Art Classique Sculptures and Carvings

on carved fitted wooden base; agate stoppers; measurements provided are the overall measurements including the wooden base and stopper

This beautiful sculpture realized in China in the 18th century depicts Guanyin, a Bodhisattva associated with compassion. The female form holds a pot in her hands. She appears draped...

This is a wooden Buddha statue made around the Edo period (1603-1868). It is likely to be Amida Nyorai, the highest-ranking Buddha statue, which is an enlightened being. This Buddha ...

Do you know what Daikokuten is? This god in Japan is an old god who has existed since the end of the Muromachi period (16th century) as one of the seven gods who bestow happiness. He...

A charming near pair of Chinese green glazed foo lion joss stick holders, late 19th century, China. The delightful foo lions, also referred to as foo dogs, crafted as joss (incens...

Two exquisite Japanese musha ningyo dolls, crafted as courtiers, Edo Period, early 19th century, Japan. The older man can be identified as the h...

An unusual Japanese carved wood, lacquer, and gilt decorated portrait sculpture of a shogun, Edo Period, early 19th century, Japan. The unidentified shogun (possibly Tokugawa Iey...

A large and powerfully cast Chinese bronze censer in the form of two Buddhistic lions, Qing dynasty, late 19th century. The censer is well cast with a strong sense of movement, featuring a pair of fierce Buddhistic lions playfully antagonizing each other. Locked in a mock battle, the smaller lion...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A 19th century Asian stone architectural fragment. This intriguing sculpture probably had a utilitarian function as a water deposit. As often in China prac...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...

This very nice carved plaque of good size comes from China and was made circa 1900. The stone is a rich combination of dark, light and emerald green. Sliced from a boulder washed and...