Antiques Decorative Wall Decorations

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

Pair of 19th-century British plant botanicals Engravings with Insects – John Curtis (1791-1862) Sold as a pair -  Please let us know your choice on your purchase order: 1 - Dandeli...

An evocative early 20th century oil painting, executed in the expressive manner of Maurice de Vlaminck, depicting a tranquil rustic village nestled within a moody, wooded landscape. ...

Pair of Vintage Irish Donegal watercolours by Frank Murphy R.H.A., R.U.A. This pair of Vintage Irish Donegal watercolours by Frank Murphy R.H.A., R.U.A. captures the timeless beauty of the Irish landscape. Murphy, a celebrated artist, is renowned for his ability to bring the Donegal countryside to life with his watercolours. These two paintings are fine examples of his skill and deep connection to Irish rural life. First Watercolour: Thatched Farm Building The first painting depicts a traditional thatched farm building with the Donegal mountains in the background. The artist uses a soft watercolour wash technique to create a serene atmosphere. The muted tones of the land blend seamlessly with the details of the thatched roof, evoking a sense of peace. Murphy expertly highlights the contrast between the quiet farm and the imposing mountains. The artist’s signature is located in the lower left corner, with the mount inscribed, "nr Cresslough, Donegal." This specific location adds a personal touch, grounding the painting in a real place. Second Watercolour: Thatched Houses by the Sea The second Irish watercolour shows thatched houses by the sea, with the Donegal mountains rising in the background. The scene conveys the peacefulness of Donegal’s coastline. The calm sea and coastal thatched houses reflect the simplicity and beauty of rural Irish life. Murphy uses light and color to give life to the scene, drawing attention to the contrast between the sea and the homes. The donegal coastline is painted in soft blues and greens, capturing its natural beauty. The mountainous backdrop creates a striking balance, highlighting the ruggedness of the land. Key Features of Frank Murphy’s Work Thatched Buildings: A recurring theme in Murphy’s paintings, reflecting traditional Irish architecture. Donegal Landscape: Both pieces showcase the rugged beauty of Donegal’s mountains and coastline. Watercolour Technique: Murphy’s skilful use of the watercolour wash technique creates a soft, atmospheric feel in his works. Signed Artwork: Both paintings are signed by Frank Murphy and come with inscriptions identifying their locations. Why These Watercolours Are Special These Irish watercolours...

19th-Century Portrait of William Morton, Civil Engineer Inscribed top left William Morton at 50 1882 Step into history with this exceptional 19th-century portrait of William Morton,...

Early 19th Century Oil Painting of Wakefield Cathedral, Yorkshire — Attributed to John Cawthorn Oil on canvas Attributed to John Cawthorn (British, active early 1800s) Circa 1810–1...

A captivating and finely executed 19th-century English still life painting, rendered in oil on wood panel, depicting an abundant bouquet of mixed flowers in a terracotta urn. This hi...

Venetian Painting by Emanuele Cappello – Stunning Original Oil Painting of Venice Discover an exquisite Venetian painting by renowned Italian artist Emanuele Cappello. This original...

Antique French Gentleman Portrait – 19th/20th Century Oil Painting – Fine Art for Collectors This is a stunning antique portrait of a distinguished French gentleman, an exquisite 3/...

Spain, Circa 1750 Hand-painted silk Giltwood frame Devotional artwork A rare and exquisitely detailed 18th-century Spanish devotional panel, finely executed on silk and depicting ...

An evocative early 20th-century oil portrait depicting a poised young British gentleman, likely a merchant or naval officer, painted against a moody, clouded sky with a distinct pago...

After J.R. Lucotte – Stonemasons at Work Medium: Oil on paper Dimensions: 178 cm x 210 cm Date: 20th Century Attribution: After Jacques-Raymond Lucotte (1733–1804) This strikingly l...

