Avant-Garde Gallery by Pierre Bosche Asian Art and Furniture

China Trade watercolor paintings of exotic birds on branches are in watercolor and gouache on Chinese paper. One picture depicts a pigeon perched on a tree branch with a landscape background. Chinese calligraphy can be seen in the top right corner. The second picture depicts two courting birds in shades of brown, both perched on a branch, also in a landscape background. Both paintings framed with a green silk mat and contemporary gilt and dark wood frame. Reference: Chinese Export...

Chinese watercolor painted on paper 20th century painting with small wet spot.

An exceptional 19th-century Burmese Kammavaca manuscript, composed of 14 lacquered palm-leaf-style panels, each meticulously decorated in orange and ...

A fine Japanese lacquer Takamakura Geisha pillow, first half of the 20th century. Depicting Shi-Shi Lion between peony and rock in gold, silver, red and ...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Chinese Hand Brush Painting on Paper – Birds and Persimmons, Symbolic Traditional Ink Art Bring harmony and vitality into your space with this elegant Chinese Hand Brush Painting on...

If you love the look of De Gournay wallpaper but not the price, this is for you. Measures: 3 ft x 8 ft. The colorways in this sections present our latest colorways, which can be a...

If you love the look of De Gournay wallpaper but not the price, this is for you. The colorways in this sections present our latest colorways, which can be applied to any designs a...

With slightly domed removable lid opening to an open interior, conforming case with central gilded samurai family crest or Mon depicting a butterfly. Brass trim and handles. Richards...

Vintage Thai Temple charcoal rubbing. Hand crafted temple scenes at the Wat Pho temple located in Phra Nakhon district in Bangkok Thailand...

Each nicely painted in reverse. One depicting a boy playing a flute to a terrapin in a sea and the other a man in a sea rising over a man floating in a shell. Carved wood frames.

Nice little black lacquer box from Japan. It is made of black lacquered wood and decorated with flowers and foliage. The inside is covered with red velvet. It is ideal for storing je...