Big Sky Fine Art Landscape Paintings

Charles Leduc. French ( b.1831 – d.1911 ). Bastille Day In Port. Oil On Canvas. Signed Lower Left. Image size 15.9 inches x 27.6 inches ( 40.5cm x 70cm ). Frame size 21.5 inches x 33...

Chantal Grimb. French ( b.1947 - d.1988 ). Tout Est Rythme, Honfleur, 1972. Oil On Artist’s Board. Signed Lower Left. Image size 17.3 inches x 20.9 inches ( 44cm x 53cm ). Frame size...

M.O. Cahierre. French ( Mid-20th Century ). Petit Port du Havre, 1965. Oil on Canvas. Signed & Dated Lower Left. Image size 14.2 inches x 21.1 inches ( 36cm x 53.5cm ). Frame size 19...

William Edward Webb. English ( b.1862 - d.1903 ). Peel Harbor, Isle Of Man. Oil On Canvas. Signed Lower Left. Image size 21.5 inches x 37.4 inches ( 54.5cm x 95cm ). Frame size 33.5 ...

Gaston Cornil. French ( b.1883 - d.1940 ). Récupérant Du Carburant Pour L’Hiver (Gathering Winter Fuel). Watercolor & Gouache On Buff Paper. Signed Lower Left. Image size 12.4 inches...

Torcello. Venice Lagoon. Signed Ivor Davies. Dated 1961. Oil On Board. Image size 16.9 inches x 21.3 inches ( 43cm x 54cm ). Frame size 21.3 inches x 25.6 inches ( 54cm x 65cm ). ...

David Shepherd. English ( b.1931 – d.2017 ). Giant Refreshed, 1953. BOAC Boeing 377 Stratocruiser, Canopus. Oil On Canvas. Signed & Dated 1953 Lower Right. Image size 19.7 inches x 2...

Arthur Spooner. English ( b.1873 - d.1962 ). Rural Derbyshire. Oil On Card. Signed Lower Left. Image size 6.7 inches x 9.1 inches ( 17cm x 23cm ). Frame size 10.2 inches x 12.6 inc...

Nancy Bailey. English ( b.1913 - d.2012 ). Low Tide On The Minnows, Cornwall, 1972. Oil On Canvas. Signed Lower Right. Image size 19.3 inches x 39.4 inches ( 49cm x 100cm ). Frame size 25.4 inches x 45.3 inches ( 64.5cm x 115cm ). Available for sale; this original impasto oil painting is by the Cornish artist Nancy Bailey and is dated 1972. The painting is presented and supplied in its original frame (which is shown in these photographs). The painted surface has benefitted from a light clean and a new preserving varnish coat has been applied. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right and on the reverse it is titled and signed again. Nancy Bailey was born in 1913 and started her working life at the age of 15. As a teenager she used her father’s camera to take photographs of West Country views, many of which were used to produce postcards, which sold throughout the country. This early talent demonstrated her knowledge and appreciation of light and composition that later enabled her to create the beautiful paintings for which she became internationally renowned. Her family moved frequently throughout the south west, before settling in Ireland where for thirteen years she produced high quality marquetry pictures, which sold all over the world. Nancy only started painting seriously when she returned to Cornwall in her fifties. Her painting career, though started somewhat late, continued over forty years. Nancy worked with a palette knife and never used a brush. This gives her work its distinctive texture and captures the landscape and light. Nancy became acclaimed as one of the leading palette knife artists in the UK. Although Nancy travelled widely, including a safari trip to South Africa with the acclaimed nature artist David Shepherd her best work is arguably of the coasts and rivers of the West Country, which she loved so much. Nancy died in 2012, since when demand for her original works has increased. © Big Sky Fine Art The Minnows Islands are a group of large rocks...

Helen Layfield Bradley. English ( b.1900 - d.1979 ). Sunshine & Shadows Across The Leven Estuary, Lake District, 1965. Oil On Board. Signed Lower Left. Image size 15.9 inches x 16....

Rowland Hilder. British ( b.1905 - d.1993 ). The River Bure, Norfolk. Oil On Artist's Board. Signed Lower Left. Image size 15.6 inches x 19.3 inches ( 39cm x 49cm ). Frame size 23....

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

Alexandre Le Bihan. French ( b.1839 - d.1924 ). Niagara Falls. Oil On Canvas. Signed Lower Left. Image size 23.2 inches x 49.2 inches ( 59cm x 125cm ). Frame size 28.9 inches x 55.1...