18th-Century Richard Wilson Landscape – A Masterpiece of British Old Master Art This 18th-century Richard Wilson landscape, attributed to the circle of Thomas Jones, is a stunning pastoral landscape oil painting that embodies the charm of Georgian-era countryside artwork. As a fine example of British old master landscape art, this piece showcases the elegance and natural beauty of the English countryside, making it a perfect addition to any collection of antique rural landscape art. A Romantic Countryside Painting with Timeless Appeal The composition of this romantic countryside painting is thoughtfully balanced, featuring lush greenery, rolling hills, and a tranquil sky. The English countryside oil painting...

Early 19th-Century Italian School Oil on Canvas – After Raphael The Holy Family with Saint Elisabeth and the Infant Saint John the Baptist Introduction: A Masterpiece Inspired by Rap...

Lovely atmospheric oil painting of tug boats on the River Thames with London Bridge in the background. This midcentury oil painting captures a dynamic and bustling scene of tugboats ...

By the American artist Pauline Bomphrey This midcentury impressionistic oil painting captures a vibrant still life of flowers, showcasing the elegance and charm of purple Delphinium...

Fabulous Midcentury South of France Mediterranean Harbour Scene – South Of France Mediterranean Oil Painting This exquisite South of France Mediterranean Oil Painting beautifully captures the essence of a South of France coastal scene, transporting viewers to a serene sun-drenched port where life moves at a relaxed, rhythmic pace. This vintage seaside artwork is a masterful portrayal of the picturesque fishing villages of the French Riviera, featuring azure blue waters, colourful boats, and rustic whitewashed buildings with terracotta rooftops. The artist’s expressive brushstrokes and keen eye for detail bring to life the tranquillity of the Mediterranean, making this piece a perfect addition to any coastal home, vintage art collection, or midcentury-inspired interior. Whether displayed in a Sussex beach house, a contemporary living space, or a collector’s gallery, this artwork captures the warm, nostalgic charm of a bygone era. South Of France Mediterranean Oil Painting – A Timeless Coastal Masterpiece The focal point of this painting is the harbour’s crystal-clear waters, where a fleet of traditional fishing boats floats gently, their vivid reds, blues, and yellows contrasting against the deep turquoise sea. The artist expertly conveys the movement of the water, reflecting the brilliance of the sun and the soft dance of the ripples. Fishing nets, mooring ropes, and maritime gear are scattered along the quayside, suggesting a day’s work is completed, adding an element of authenticity and character to the composition. Beyond the boats, a charming row of Mediterranean buildings lines the harbour, their sun-bleached facades glowing in warm ochres, soft creams, and earthy oranges. These structures, reminiscent of Provençal architecture, exude rustic elegance, with wrought-iron balconies, wooden shutters, and cascading bougainvillaea adding charm. The artist has captured the laid-back atmosphere of a French coastal town, making this painting an inviting French Riviera wall art piece that radiates warmth and nostalgia. Seaside Village Life – A Celebration of Mediterranean Culture On the quayside, villagers and fishermen are depicted through loose yet expressive brushstrokes, illustrating the bustling yet peaceful rhythm of daily Mediterranean life. Whether mending nets, chatting along the harbour, or preparing to set sail, the figures add a dynamic yet harmonious element to the scene, embodying the spirit of French coastal living. The inclusion of palm trees, sun-drenched stone streets, and lush greenery enhances the atmosphere, reinforcing the idyllic charm of this vintage seascape painting...

Lovely still of roses by Anna Hornby Vintage Still Life of Roses by Anna Hornby'Christmas Roses' by Anna Hornby is an exquisite portrayal of delicate hellebores, known as Christmas ...

This fine 18th-century gouache on paper is a quintessential example of Grand Tour artistry, depicting an Italian Palladian villa rendered with architectural precision and classical r...

Rare Antique Botanical Prints by James Sowerby (1757–1822): A Timeless Tribute to British Flora Step into the enchanting world of 18th-century botanical artistry with our exceptiona...

Pretty Watercolour Painting of Mousehole Harbour, Cornwall – T.H. Victor (1894-1980) Stunning Original Artwork – Signed by Renowned Cornish Artist Enhance your art collection with ...

1960s Pop Art Mixed Media Painting by Pietro Psaier – "Home-Grown Big Joints" Original Mixed Media Artwork from the Hollywood & Vine Head Shop Series (19...

