Antiques Period LLC Cabinets

Very elegant Italian Art Deco Mid-Century Modern dry bar cabinet cart characterized by its original Asian themed painted front wood pull-out tilt door with interior part in mirror glass, standing on its antique brass wheels...

A mahogany dry bar or drinks cabinet crafted in mahogany, Georgian styled with a delicate serpentine curve to the front to give it a classic line...

Precious cabinet secretaire produced in Italy in the 1950s, The whole cabinet is veneered in mahogany with a fine solid wood carving in the center of the two doors representing two b...

A very well crafted two piece four door cabinet with book matched wood grained fronts opening to revel two glass and two wooden adjustable shelves with two smaller drawers one with d...

18th century, French Louis XVI inlaid wood secretaire with marble top and gilt bronzes. This elegant secretaire Louis XVI was made in F...

Important French ormolu-mounted, kingwood, tulipwood and stained sycamore marqueterie and parquetry secretaire abattant with rectangular moulded white marble top, above a frieze draw...

Available right now we have this increasingly rare, mid century modern, brutalist disc bar by Adrian Pearsall for Craft Associates. This brutalist wall mounted disc cabinet is definitely a conversation piece-- stretching a whopping 48" in diameter, this disc dar opens to reveal a mirrored back as well as 2 shelf inserts. They say imitation is the sincerest form of flattery, and this entire brutalist line of furniture appears to have (pretty obviously) been inspired by American craft movement designer Paul Evans, who designed nearly identical pieces which were available through Directional Furniture to the trade in the 1960's and 1970's. While this piece doesn't have the pedigree of an original Paul Evans piece, what is does have is an abundance of over-the-top maximalist style with a much more palatable price tag. Without being mounted to the wall, this piece was a little tougher than an average piece to photograph, but for scale purposes we photographed it resting on the floor alongside a Fabricius and Kastholm grasshopper...

A fine antique Georgian Regency flame mahogany wine cellarette or cooler, circa 1820. The sacophagus shaped cellarette having a band of carved eplipital decoration to the top and a gadrooned edge to the hinged lid, the slanted paneled base is raised on a plinth base with corresponding gadrooning and the original brass casters. To the inside is the original galvanized zinc...

A fine George III carved oval mahogany cellarette with hinged crossbanded top, lion’s head round brass pulls on each side, and tin liner on a stand with four tapered inlaid legs, ter...

A fine French ormolu-mounted, kingwood , tulipwood and stained sycamore marqueterie and parquetry secretaire abattant with rectangular moulded white marble top , above a frieze drawe...

Paul Evans Brutalist sculpted bronze wall-mounted disc bar cabinet, Model PE-122. This iconic bar features two doors concealing one drawer, one cabi...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...