable Danish Rosewood dining table from the celebrated Hamilton range seats 6 to 8 guests, making it a perfect blend of timeless midcentury style and modern functionality. Design & Craftsmanship: Robert Heritage’s Iconic Mid-Century Dining Table Designed by the renowned Robert Heritage, this midcentury dining table is a standout piece. Its elegant form and meticulous detailing reflect the high standards of both midcentury design and the famed Hamilton Dining Table legacy that Archie Shine proudly manufactures. Manufacturer Excellence: Archie Shine’s Signature Hamilton Collection Part of the award-winning Hamilton range, this Archie Shine Hamilton Dining Table embodies the legacy of impeccable design and craftsmanship. Archie Shine’s commitment to quality is evident in every detail, ensuring that this midcentury piece remains a timeless addition to any interior. Product Specifications: Mid-Century Hamilton Rosewood Dining Table Dimensions Approximate Height: 70cm Width: 167cm (Extended Width: 213cm) Depth: 89cm Condition & Care: Preserving Your Mid-Century Hamilton Dining Table In good midcentury condition, this Hamilton Dining Table by Robert Heritage for Archie Shine has been carefully cleaned and polished with rosewood oil, preserving its natural, original beauty. While the seats retain their authentic look—potentially reupholstered in the 1970s with stylish turquoise-green wool fabric—minor age-related marks add to its vintage character without affecting functionality. Complementary Pieces: Matching Archie Shine Hamilton Dining Chairs Enhance your dining experience with our matching Archie Shine Hamilton Dining Chairs. Whether purchased separately or as a set with the table, these chairs complement the midcentury design and overall elegance of the Hamilton collection...

Mid Century Younger Extending Dining Table This MidCentury Extending Dining Table is designed and manufactured by A Younger Ltd. Mid-century teak dining table This mid-century teak ...

Mid-Century A Younger Extending Dining Table & G Plan Chairs Mid-Century A Younger Extending Dining Table & 5 G Plan Brasilia Teak Chairs Upgrade your...

An exceptional example of early Georgian craftsmanship, this George II mahogany chest of drawers dates to circa 1730 and showcases the elegance and restraint of 18th-century English ...

19th-century painting of Warlies House, Essex This captivating mid-19th-century oil on panel painting exemplifies the idyllic charm of pastoral landscapes from the period, featuring...

9th-century English Pollard oak work table This exquisite 19th-century English pollard oak work table has a lovely colour and patina. It's a remarkable example of craftsmanship, wit...

930s Watercolour of Ludlow Castle and Dinham Bridge, Shropshire A fine and atmospheric original watercolour dating to the 1930s, this expertly rendered landscape captures the histori...

Manner of Gillows Regency Rosewood Library Table Regency Craftsmanship This superb Regency rosewood library or writing table is a stunning example of craftsmanship and elegance, e...

Mid-Century Rosewood Hamilton Dining Suite Table, Chairs, Sideboard & Coffee Table by Robert Heritage for Archie Shine Enhance your home with a Mid-Century Rosewood Hamilton Dining Suite, an exquisite collection designed by Robert Heritage for Archie Shine. This iconic set features a dining table, chairs, sideboard, and coffee table crafted from luxurious Honduras rosewood, embodying the elegance and craftsmanship of mid-century modern design. This rare dining suite seamlessly blends timeless beauty with functionality, making it a coveted choice for collectors and design enthusiasts alike. Mid-Century Hamilton Dining Suite Overview by Robert Heritage for Archie Shine This remarkable collection includes: Mid-Century Rosewood Dining Table and Chairs...

After the Antique Vintage Marble Bust by Anthony Redmile This exquisite After the Antique Vintage Marble Bust by Anthony Redmile depicts a regal Roman empress draped in a traditional toga, reflecting both imperial grandeur and timeless elegance. Known for his masterful blend of classical themes and contemporary craftsmanship, Anthony Redmile’s work stands as a pinnacle of decorative arts, making this bust a highly sought-after piece for collectors and interior designers alike. Crafted from a high-quality marble composite, this bust embodies the beauty and durability of authentic stonework. The material’s polished finish enhances the lifelike detail of the sculpture, capturing the serene expression and commanding presence characteristic of ancient Roman portraiture. The empress's finely sculpted facial features, from her calm gaze to the delicate contours of her lips, exude nobility and poise. The draped toga, symbolizing Roman dignity and imperial authority, is meticulously detailed with flowing folds that create a dynamic sense of movement and texture. Each fold showcases Redmile’s keen eye for detail, elevating this piece from mere decoration to a true work of art. The bust rests on a stately socle base, completing the elegant design with a classical foundation that enhances its majestic appeal. The Significance of an Anthony Redmile Bust...