Sydney Harbour poster Sydney Harbour Bridge poster design Attributed to Douglas Annand in our opinion, this was an original drawing for the 1932 poster competition. In 1932, the poster competition committee asked Douglas Annand and Arthur Whitmore to collaborate together to produce the now-famous 19th March 1932 poster. There are clear similarities between ours and the collaborative poster. Our design clearly shows more of an Art Deco and feminine design, as opposed to the more masculine, collaborative Sydney Harbour Bridge poster design. Our drawing is Gouache on paper laid down on the artist's board. The drawing is in the original frame and mount, dated March 1932 and is unsigned. BIOGRAPHY Douglas Shenton Annand (1903-1976), graphic designer and artist, was born on 22 March 1903 at Toowoomba, Queensland, the third child of Frederick William Gadsby Annand, accountant, and his wife Helen Alice, née Robinson, both Queenslanders. Having taken the commercial course at the Central Technical College, Brisbane, in 1920, Douglas j...

A Timeless Depiction of the English Fox Hunt The early 19th-century fox hunting scene, attributed to Dean Wolstenholme Elder, is a stunning representation of the aristocratic traditi...

Atmospheric Blacksmith Forge Interior by Edvard Petersen signed by monogram This magnificent late 19th-century painting of an atmospheric blacksmith forge interior is by the renowned realist Danish painter Edvard Petersen. Depicting a richly detailed industrial workshop scene, it is a remarkable example of Danish realism. As an authentic Edvard Petersen painting, it showcases the artist’s dedication to portraying the lives of craftsmen and workers in the late 1800s. If you are an art collector or enthusiast seeking to purchase an original blacksmith interior artwork, this vintage realism painting not only holds artistic value but also represents an essential piece of Danish heritage art. Below, we explore the painting’s intricate details, its historical context, and Edvard Petersen's life. 1. Artwork Overview: A Glimpse into the Industrial Past This vintage painting of a blacksmith’s forge reflects the hardworking spirit of the late 19th century. The atmospheric industrial art is meticulously rendered with a keen eye for lighting, texture, and realism. Key aspects of this Danish blacksmith workshop artwork include: Industrial Setting: The painting captures the interior of a blacksmith workshop, filled with well-used tools and the dim glow of the forge. Lighting Mastery: The late 19th-century atmospheric blacksmith interior is defined by its masterful use of light and shadow. The forge fire creates a vivid, warm glow, contrasting with the cooler daylight filtering through a window. Human Element: The blacksmith figures appear in dynamic postures, emphasising the laborious nature of their craft. The workers’ silhouettes against the glow of the fire add depth and dimension. Textural Details: The texture of worn wood, metal tools, and stone flooring is painstakingly realistic, typical of Edvard Petersen’s style. 2. Artistic Style and Techniques A. Realism and Atmosphere As a prominent Danish realist painting, this work exemplifies the realist tradition for which Petersen is known. His choice of subdued, earthy tones highlights the authentic industrial atmosphere. The blend of warm, fiery hues with darker, shadowy tones creates a dramatic and contemplative mood. B. Composition and Structure The composition follows a well-organised structure, with: Foreground Elements: Anvil, tools, and a large wooden barrel. Middle Ground: Figures working at the forge and a workbench. Background: The illuminated workshop window and hanging tools. Colour Palette: Predominantly browns, greys, and ochres with contrasting fiery highlights. Lighting Effect: The combination of natural and artificial lighting enhances the sense of depth and space. 3. Significance of the Painting A. Cultural Context This late 19th-century blacksmith painting...

🖼️ Midcentury North African Abstract Expressionist Oil on Paper Painting — Signed 1964 This Midcentury North African Abstract Expressionist...

This charming oil-on-paper painting captures a serene landscape near Haarlem, evocative of Andreas Schelfhout's masterful Dutch Romantic style. The work features a quintessentially D...

Country HouseAn exceptional mid-18th-century oil painting from the Studio of Pompeo Batoni (1708–1787), presenting a revered composition: The Madonna of the Annunciation. This rema...

