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It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
They're Coming! Quick! I have a better hiding place for you. Dorvan V
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Lac Mégantic - East Palestine
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Figurative Prints
Materials
Digital
Untitled
By Claude Tousignant
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
2010s Abstract Abstract Prints
Materials
Digital
Untitled
By Claude Tousignant
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
2010s Abstract Abstract Prints
Materials
Digital
City
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Bitcoin Farm
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley.
While Halley's paintings refer to philosopher Michel...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Laptop
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Modem
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley.
While Halley's paintings refer to philosopher Michel...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Video Card
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Rechargeable Batteries
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley.
While Halley's paintings refer to philosopher Michel...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Intensive Pig Farm
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Carcass
Located in Montreal, Quebec
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Corona life
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Canvas, Digital
Corona Death
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Canvas, Digital
Janssen
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Abdala
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
AstraZeneka
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Pfizer
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Moderna
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Constructive Instability
By Lucas Aguirre
Located in Montreal, Quebec
Digital printing on Tyvek
Lucas Aguirre is a painter who has transitioned his art practice into the realm of VR and digital art. His paintings and drawi...
Category
2010s Contemporary Figurative Prints
Materials
Digital
There is Hope, If We Rise (Never Idle)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Teach)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Round Dance)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Rise)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Resist)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Learn)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Lead)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Idle No More)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Idle Know More)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Decolonize)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Confront)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Challenge Stereotypes)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
Death or Glory - Glorius Skull (Cool Gold - European Gold)
By Damien Hirst
Located in Montreal, Quebec
Foil block print
Edition 2 of 2
Born in Bristol England, in 1965, Damien Hirst grew up in Leeds and studied at Goldsmiths College, London. Most notable amongst the exhibitions he curated while at college was Freeze, in 1988, in which he exhibited his work and that of his contemporaries. The exhibition is widely believed to have been the starting point of the Young British Artist Movement, and a defining moment in kick-starting cutting edge British contemporary art.
Hirst’s body of work confronts the scientific, philosophical and religious aspects of human existence and includes sculpture, painting and printmaking. He has exhibited widely and was awarded the Turner Prize in 1995 for The Physical Impossibility of Death in the Mind of Someone Living. In 2004, Hirst collaborated with Sarah Lucas and Angus Fairhurst to exhibit recent works at Tate Britain, under the title In-a-Gadda-da-Vida.
In 2006, works from the artist’s Murderme collection were exhibited at the Serpentine gallery, London: ‘In the darkest hour there may be light. ‘More recently, Hirst exhibited No Love Lost: Blue Paintings at The Wallace Collection, London, 2010; Cornucopia at Musée Océanographique de Monaco, 2010 and with Michael Joo...
Category
2010s Contemporary Figurative Prints
Materials
Mixed Media, Archival Paper
Unknown Unknown Unknowns
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Abstract Prints
Materials
Photographic Paper
Pantie stains #6
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #5
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #3
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #9
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #8
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #4
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #2
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
Pantie stains #1
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper
PRESERVER ONE: Well, looks like we got them all. See, don’t you feel GREAT...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
The Value of Comic Sans
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
The Away Team Beams Down to What Appears to Be an Uninhabited Planet
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Beware of the intentions of well meaning Aliens
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Yeah... shit's about to go sideways. I'll take you to Amerind. You'll like it...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Making a b-line to HaidaBucks, Salmonberry Frap #ftw #starbucksFAIL #lol
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
We shall reassert our inherent rights
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
The paradise Syndrome, Voyage #32
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
Acts I-2 #1
Located in Montreal, Quebec
In Acts 2:3 of the Bible, flaming tongues lap at the disciples, conferring upon them the ability to speak languages not their own. These fiery tongues have signified the power of speech, persuasion, and the ability to preach to the masses. Ingrid Bachmann’s tongues in Pinocchio’s Dilemma are glossy as if sugarcoated and boiled into hard candies—a crystallization process. They are the only of her works that people have tried to lick. Alternately seductive and repulsive, they wag mechanically at eye-level, emitting a small wind-up machine language of their own.
The tongue gives the impression an attempt to tell, a revealing of secrets. On the opposing side of the room, a rod extends slowly from a hole in the wall, inching out, then back in. Pinocchio’s nose is an instantly recognizable stand-in for lies, liars, fakes. Pinocchio originated as the protagonist of a 19th-century children’s book by the Italian writer Carlo Collodi, and was most famously adapted by The Walt Disney Company. The pre-Disney Pinocchio is unruly, violent and mischievous; his story was originally intended to be a tragedy in which the marionette is hung from an oak tree branch by his enemies.
Angry Work contains a latent violence—that which is found in childhood games, stories, myths, novels, and in the tools of the everyday. Two 14-foot-long knitting needles—domestic weaponry—lean as dead as stones, cool and silent, against the wall. These weighted objects commune with three bronze tongues, pre-vocalizations, embalmed. Bronze is a silent material.
Two drawings invoke Cassandra, who was promised the gift of prophecy by Apollo. When Apollo appeared to her, she refused his sexual advances. In some iterations of the story, Apollo appeared as a wolf surrounded by mice and spat on her tongue. She awoke with a taste on her tongue. Maybe metallic, maybe red. She had been granted the gift of prophecy, with one condition: no one would believe her. This burdened us with one of the earliest models of hysteria—speaking in tongues, speaking marred truths. Bachmann maintains that Angry Work is not limited to women’s anger, or to personal anger. It’s about generalized anger.
“The red world And corresponding red breezes.” [1]
A cloud of anger, hints of red. An amorphous unknown. “The Airborne Toxic Event” [2] that encapsulates truth, lies, histories repeated, struggle, strife, shock, grappling and anger, anger, anger.
I am told that The Angry Machine weighs 400 pounds and emits a mechanized hum. It will be fenced in, for the protection of both viewers and itself. It will not perform on demand, but at scheduled intervals, only occasionally. It has a projectile that is red. Red is the memory of a children’s game, trying to avoid hitting yourself, to avoid the smack of something against your skin. Red is interiority: the tongue, cheeks, throat and kisses. One can “see red” in a fit of rage. Red is blood, and red is romance — “roses being burned alive.” [3]
[1] Anne Carson...
Category
2010s Contemporary Figurative Prints
Materials
Watercolor, Screen
Zone de contact 1
By Laurent Lamarche
Located in Montreal, Quebec
Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative.
Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Celly 4
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Celly 3
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Celly 2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Diffraction, trace #4
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Digital
Diffraction, trace #2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Digital
Diffraction, trace #1
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Digital
Éclosion
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
