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It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
They're Coming! Quick! I have a better hiding place for you. Dorvan V
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Untitled
By Claude Tousignant
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
2010s Abstract Abstract Prints
Materials
Digital
Untitled
By Claude Tousignant
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
2010s Abstract Abstract Prints
Materials
Digital
There is Hope, If We Rise (Never Idle)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Teach)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Round Dance)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Rise)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Resist)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Learn)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Lead)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Idle No More)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Idle Know More)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Decolonize)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Confront)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Abstract Prints
Materials
Screen
There is Hope, If We Rise (Challenge Stereotypes)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Abstract Prints
Materials
Screen
Unknown Unknown Unknowns
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Abstract Prints
Materials
Photographic Paper
PRESERVER ONE: Well, looks like we got them all. See, don’t you feel GREAT...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
The Value of Comic Sans
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
The Away Team Beams Down to What Appears to Be an Uninhabited Planet
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Beware of the intentions of well meaning Aliens
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Yeah... shit's about to go sideways. I'll take you to Amerind. You'll like it...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Making a b-line to HaidaBucks, Salmonberry Frap #ftw #starbucksFAIL #lol
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
We shall reassert our inherent rights
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
The paradise Syndrome, Voyage #32
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
Zone de contact 1
By Laurent Lamarche
Located in Montreal, Quebec
Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative.
Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Celly 4
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Celly 3
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Celly 2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Diffraction, trace #4
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Digital
Diffraction, trace #2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Digital
Diffraction, trace #1
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Digital
Éclosion
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Ductile 2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Ductile 1
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Cocoon
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Plasma 7
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Nuit Blanche à Tokyo
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...
Category
2010s Abstract Abstract Prints
Materials
Digital
Nuit Blanche à Jérusalem
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...
Category
2010s Abstract Abstract Prints
Materials
Aluminum
Plasma-01
By Laurent Lamarche
Located in Montreal, Quebec
Text by Sevan Injejikian
Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative.
Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...
Category
2010s Abstract Abstract Prints
Materials
Plexiglass, Digital
Plasma-02
By Laurent Lamarche
Located in Montreal, Quebec
Text by Sevan Injejikian
Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative.
Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...
Category
2010s Abstract Abstract Prints
Materials
Digital
It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
You mess with me, you mess with my cousins
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Tell Chakotay that we'll brb
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
"The only thing more pathetic than Indians on TV is Indians watching Indians...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
#fangasm, Pabs was TOTALLY inspired by meeeeeeeee111!
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Digital
The paradise Syndrome, Voyage #38
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart maps, covers from Choose Your Own Adventure gamebooks, and science fiction television programs, this exhibition continues Assu’s exploration around the intersection of Indigenous Peoples and North American pop culture.
In the Star Trek episode The Paradise Syndrome, Captain Kirk suffers from amnesia when he arrives on an alien planet, which is inhabited by a society of people who resemble Indigenous Peoples in North America. Kirk is found by a group of women who believe that he is a god and then take him back to their community. At the end of the episode, he is attacked when they realize he is not a god. Spock and McCoy are transported to his rescue, but in the midst of the conflict, a tribal priestess who Kirk developed a relationship with, is killed.
In this exhibition, Assu presents two series of digitally altered prints inspired by fact and fiction. The first series depicts ovoids superimposed onto digital scans of paintings by Emily Carr and A.Y. Jackson, framed by gamebook covers. The prints feature alien forms descending, referencing a Star Trek: Voyager episode titled Tattoo.
In this episode, Chakotay meets the Sky Spirits, aliens who visited Earth thousands of years ago. They met nomadic humans who had great respect for the land and other animals. The Sky Spirits were so impressed that they gifted the nomads with an inheritance that would allow them to thrive and protect their world.
When the Sky Spirits returned thousands of years later, they found that the weapons and diseases of invaders from other lands had decimated the nomadic ‘Inheritors’. Chakotay’s tattoo was the mark of an Inheritor and signaled to the Sky Spirits that some of the Inheritors had survived.
Assu’s gamebook prints expand on this fictional story, incorporating aspects of our colonial history in the Pacific Northwest. This exhibition is a playful investigation of challenging issues. By incorporating nostalgic gamebooks from the 1980s, Assu alludes to the discovery of his Kwawaka’wakw heritage, which has recently led him back to living in his ancestral land.
The second series of Assu’s prints in this exhibition depict digital illustrations, inspired by Indigenous copper shield symbols, that are superimposed onto navigational marine maps...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
The paradise Syndrome, Voyage #37
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart maps, covers from Choose Your Own Adventure gamebooks, and science fiction television programs, this exhibition continues Assu’s exploration around the intersection of Indigenous Peoples and North American pop culture.
