Ayton West Gallery

’3 Dogs’ By Tom Hammick Medium - Monoprinted lithograph Signed - Yes Edition - EV 11/15 Size - 505mm x 385mm Date - 2007 Condition - Excellent. 10 out of 10 Colour of print may not b...

’Untitled Abstract’ By Yves Corbassiére Medium - Acrylic on paper Signed - Yes Edition - Original Date - 1968 Size - 490mm x 625mm Condition - 9. Some slight wear to edges and marks ...

’Madron’ By Stanley Jones Medium - Lithograph Signed - Yes Edition - 13/65 Date - 1970 Published by - The Curwen Size - 505mm x 655mm Condition - 10 Colour of print may not be accura...

’The Dance’ By Paul Delvaux Medium - Lithograph Edition - 8/75 Signed - Yes Size - 360mm x 460mm Date - 1969 Condition - Excellent. 10 out of 10. Colour of print may not be accurate when viewed on a monitor. Paul Delvaux was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in combination. He is often considered a surrealist, although he only briefly identified with the Surrealist movement. He was influenced by the works of Giorgio de Chirico and René Magritte, but developed his own fantastical subjects and hyper-realistic styling, combining the detailed classical beauty of academic painting with the bizarre juxtapositions of surrealism. Throughout his long career, Delvaux explored "Nude and skeleton, the clothed and the unclothed, male and female, desire and horror, eroticism and death – Delvaux's major anxieties in fact, and the greater themes of his later work. Delvaux was born on 23 September 1897 in Antheit (now part of Wanze) in the Belgian province of Liège. His parents lived in Brussels, but his mother went to her own mother's home to have her first child. The birthplace house would later be destroyed by fire, in 1940. The father was Jean Delvaux, a prosperous barrister at the Court of Appeal Brussels. The mother was the musician Laure Jamotte, who became a strong, dominant presence in his life, directing, controlling, and repressing his childhood and adolescent desires. The young Delvaux studied Greek and Latin, and absorbed the fiction of Jules Verne and the poetry of Homer's Odyssey. His artwork was to be greatly influenced by these readings, starting with his earliest drawings showing mythological scenes. His music lessons were conducted in the school's museum room, where a human skeleton in a glass cabinet was always present. From 1910 to 1916, he studied Classics at the Atheneum of Saint-Gilles, where he was a middling or average student. Upon his graduation, his parents got him an office job with a shipping company in Brussels. It was soon evident that he had no skills or interests in business or law, and he was grudgingly allowed to study architecture at the Académie Royale des Beaux-Arts despite his ambition to become a painter. In 1916, he started at the Académie, initially learning the basics of architecture and perspective drawing. He was then disqualified due to his weakness in mathematics, and dropped out after his first year Delvaux was worried about his future career, and passed the time by copying postcards. His mother advised him to paint from nature, and in 1919 he produced his first watercolors, some scenic vistas. On a family vacation in Zeebrugge in 1919, he met by chance the painter Franz Courtens...

’Folio of 6 etchings and engravings'. A portfolio of six etchings (Originally 7 but etching Number 1, Sef Portrait, is missing from this folio) and engravings produced by Merivale Editions in 1992. This portfolio has been printed from the original copper plates made by Edgar Holloway...

’Discrete’ By Harvey Daniels Medium - Lithograph Signed - Yes Edition - 4/70 Size - 890mm x 670mm Condition - 10 Colour of print may not be accurate when viewed on a monitor. Harve...

’Cat, heart and lovers’ By Charles Blackman Medium - Lithograph Signed - Yes Edition - Proof Size - 625mm x 900mm Condition - 10 Colour of print may ...

’Untitled’ By Richard Bawden Medium - Watercolour Signed - Yes Size - 540mm x 500 Date - Unknown Condition - Fair 8 out of 10 Painter and printmaker, ...

’Formulation : Articulation’ By Josef Albers Medium - Serigraph on Mohawk Superfine Bristol paper. In Folio of 2 prints Signed - No Edition - 1000, Portfolio II, Folder 20 Size ...

