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Unknown Body
Located in Phoenix, AZ
Born Monterrey, Mexico 1991.
Graduated from the Bachelor of Arts at the University of Monterrey. (2014)
Andrés uses ceramics as a medium to create amorphous beings that seem to belo...
Category
2010s Abstract Abstract Sculptures
Materials
Ceramic, Resin, Polyurethane
Emerging Organism
Located in Phoenix, AZ
Born Monterrey, Mexico 1991.
Graduated from the Bachelor of Arts at the University of Monterrey. (2014)
Andrés uses ceramics as a medium to create amorphous beings that seem to belo...
Category
2010s Abstract Abstract Sculptures
Materials
Ceramic
The Alphabet of Silly Colors
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen (total of 18 pieces)
63 x 151 x 6 inches
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden con...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Linen, Wood, Acrylic
Cantamar
By Woods Davy
Located in Phoenix, AZ
stone on granite pedestal
b. 1949, Washington, DC
Woods Davy has completed over 35 large scale commissions including works for -Carlton Highlands in Lake Tahoe, CA; Cedars-Sinai Hos...
Category
2010s Land Abstract Sculptures
Materials
Stone, Granite
Four Ceramic Tiles - Blue
By Jun Kaneko
Located in Phoenix, AZ
Blue Rain Glaze on White, Dutch Series (28.5 x 21.5 x 2.5 inches, each)
Publication, Jun Kaneko, Dutch Series Between Light and Shadow, page 48
b. 1942, Nagoya, Japan
Jun Kaneko’s ...
Category
1990s Abstract Abstract Sculptures
Materials
Ceramic, Glaze
Pointing Out As Yellow Grey
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen 12 x 12 x 5.5 inches
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple ge...
Category
2010s Minimalist Abstract Sculptures
Materials
Linen, Acrylic
Pointing Out As Blue Grey
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen 12 x 12 x 3 inches
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geom...
Category
2010s Minimalist Abstract Sculptures
Materials
Linen, Acrylic
Pointing Out As Green Grey
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen 12 x 13 x 7.75 inches
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple g...
Category
2010s Minimalist Abstract Sculptures
Materials
Raw Linen, Acrylic
The Wind Cuts Right Through Me
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plywood, Acrylic
When Fire and Water Collide
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plywood, Acrylic
Half of the Morninfg
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plywood, Acrylic
Keep the Fire Burning All Night
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plywood, Acrylic
The Work Done Under the Sun
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plywood, Acrylic
Handful of Dust
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plywood, Acrylic
Straight to the Moon Again
Located in Phoenix, AZ
acrylic on plywood
With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plywood, Acrylic
Saddle
By Tom Waldron
Located in Phoenix, AZ
Excerpts from William Peterson, Tom Waldron, 1985
They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Steel
Torque
By Tom Waldron
Located in Phoenix, AZ
Excerpts from William Peterson, Tom Waldron, 1985
They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Steel
Skate
By Tom Waldron
Located in Phoenix, AZ
Excerpts from William Peterson, Tom Waldron, 1985
They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Steel
Flat-Out Pointless Violet-Black
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen 45.5 x 45.5 x 5 inches
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Linen, Acrylic
Spalted Beech 643
By Philip Moulthrop
Located in Phoenix, AZ
turned wood
"I think of my wood turning as a way to reveal the beauty and texture found in the wood. The wood I use comes from trees, which are native to the southeastern United Sta...
Category
Early 2000s Outsider Art Sculptures
Materials
Wood, Polyurethane
Dynamic Monochrome Green-Gold
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Linen, Acrylic
Standing Grey Spectral Light
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panels
Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intell...
Category
2010s Abstract Geometric Abstract Paintings
Materials
ABS
Wedge
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panel sculpture
Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion a...
Category
2010s Abstract Geometric Sculptures
Materials
ABS
Cuts in Orange
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen 24 x 24 x 2.5 inches
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple ge...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Raw Linen, Acrylic
10 Degrees
By Jeremy Thomas
Located in Phoenix, AZ
Admirers of Jeremy Thomas’ sculpture should be grateful to a thief. Thomas came to the College of Santa Fe to study Studio Arts as a painter and printmaker, both of which he had been doing since high school, even apprenticing with a master printmaker in his native Oklahoma. However, one semester while moving out of his dormitory, with boxes and bags piled around, the wooden box which held all of his brushes and painting supplies...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Polyester, Vinyl
Snergelly Hose
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Full Bloom
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
In the Sea
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
With 2 Heads
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Green streak
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Pillow Talk
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Pinnacle Expectations
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Canvas, Resin, Vinyl
Eye for Eye
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Prop Green
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
L V Silver
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Canvas, Resin, Vinyl
Strawberry Shortcake
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Horse Blue
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Space Dust
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Betelgeuse Purple
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
When It's Said You're Square
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Napthalene Magenta
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category
2010s Abstract Abstract Sculptures
Materials
Stainless Steel
Sky Grey (Just Wait)
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category
2010s Abstract Abstract Sculptures
Materials
Stainless Steel
Isolation Blue
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category
2010s Abstract Sculptures
Materials
Stainless Steel
Bi-Fold IX
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper mounted to silk foam core and wood
Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious.
His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Silk, Wood, Charcoal, Foam Board, Archival Paper
The Skies of Sky #3 (white)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Skies of Sky #2 (blue)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Skies of Sky #1 (black)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Clumsy Sky Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category
2010s Abstract Abstract Sculptures
Materials
Steel
Don't You Forget About Me, Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Steel
All the Summers are Hers
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Return to Me
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Days Sliding By
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Daisy and the Marigold
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Life on the Shelf
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
90 To Shore Yellow Right
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plastic
YELLOWPINK Wedge
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic
Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plastic
BLUEGREEN 2 AQUA Concave
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic
Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Plastic
The Sun Also Rises Yellow
By Jeremy Thomas
Located in Phoenix, AZ
stainless steel, vinyl emulsion
Category
2010s Abstract Sculptures
Materials
Stainless Steel
Acura Gold
By Jeremy Thomas
Located in Phoenix, AZ
forged mild steel and acrylic urethane
Jeremy Thomas is a maker. His work explores objecthood; how a sculpture interacts with its surroundings, how the viewer interacts with a sculp...
Category
2010s Contemporary Abstract Sculptures
Materials
Metal, Steel
Two Story
By Peter Millett
Located in Phoenix, AZ
painted wood
Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Wood, Paint