In the Star Trek episode The Paradise Syndrome, Captain Kirk suffers from amnesia when he arrives on an alien planet, which is inhabited by a society of people who resemble Indigenous Peoples in North America. Kirk is found by a group of women who believe that he is a god and then take him back to their community. At the end of the episode, he is attacked when they realize he is not a god. Spock and McCoy are transported to his rescue, but in the midst of the conflict, a tribal priestess who Kirk developed a relationship with, is killed.
In this exhibition, Assu presents two series of digitally altered prints inspired by fact and fiction. The first series depicts ovoids superimposed onto digital scans of paintings by Emily Carr and A.Y. Jackson, framed by gamebook covers. The prints feature alien forms descending, referencing a Star Trek: Voyager episode titled Tattoo.
In this episode, Chakotay meets the Sky Spirits, aliens who visited Earth thousands of years ago. They met nomadic humans who had great respect for the land and other animals. The Sky Spirits were so impressed that they gifted the nomads with an inheritance that would allow them to thrive and protect their world.
When the Sky Spirits returned thousands of years later, they found that the weapons and diseases of invaders from other lands had decimated the nomadic ‘Inheritors’. Chakotay’s tattoo was the mark of an Inheritor and signaled to the Sky Spirits that some of the Inheritors had survived.
Assu’s gamebook prints expand on this fictional story, incorporating aspects of our colonial history in the Pacific Northwest. This exhibition is a playful investigation of challenging issues. By incorporating nostalgic gamebooks from the 1980s, Assu alludes to the discovery of his Kwawaka’wakw heritage, which has recently led him back to living in his ancestral land.
The second series of Assu’s prints in this exhibition depict digital illustrations, inspired by Indigenous copper shield symbols, that are superimposed onto navigational marine maps...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
The paradise Syndrome, Voyage #36
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
The paradise Syndrome, Voyage #30
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
The paradise Syndrome, Voyage #11, #12
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
The paradise Syndrome, Voyage #20
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart maps, covers from Choose Your Own Adventure gamebooks, and science fiction television programs, this exhibition continues Assu’s exploration around the intersection of Indigenous Peoples and North American pop culture.
In the Star Trek episode The Paradise Syndrome, Captain Kirk suffers from amnesia when he arrives on an alien planet, which is inhabited by a society of people who resemble Indigenous Peoples in North America. Kirk is found by a group of women who believe that he is a god and then take him back to their community. At the end of the episode, he is attacked when they realize he is not a god. Spock and McCoy are transported to his rescue, but in the midst of the conflict, a tribal priestess who Kirk developed a relationship with, is killed.
In this exhibition, Assu presents two series of digitally altered prints inspired by fact and fiction. The first series depicts ovoids superimposed onto digital scans of paintings by Emily Carr and A.Y. Jackson, framed by gamebook covers. The prints feature alien forms descending, referencing a Star Trek: Voyager episode titled Tattoo.
In this episode, Chakotay meets the Sky Spirits, aliens who visited Earth thousands of years ago. They met nomadic humans who had great respect for the land and other animals. The Sky Spirits were so impressed that they gifted the nomads with an inheritance that would allow them to thrive and protect their world.
When the Sky Spirits returned thousands of years later, they found that the weapons and diseases of invaders from other lands had decimated the nomadic ‘Inheritors’. Chakotay’s tattoo was the mark of an Inheritor and signaled to the Sky Spirits that some of the Inheritors had survived.
Assu’s gamebook prints expand on this fictional story, incorporating aspects of our colonial history in the Pacific Northwest. This exhibition is a playful investigation of challenging issues. By incorporating nostalgic gamebooks from the 1980s, Assu alludes to the discovery of his Kwawaka’wakw heritage, which has recently led him back to living in his ancestral land.
The second series of Assu’s prints in this exhibition depict digital illustrations, inspired by Indigenous copper shield symbols, that are superimposed onto navigational marine maps...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
The paradise Syndrome, Voyage #9
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Abstract Prints
Materials
Archival Pigment
Nuit Blanche à Barcelone 2
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...
Category
2010s Abstract Abstract Prints
Materials
Paper, Digital
Nuit Blanche à Paris (1)
By Michel Piquette
Located in Montreal, Quebec
Text by Anaïs Castro
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision tak...
Category
2010s Abstract Abstract Prints
Materials
Digital
Nuit Blanche à Paris (2)
By Michel Piquette
Located in Montreal, Quebec
Text by Anaïs Castro
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision tak...
Category
2010s Abstract Abstract Prints
Materials
Digital
Nuit Blanche à Paris (4)
By Michel Piquette
Located in Montreal, Quebec
Text by Anaïs Castro
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision tak...
Category
2010s Abstract Abstract Prints
Materials
Digital
Nuit Blanche à Dubai
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...
Category
2010s Abstract Abstract Prints
Materials
Archival Paper, Digital
Nuit blanche à Amman
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...
Category
2010s Abstract Abstract Prints
Materials
Digital
Nuit Blanche à Delhi
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...
Category
2010s Abstract Abstract Prints
Materials
Archival Paper, Digital