’Favourite Flowers (Iris)’ By Elizabeth Blackadder A limited edition book of 100 copies specially bound for the Mercury Gallery. No 1 to 50 contain and original etching/aquatint 'Iris'. No 51 to 100 contain and original etching/aquatint 'Salpiglossis'. Each signed and numbered by the artist. All watercolours reproduced within the book by Elizabeth Blackadder and commentary by Deborah Kellaway. Medium - Limited edition book with signed aquatint Book Edition - 58/100 Print Edition - 8/50 Signed Book - Yes Signed Print - Yes Size Book - 234mm x 202mm Size Print - 217mm x 187mm Date - 1994 Published by Gillian Raffles. Mercury Gallery. Bond Street, London Condition - Excellent. 10/10 Painter and printmaker, born Falkirk, Scotland. She studied at Edinburgh University and Edinburgh College of Art, 1949-54. In 1954 she was awarded a Carnegie Travelling Scholarship and visited Yugoslavia, Greece and Italy and was much influenced by Byzantine architecture and mosaics. In 1956 she married the painter John Houston with whom she has since travelled widely. Flowers, cats and small objects are often arranged perpendicularly across the paper or canvas. Elected RSW in 1960, an Associate of the RSA 1963, an Associate of the RA 1971, RSA 1972 and RA 1976, she is the first woman to be elected both RA and RSA. Blackadder has exhibited at the Mercury Gallery, London, Marjorie Parr Gallery and abroad and is a member of the Scottish Arts Club. Her work is represented in Aberdeen University, Bolton Art Gallery, Brighton and Hove Museums and Art Galleries, City Arts Centre, Edinburgh, Fleming Collection, Glasgow Print Studio, Gracefield Arts Centre, New Hall College, Cambridge, Otter Gallery, Reading Art...

’Favourite Flowers (Salpiglossis)’ By Elizabeth Blackadder A limited edition book of 100 copies specially bound for the Mercury Gallery. No 1 to 50 contain and original etching/aquatint 'Iris'. No 51 to 100 contain and original etching/aquatint 'Salpiglossis'. Each signed and numbered by the artist. All watercolours reproduced within the book by Elizabeth Blackadder and commentary by Deborah Kellaway. Medium - Limited edition book with signed aquatint Book Edition - 58/100 Print Edition - 8/50 Signed Book - Yes Signed Print - Yes Size Book - 234mm x 202mm Size Print - 217mm x 187mm Date - 1994 Published by Gillian Raffles. Mercury Gallery. Bond Street, London Condition - Excellent. 10/10 Painter and printmaker, born Falkirk, Scotland. She studied at Edinburgh University and Edinburgh College of Art, 1949-54. In 1954 she was awarded a Carnegie Travelling Scholarship and visited Yugoslavia, Greece and Italy and was much influenced by Byzantine architecture and mosaics. In 1956 she married the painter John Houston with whom she has since travelled widely. Flowers, cats and small objects are often arranged perpendicularly across the paper or canvas. Elected RSW in 1960, an Associate of the RSA 1963, an Associate of the RA 1971, RSA 1972 and RA 1976, she is the first woman to be elected both RA and RSA. Blackadder has exhibited at the Mercury Gallery, London, Marjorie Parr Gallery and abroad and is a member of the Scottish Arts Club. Her work is represented in Aberdeen University, Bolton Art Gallery, Brighton and Hove Museums and Art Galleries, City Arts Centre, Edinburgh, Fleming Collection, Glasgow Print Studio, Gracefield Arts Centre, New Hall College, Cambridge, Otter Gallery, Reading Art...

’Les Oiseaux De Feu’ By Lars Bo Medium - Etching on BFK Rives paper Signed - Yes Edition - 61/120 Date - 1964 Size - 650mm x 500mm Condition - 9 Colour of print may not be ac...

’Am Strand liegender Knabenakt’ By Willy Jaeckel Medium - Stone Lithograph Signed - Yes Edition - Unkown Date - 1918 Size - 277mm x 290mm Condition - 8. In reasonable conditio...

No 8.69 Ian Fraser Medium - Screen print Edition - 4/12 Signed - Yes Size - 780mm x 585mm Date - 1969 Provenance - From the Andrew Purches collection Condition - Very good. 9...

’Untitled’ By Olwyn Bowey Medium - Pencil sketch with colour wash Edition - N/A Signed - Yes Size - 385mm x 305mm Date - Unknown Condition - Good. 8 out of 10 Provenance - Fr...

’Daises’ By Joy Brand Medium - Lithograph Edition - AP Signed - Yes Size - 380mm x 480mm Date - c1995 Printed with the artist and published by Andrew Purch...

’Bundanon Shore, 1 cockatoo’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 735mm x 540mm Date - 1994 Condition - 10 Colour of print may not be accurate when viewed on a monitor. Hand drawn metal plate lithograph printed with Senefelder press on rag paper. Being sold from the Andrew Purches collection. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...

’Labyrinth’ By William Crozier Medium - Carborundum printmaking, collagraph process Edition - 47/80 Signed - Yes Size - 509mm x 407mm Date - 2007 Condition - Excellent. 10 out of 10....

This print was commissioned by The Hardy Society for the official launch of the Thomas Hardy visitor centre. ’Hardy's Cottage’ By David Humphreys Medium - Lithograph Edition - 19/200...

’Tall trees’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 9 out of 10. Colour of print m...