Key Features of the Guy Rogers Classic Midcentury Lounge Sofa: Authentic Afromosia Teak Frame – Expertly crafted with a sleek, durable wood frame that exudes classic midcentury appeal. Luxurious Boucle Upholstery – Wrapped in soft ivory boucle fabric, offering both style and comfort. Plush Cushions with Fire Retardant Foam – Ensures superior comfort and safety. Restored to Perfection – Lightly sanded, treated with Danish oil, and fitted with new webbing for lasting durability. Elegant Sleigh Bentwood Legs – Enhances stability and sophistication. Dimensions: Length: 182 cm Width: 72 cm Height: 82 cm Why Choose this Mid-Century Guy Rogers Sofa...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Francesco Guardi Venice Oil Painting – Venetian Art in the Manner of Guardi Exquisite 19th-Century Venetian Oil Painting Experience the timeless elegance of Venetian art with this r...

Antique French Napoleon III Inlaid Card Table 📜 Provenance – Napoleon III Period Inlaid Card Table, France, circa 1860 Sourced from a private collection in Lyon, this exceptional F...

19th Century French Biot Jar – Authentic Antique Pottery for Sale in Sussex The 19th-century French Biot jar is an exquisite example of Provençal craftsmanship, originating from th...

Large Peloponnese Greek Olive Oil Pot in Beehive Ribbed Design 19th century Large Greek Olive Oil Pot - This 19th-century Greek olive oil pot is a...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel Overview This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle. Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas Medium: Oil on paper, laid onto panel Period: Early 18th century Condition: Unframed oil panel Dimensions: Height - 28 inches, Width - 34 inches Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period. This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK. About Sir Godfrey Kneller (1646-1723) Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today. 1. Early Life and Training Birth: August 8, 1646, Lübeck, Germany Parents: Zacharias Kniller (merchant) and Lucia Kniller Education: Studied painting in Lübeck Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt) Influenced by the Dutch Golden Age art movement During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture. 2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676 3. Kneller’s Rise in England and Royal Patronage His talent quickly gained recognition among the English aristocracy and royalty In 1680, he was appointed Principal Painter to King Charles II Over his career, Kneller painted portraits of five English and British monarchs: King Charles II King James II King William III & Queen Mary II Queen Anne King George I His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market. 4. Notable Works and Contributions Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time. Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility. His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound. 5. Kneller’s Honors and Legacy Knighted by King William III in 1692 Created a Baronet by King George I in 1715 Naturalized British Citizen in 1711 Passed away on October 19, 1723, and was buried in Twickenham, England. His works remain highly collectible, sought after by art collectors, historians, and museums worldwide. Historical & Artistic Significance of the Painting This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value. 1. Artistic Style and Features Detailed brushwork characteristic of Kneller’s school Rich color palette influenced by Titian and Rembrandt Noble posturing typical of 17th-18th century aristocratic portraiture Use of light and shadow to enhance depth and realism 2. Collector’s Appeal & Investment Potential Highly sought-after Old Master artwork with documented provenance Strong appeal to art collectors, historians, and museums Valuable addition to Baroque art collections Investment-worthy due to high demand for Kneller’s works in auctions and private sales 3. Comparison to the Kingston Lacy Version A much larger version of this painting exists in the Kingston Lacy Estate, Dorset This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price Final Thoughts The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture. Why This Painting is a Must-Have for Collectors: Authentic Old Master Portrait from the School of Kneller Strong Historical and Artistic Value Investment Potential in the Art Market Connected to the Kingston Lacy Collection Ideal for Collectors of English Baroque Portraits...

Antique Oil Painting – Studio of Robert Henri – Sailor Boy Mick – Early 20th Century Artwork Experience the timeless beauty of this Robert Henri Cozad Sailor Boy Mick Oil Painting o...