Captivating portrait oil on board by Pino Daeni This could be the original oval oil study for Girl in a Yellow Shawl. This captivating portrait study by Italian American artist Pino...

Vintage Frank Pash Australian Outback Painting – Rare Collectable Artwork Frank Pash, Australian Outback Painting, is a renowned Australian outback artist. He was born in Australia ...

19th-century painting of Warlies House, Essex This captivating mid-19th-century oil on panel painting exemplifies the idyllic charm of pastoral landscapes from the period, featuring...

930s Watercolour of Ludlow Castle and Dinham Bridge, Shropshire A fine and atmospheric original watercolour dating to the 1930s, this expertly rendered landscape captures the histori...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Francesco Guardi Venice Oil Painting – Venetian Art in the Manner of Guardi Exquisite 19th-Century Venetian Oil Painting Experience the timeless elegance of Venetian art with this r...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel Overview This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle. Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas Medium: Oil on paper, laid onto panel Period: Early 18th century Condition: Unframed oil panel Dimensions: Height - 28 inches, Width - 34 inches Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period. This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK. About Sir Godfrey Kneller (1646-1723) Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today. 1. Early Life and Training Birth: August 8, 1646, Lübeck, Germany Parents: Zacharias Kniller (merchant) and Lucia Kniller Education: Studied painting in Lübeck Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt) Influenced by the Dutch Golden Age art movement During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture. 2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676 3. Kneller’s Rise in England and Royal Patronage His talent quickly gained recognition among the English aristocracy and royalty In 1680, he was appointed Principal Painter to King Charles II Over his career, Kneller painted portraits of five English and British monarchs: King Charles II King James II King William III & Queen Mary II Queen Anne King George I His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market. 4. Notable Works and Contributions Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time. Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility. His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound. 5. Kneller’s Honors and Legacy Knighted by King William III in 1692 Created a Baronet by King George I in 1715 Naturalized British Citizen in 1711 Passed away on October 19, 1723, and was buried in Twickenham, England. His works remain highly collectible, sought after by art collectors, historians, and museums worldwide. Historical & Artistic Significance of the Painting This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value. 1. Artistic Style and Features Detailed brushwork characteristic of Kneller’s school Rich color palette influenced by Titian and Rembrandt Noble posturing typical of 17th-18th century aristocratic portraiture Use of light and shadow to enhance depth and realism 2. Collector’s Appeal & Investment Potential Highly sought-after Old Master artwork with documented provenance Strong appeal to art collectors, historians, and museums Valuable addition to Baroque art collections Investment-worthy due to high demand for Kneller’s works in auctions and private sales 3. Comparison to the Kingston Lacy Version A much larger version of this painting exists in the Kingston Lacy Estate, Dorset This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price Final Thoughts The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture. Why This Painting is a Must-Have for Collectors: Authentic Old Master Portrait from the School of Kneller Strong Historical and Artistic Value Investment Potential in the Art Market Connected to the Kingston Lacy Collection Ideal for Collectors of English Baroque Portraits...

Antique Oil Painting – Studio of Robert Henri – Sailor Boy Mick – Early 20th Century Artwork Experience the timeless beauty of this Robert Henri Cozad Sailor Boy Mick Oil Painting o...

An Exquisite Italianate Arcadian Landscape Oil Painting This late 18th-century Italianate classical landscape oil painting beautifull...