Victor Gabriel Gilbert. French ( b.1847 - d.1933 ). L’ Eglise De La Sainte-Trinite, Place De La Trinite, Paris. Gouache & Watercolor On Paper. Signed Lower Right. Image size 15 inch...

Elin Siân Blake. Welsh ( b.1981). Y Bugail Unig (The Lonely Shepherd), Llangattock, Brecon Beacons. Oil On Artist’s Canvas Board. Signed Lower Left. Image size 9.7 inches x 11.4 inc...

Elin Siân Blake. Welsh ( b.1981). Worm’s Head (Pen Pyrrod), Gower Peninsula. Oil On Canvas. Signed Lower Left. Image size 9.5 inches x 11.4 inches ( 24cm x 29cm ). Frame size 14.2 i...

Joan Gillchrest. English ( b.1918 - d.2008 ). Church And Churchyard. Oil On Board. Signed. Image size 33.9 inches x 21.8 inches ( 86cm x 55.5cm ). Frame size 42.3 inches x 30.3 inch...

Gyrth Russell. Canadian ( b.1892 - d.1970 ). Before The Hot Day Brightens To Blue (Mevagissey Harbor, Cornwall). Oil On Canvas. Signed Lower Right. Image size 22.4 inches x 34.8 inches ( 57cm x 88.5cm ). Frame size 28.5 inches x 40.6 inches ( 72.5cm x 103cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from post WWII. The painting is presented and supplied in a 1960s frame (which is shown in these photographs). The painted surfaces have benefitted from cleaning and conservation, which took place on our instruction, supervision and approval. This vintage painting is now in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with the Howard Roberts Gallery, Cardiff. Considered one of the best coastal painters of the 20th century, Gyrth Russell was born in Halifax, Nova Scotia in April 1892. He was the youngest of 8 children. His father was a Canadian MP and a Supreme High Court Judge for Nova Scotia. At the age of fourteen, Russell began his artistic career at Halifax School of Art, and quickly graduated to the School of Art at Boston, Massachusetts. His first job was as a draughtsman in the Public Works Department of Canada, in Halifax. It was during this period he saw and sketched the cable ship Mackay Bennett returning to her Halifax Station, her decks piled high with coffins containing bodies found after the Titanic Disaster. In 1911 Russell left Canada to study at the Academie Julian and Academie Calorossi in Paris. In 1914 at the outbreak of War, he left France for London where he was commissioned, under the command of Lord Beaverbrook, as an official War Artist for the Canadian Sector, and spent most of 1918 in Northern France painting the landscapes and coasts travelled by the Canadian military during the conflict. During the course of the First World War he worked with amongst others, Augustus John, William Orpen & Frank Brangwyn, who greatly influenced him. Many of his earliest works are of landscapes and coasts travelled by the Canadian military in the conflict. During the War Russell also made etchings and poster prints for sale to help popularize and support the war effort abroad. He took part in the Canadian War Memorial Exhibition in London in 1919. Between the Wars, Russell earned his living as an artist in film studios, designing Railway Posters, Lecturing and Writing. He also illustrated books on the geography of Nova Scotia and Western Britain. Russell enjoyed considerable success between the Wars, exhibiting extensively at the major galleries, and was elected to membership of the Royal Society of British Artists, the Royal Institute of Painters and Watercolorists, the Royal Institute of Oil Painters and the Royal Society of Marine Artists as well as being an active member of the Langham...

Charles William Wyllie. English ( b.1853 - d.1923 ). The Upper Pool, River Thames, London. Oil On Canvas. Signed Lower Left. Image size 17.3 inches x 31.5 inches ( 44cm x 80cm ). Fra...

Ken Symonds. English ( b.1927 - d.2010 ). The Harbor, St Michaels Mount, Cornwall, 1982. Oil On Artist’s Board. Signed Lower Right. Image size 15.4 inches x 19.5 inches ( 39cm x 49...

Alfred Henri Pailhès. French ( b.1902 - d.1991 ). Rendez-Vous Des Havrais Pour Leur Promenade Dominicale. Oil On Panel. Signed Lower Left. Image size 12.4 inches x 15.6 inches ( 31.5...

Lokre. 20ème Siècle Toulon, Le Port, La Vieille Darse, Mai 1939. (Quai Cronstadt). Oil On Canvas. Signed Lower Left. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame ...

Donald McIntyre. English ( b.1923 - d.2009 ). Craster From North. Northumberland. Oil On Board. Signed Lower Left. Image size 12.8 inches x 26 inches ( 32.5cm x 66cm ). Frame size 2...

Paul-Jean Anderbouhr. French ( b.1909 - d.2006 ). The Ravages Of War On Rouen, Painted In 1944. Oil On Canvas. Signed Lower Left. Image size 23.2 inches x 28.5 inches ( 59cm x 72.5cm...

