Avalon Decorative Art

1970's Signed Casa Devall starburst wall sculpture. Quite a Glamourous statement piece . Mixed metal artwork is very in style right now. Similar to the style of Curtis Jere's starbur...

Signed and dated 1968 on the lower right and on verso with title and date. Christies labels on the stretcher- 10-JAN 07, sale 1786 lot 23. A wonderful view of the crowded beach with some women wearing two-piece bathing suits...

These CHARCOAL collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which is...

These MATTE BLACK collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which...

These GOLD collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which is med...

Circa 1960. We offer this Brutalist brass wall sculpture.

Howard Baer (American, 1907-1986), oil and collage on canvas, "Memory of Venice" 1965, signed and dated lower right, titled canvas verso, slat frame. Born in a mining town near Pi...

Louis Icart (French, 1888-1950) Modern Eve (H., C. & I. 424), 1933. Etching, drypoint and aquatint with handcoloring on wove paper, signed in pencil, with the blindstamp of the arti...

Circa 1960. We offer this Brutalist brass wall sculpture in abstract man form, the sculpture has a perfect manufacturing a true work of art.

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

Sunburst wall sculpture with a hammered brass center and two layers of painted rods creating a sunburst effect. The artist hand signed the sculpture on the verso.

Circa 1960. We offer this Brutalist brass wall sculpture in the style of Curtis Jere.