’Waterfall’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 8 out of 10. Colour of print may not be accurate when vi...

’Flowers’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Very good. 9 out of 10. Colour of print may not be accurate when...

’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...

’Bundanon Shore ’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 735mm x 540mm Date - 1994 Condition - 9 Colour of print may not be accurate when viewed on a monitor. Hand drawn metal plate lithograph printed with Senefelder press on rag paper. Being sold from the Andrew Purches collection. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...

’St Francis in the Wood’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 740mm x 500mm Date - 1979 Condition - 9 Colour of pr...

’Landscape with Adam and Eve with an angel’ By Arthur Boyd Medium - Etching with colour on wove. Signed - Yes Edition - Artist Proof Size - 640mm x 820mm Date - 1986 Condition - 8 Colour of print may not be accurate when viewed on a monitor. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...

’Pulpit rock and cockatoos’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artists Proof Size - 840mm x 610mm Date - c1990 Condition - 9 Colour of print may not be accurate when viewed on a monitor. Hand drawn metal plate lithograph printed with Senefelder press on rag paper. Being sold from the Andrew Purches collection. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...

'Still life’ By George William Bissill Medium - Watercolour and ink Signed - Yes Size - 240mm x 195mm Date - Circa 1920 Condition - very good. 9 out of 10. Colour of picture may not be accurate when viewed on a monitor. George William Bissill 1896 – 1973 was a British miner, painter, and furniture designer. Bissill's paintings are held in a number of important public collections, including the Tate Gallery, National Museum of Northern Ireland and the Manchester Art Gallery. Bissill was known for his landscapes and figurative paintings in oil, watercolour and woodcuts. George Bissill...

’Minimum colour contrast with orange’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 1/20 Signed - Yes Size - 790mm x 570mm Date -1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Flying’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 14/20 Signed - Yes Size - 790mm x 570mm Date - 1976 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Pisces’ Please note. This is not a mono print but 1st Dibs have option for Relief print. Which is what this is... By Yutaka Takayanagi. Medium - Relief print Edition - AP Signed - Yes Size - 510mm x 660mm Date - 1973 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Saccades’ By Joan Miró Medium - Aquatint and etching Signed - In plate Edition - Size - 550mm x 375mm Date - 1962 Condition - 10 Colour of print may not be accurate when vi...

’Susan's Delight’ By Alan Davie Medium - Woodcut Edition - 6/200 Published by The Tate, St Ives Signed - Yes Size - 505mm x 570mm Date - 2003 Condition - Excellent. 10 out of 10. ...

’Girl’ By Reginald Butler Medium - Lithograph Signed - Yes Edition - AP Size - 650mm x 490mm Date - 1968 Colour of print may not be accurate when viewed on a monitor. Reginald Cot...

’Landscape with pines’ By Christian Kruck Landscape with pines. A colour Lithograph on Japanese paper, printed by the artist; published by Felix H. Ma...

’Concentration’ By Harvey Daniels Medium - Screen print Signed - Yes Edition - 16/30 Size - 890mm x 670mm Condition - 10 Colour of print may not be accurate when viewed on a monitor...

Portrait of Paul Wunderlich smoking by his wife Karin Székessy. Printed as a Photo serigraph and signed by the artist. 'Paul Wunderlich smoking’ By Karin Székessy Medium - Photo ser...

’The Parlour’ By Richard Bawden Medium - Etching Signed - Yes Edition - 33/85 Size - 775mm x 570mm Richard Bawden 1936 Painter and printmaker, born i...

’Friday’ By Jane Anderson Medium - Lithograph Edition - 26/70 Signed - Yes Size - 765mm x 550mm Date - 1987 Condition - Excellent. 10 out of 10. Colour of print may not be accurate when viewed on a monitor. Jane Anderson was born 1952 in Portsmouth, England and studied at Ealing School of Art and the Slade School of Art, London. She worked with the Treadwell Gallery from 1972 till 1990. It is interesting to note how her work developed from the heterosexually sexy drawings...

’Waving the Flag’ By Kip Gresham Medium - Screen Print Edition - 21/24 Signed - Yes Size - 515mm x 645mm Date - 1986 Condition - Very good. 8 out of 10. Col...

’Chris Prater’ By Ronald Brooks Kitaj Medium - Screen Print Signed - Yes Edition - 150 Size - 630mm x 920mm Date - 1980 Condition - 10 Colour of print may not be accurate when viewe...

’Eugene Onegin’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - 27/60 Size - 515mm x 610mm Date - 1996 Colour of print may not be accurate when...

Untitled, from ‘The International Association of Art Portfolio’ By Max Bill Medium - Screen print Edition - 3/25 Signed - Yes Size - 640mm x 460mm Date...