Art Deco World Center Tables

Rectangular single plank top over three incised carved drawers raised on baluster legs joined by stretchers. similar carved on the opposite side.

Merging clean lines with warm materials, the faceted geometry of the MiMi square table creates a slender, elegant profile punctuated with angled surfaces that capture light. The MiMi...

This stunning Art Deco Gueridon Table was realized in France, circa 1935. It features two round book-matched walnut tops connected by curving black lacquer supports. Scroll form feet...

Circular marquetry inlaid top raised on a fluted standard resting on a tripartite base with slightly under scrolled feet.

Art Deco dining table in walnut and briar, Restored and polished with shellac, Italian production in the 1920s. The table has two extensions and reaches, when open, the measure of 25...

Art Deco Walnut 3 Tier Table circa 1930s Circular top with walnut quarter veneer, 58cm diameter both undertiers with walnut veneer, supported by 4 shap...

Beautifully Art Deco coffee or centre table with a wrought iron base and the warm original gilded and black smoked detailing of the glass top, detailed design of pleasant curves, ver...

This stunning Art Deco Gueridon Table was realized in France, circa 1935. It features two round book-matched walnut tops connected by curving black lacquer supports. Scroll form feet...

We are delighted to offer for sale this exceptionally rare and important original circa 1900 Carlo Bugatti occasional table This table is special, designed by Carlo Bugatti, Italy around 1900, it’s a rectangular walnut occasional or centre table, partly ebonized, with floral inlays made of pewter, the legs partially covered with copper sheet, the tabletop covered with goatskin, this table was exhibited at the Musee d'Orsay, Paris, 2001 Carlo Bugatti (2 February 1856-April 1940) was an Italian decorator, designer and manufacturer of Art Nouveau furniture, models of jewelry, and musical instruments. Bugatti was born 2 February 1856 in Milan, in what would remain until 1859 the kingdom of Lombardy: he died in Molsheim, France. Biography: Son of Giovanni Luigi Bugatti, a specialist in interior decoration, Carlo studied firstly at the Brera Academy in Milan, and subsequently, from 1875, at the Académie des Beaux Arts in Paris. In 1880 he started to manufacture furniture in Milan, later transferring to France. From 1888 he began to be successful beyond Italy. Nevertheless, till 1904 he maintained a Milan workshop in the city's Via Castelfiardo 6. He was also, like his father, trained as an architect, but there is no evidence that any of his architectural designs were ever executed. He triumphed at the exhibition of decorative art in Turin in 1902 and returned to Paris in 1904. Father of sculptor Rembrandt Bugatti and automobile manufacturer Ettore Bugatti, he moved in 1910 to Pierrefonds where he established an atelier. From 1914-1918 he was nominated mayor of the village, and the outspoken anti-German industrialist Adolphe Clément-Bayard, who lived at the Domaine du Bois d'Aucourt, entrusted its upkeep to him. From then on, he devoted himself entirely to painting. After the suicide of his son Rembrandt in 1916, Bugatti, then 60, produced less, but he remained influential. In 1935, at the age of 79, he retired near his son Ettore's family in Alsace. He settled in a flat north of Château Saint-Jean, Dorlisheim, with his wife Teresa (who died shortly afterwards), at the domain of promotion of Bugatti property of his son Ettore. He spent his last months at his apartment at the Bugatti factory in Molsheim, where he frequented the workmen and the house of 'the Hardtmühle', living with Ettore and his family. In April 1940, he died at the hospital in Molsheim. He is buried in the Bugatti family cemetery at Dorlisheim. The Bugatti section of Molsheim's municipal Musée de la Chartreuse displays...

A superb original Art Deco period figured walnut nest of tables, these were made in England and date from around the 1920-30’s. They are of amazing quality and have a very stylish d...

Porto low tables are composed of a circular top that seems to rest on a sturdy oblong base. Lightness and weight overlap creating a harmonic and unconventional monoblock. The unagreement between the geometry of the elements generates irregular pieces capable of evoking movement, as they elude the gaze, changing according to the viewing angle. The tables give continuity to the Porto collection, whose inspiration comes from the weight and scale...

Large Art Deco coffee table with two levels, blackened solid wood with filled and waxed finishing. Poplar veneer on top, French polish. Spain, Barcelo...