The Madonna and Child Oil Painting in a Rose Garden – Flemish (Ambrosius Benson School) Late 16th Century/ Early 17th Century Flemish Oil Painting on Oak Panel Artist & Background This exquisite Flemish Renaissance Madonna and Child oil painting, titled Madonna and Child in a Rose Garden, is attributed to a follower of Ambrosius Benson (circa late 16th - early 17th century). Benson, originally from Lombardy, Italy, became a renowned master painter in Bruges, Flanders, in the early 1500s.. Key Features of This Madonna and Child Painting: Period & Style – Late 16th-century Flemish School, influenced by Gerard David and Leonardo da Vinci. Medium – Oil on oak panel, a signature technique of Flemish masters. Composition – The Virgin Mary and Christ Child are set in a serene rose garden, symbolising purity and divine love. Influence – This artwork reflects both Netherlandish precision and Lombard artistic traditions. Provenance & Demand: Benson’s followers were widely sought after, and his compositions commanded high market value among collectors. Antique Hand-Carved Frame Old Master Madonna and Child Artwork This painting is housed in an original 17th-century hand-carved wooden frame featuring a classic egg-and-dart motif. Condition Report Conservation Status: Professionally cleaned. Historical Cracking: Some age-related panel cracks are common in antique oil paintings. Restoration: Minor retouching to the Madonna’s face, enhancing original details. Why Invest in Flemish Renaissance Art? Historical Significance – Works by Ambrosius Benson’s followers remain highly collectable in the art market. Museum-Quality Piece – Suitable for private collectors, investors, and art connoisseurs. European Heritage – A fine example of an Old Master religious painting...

1960s Italian Abstract Painting in Orange and Black This 1960s Italian abstract painting is a captivating exploration of form and color, featuring a vibr...

Midcentury Abstract Blue Painting Signed and dated 1972 Midcentury Abstract Blue Painting The Italian abstract art scene of the 1970s was transformativ...

Antonio Correggio’s The Mystic Marriage of St. Catherine This stunning 18th-century copy draws inspiration from the masterpiece The Mystic Marriage of Saint Catherine, originally pa...

Italianate landscape, Manner of Claude Lorrain Very good Quality oil on relined canvas in the Manner of Claude Lorrain, cargo ships on the banks of the river Po Italy. 📜 Provenance – Italianate Landscape after Claude Lorrain, England or Italy, circa late 18th–early 19th century This finely executed oil on canvas is an accomplished historic copy after Claude Lorrain’s celebrated Italianate river landscapes, specifically related to his Landscape with Merchants (c. 1630s), held at the National Gallery of Art, Washington, D.C. The composition also bears a close resemblance to the 1769 engraving by Boydell and James Mason, after a painting once in the distinguished collection of Robert Trevor, 4th Baron Trevor, later 1st Viscount Hampden. The scene features cargo ships along the tranquil banks of the River Po, enveloped in the soft, atmospheric light for which Claude Lorrain (1600–1682) is universally revered. Executed in the idiom of the Grand Tour period, the painting exemplifies the classical Arcadian themes sought by aristocratic collectors travelling through Italy in the 18th and early 19th centuries. This work is a particularly elegant example of the period's taste for Claudean compositions, balancing architectural elements with expansive vistas and golden, diffused light. The canvas has been professionally relined and restored, housed in a contemporary frame that complements the work’s scale and palette. Minor craquelure and darkening to areas of the blue and green pigments remain consistent with age, enhancing its historic charm. Ideal for integration into neoclassical, traditional, or transitional interiors, this work represents an opportunity to acquire a piece of decorative art with a strong visual lineage and academic relevance — a testament to Lorrain’s enduring influence across centuries of landscape painting. Very similar to the Landscape with Merchants in the National Gallery of Art, Washington, D.C. Our version could be after the engraving by Boydell and James Mason on 1st January 1769. Interestingly, the source painting for the painting was once in the collection of Robert Trevor, 4th Baron Trevor (from 1764), and subsequently (from 1776) 1st Viscount Hampden. 18th-Century Italian Landscape in the Manner of Claude Lorrain This exquisite 18th-century Italian Landscape in the manner of Claude Lorrain captures the essence of Italian Baroque landscape painting, showcasing the serene beauty and harmony of the classical countryside. Drawing inspiration from the Golden Age landscape painting, it reflects the elegance and detail characteristic of Claude Lorrain-style artwork, featuring sweeping vistas, balanced compositions, and an idealised landscape scene that exudes timeless charm. A Classical Italian Countryside Painting...

A rare 19th-century painting of the Horsefair at the Grassmarket, Edinburgh, Scotland Follower of Rosa Bonheur, oil on canvas indistinctive collector wax seals verso. 19th-Century...

17th Century Italian School Crucifixion Oil on Panel This exquisite 17th-century Italian School Crucifixion oil painting is a masterpiece of...