Antonio's Bella Casa Paintings

A set of 4, late 19th century hand painted wallpaper panels in later wood frames. Elegant and tasteful detailed scene of bamboo trees, flowers, birds and butterflies. Acquired from a...

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

Decorate an office or a study with this colorful suite of antique wall decorations. Crafted in Italy circa 1870, each panel is framed and features an hand painted coat of arms...

Belgium / 17th century / sculpted panel / oak / Gothic / Rustic / Antique A rare Belgian 17th century grotesque sculpted panel. Hand-carved with floral and foliage decorations with ...

J. F. Herring, set of four 19th century Hunting colour engravings encased in giltwood frames. Dimensions Height 33.5 Inches Width 44 Inches Depth 2 Inches.

Set of 2 hand-colored avian engravings, Italian, c. 1770, with figures of wild ducks, the mallard and the cicada, taken from Xavier Manetti's Natural History of Birds. They are on v...

Antique Oil On Canvas Laid On Board Portrait Of A Gentleman By Wheeler. Framed and signed in lower right corner, Early 19thC. Measures - 42.5"H x 35"W x 2.25"D

Intriguing contemporary painting by May Oosthoven. May is a Belgian painter which work has a strong meditative charge. Trough basic materials and forms she expresses her inner world ...

Abstract Painting on Canvas. Thick Paint on a cream background. Paint shows typical signs of cracking in the heavy paint. Looks like original period frame. Signed bottom right 19...

The Vajolet Towers - Italy Artist: A. Thöny Period: Early 1900s Origin: Italy Technique and support: Oil on canvas mounted on cardboard Dimensions: Height – 33 cm Width – 27 cm Description: The artwork depicts a landscape view of the Vajolet Towers, a prominent rock formation in the Catinaccio Dolomite massif. The artist employs a vertical composition, ideal for emphasizing the upward thrust of the towers, which rise monumentally against the sky. Thöny’s pictorial language is marked by a dense and vigorous brushstroke, particularly evident in the rocky details, where the use of oil paint enhances the typical limestone hues of the Dolomite rock. Dominant tones include ochre, warm greys, and earthy greens, with accents of white and light blue suggesting reflected light or lingering snow. The atmosphere is conveyed through a balanced interplay of solid and airy elements: the towers emerge from low-lying clouds, creating a contrast between the mountain’s solidity and the sky’s dynamic quality. The latter is rendered in cool tones—shades of blue and light grey—achieved through light glazing, contrasting with the more textured and impasto treatment of the rock. The vantage point is elevated yet slightly off-center, offering a framing that enhances the landscape’s perspective and depth, with hints of blurred mountain ridges on the horizon, painted in cobalt blue and greys to evoke a sense of atmospheric distance. Signed lower right, “A. Thöny”. A. Thöny was active in Merano, in the alpine region of South Tyrol, and belonged to the romantic-naturalist school of the late 19th century, connected to the Central European tradition of alpine landscape painting...

Flemish school 17th century "Our Lady with the Child Jesus, St. John, St. Elizabeth and Zacarias". Oil on canvas Relined. Dimensions: 74 x 84 cm good conditions.

This antique hand painted porcelain panel is unsigned but was done in Italy in circa 1890 in the Roccoco style. The hand painted porcelain disc of La Madonna della Sedia, after Rafael Sanzio...