Anthony Morris. English ( b.1938 ). Llangynidr Bridge Over The River Usk In Winter. Wales. Oil On Artist's Board. Signed Lower Right. Image size 6.7 inches x 8.7 inches ( 17cm x 22...

Donald McIntyre. English ( b.1923 - d.2009 ). Girl And Chapel, North Wales. Oil On Card. Signed With Monogram Twice Lower Left. Image size 12 inches x 15.6 inches ( 30.5cm x 39.5cm ...

James Fry. English ( b.1911 - d.1985 ). Falling Tide, Poole Harbor With The Purbeck Hills Beyond, Dorset. Oil On Board. Signed With Monogram Lower Right. Image size 9.8 inches x 14 i...

Edward Matthew Elliott. English ( b.1869 - d.1955 ). St Ives Harbor At Low Tide. Cornwall. Oil On Board. Signed Lower Left. Image size 11.4 inches x 17.3 inches ( 29cm x 44cm ). Fra...

Donald McIntyre. English ( b.1923 - d.2009 ). Stormy Day, Craster, Northumberland Oil On Paper Mounted On Board. Signed Lower Left. Image size 16.3 inches x 32.5 inches ( 41.5cm x 8...

Joan Gillchrest. English ( b.1918 - d.2008 ). Cornish Fishing Boats At First Light. Oil On Paper Mounted On Board. Signed Monogram Lower Right. Image size 26.2 inches x 22 inches ( 66.5cm x 56cm ). Frame size 35.8 inches x 31.3 inches ( 91cm x 79.5cm ). Available for sale; this original oil painting is by the Cornish artist Joan Gillchrest and dates from around the late 1980s. The oil painting is presented and supplied in a sympathetic new replacement frame (which is shown in these photographs) that suits the artwork’s color palette and behind non-reflective Tru Vue UltraVue® UV70 glass. This painting is in excellent condition and presents superbly. It wants for nothing and is ready to hang and display. The painting is signed with her monogram lower right. Joan Gillchrest is one of Mousehole’s and Cornwall’s most recognised and celebrated artists. Her vibrant art sits firmly alongside other great artists of the St. Ives School from the 1960s. She was born Joan Scott in London in 1918 into a wealthy and illustrious family. She was the third of four children. Her father was a pioneer of radiology – and a skilful caricaturist - and her Australian mother was an accomplished pianist. Sir George Gilbert Scott was her great grandfather, who designed the imposing Midland Grand Hotel at St. Pancras as well as countless parish churches. Grandfather, George Gilbert Scott Jnr, is remembered for three Cambridge colleges, Christ’s, Pembroke and Peterhouse. Her uncle Giles, (Giles Gilbert Scott) to whom Joan was close, is best known for his magnificent Anglican Liverpool Cathedral, Battersea Power Station and the iconic and ubiquitous red telephone box. Coming from such a long line of eminent architects it is not surprising that Joan always loved architecture and the churches and chapels of the Penwith peninsula feature prominently in her work. She said that buildings were “in her blood”. Her early childhood was spent at the family home in Buckinghamshire, but she was a difficult child – the family hired one nanny for her and one for the other three children- and at one point she was sent to Upper Chine School in the Isle of Wright to give her family some peace! She was however the apple of her father’s eye and he encouraged her obvious artistic talent. In 1934, aged only 15 but encouraged by her parents, she went to Paris to study art and learn the language. There she met Gwen John and studied in various studios, sometimes working as a model. In 1936 she enrolled at the Grosvenor School of Art and subsequently studied there under Iain McNab, whom she described as a marvelous teacher. Her early artistic career was very promising; she first exhibited at the Royal Academy when she was just 18 and showed works at the New England Art Club in 1937 and the London Group in 1938. When the Second World War broke out Joan was 21. She took a crash course in nursing and first aid and volunteered as an ambulance driver for Westminster Hospital. She later drove a mobile rescue unit. She was not able to paint much during the war but kept in touch with McNab; when the area around St Paul’s was blitzed, leaving the cathedral relatively unscathed, McNab got Joan and a few others to paint the scene. Her work, created with a thick paint and a palette knife, hung in the art school for many years. Joan’s painting career stalled in the 1940s. In 1942 she married a barrister and Coldstream Guards officer Samuel Gillchrest, and they soon had a son, then a daughter. With a young family, she had little time to paint, and had to hide the work she did produce as her husband thought that work as an artist was beneath them. Sadly, the marriage broke down and in 1953 they divorced. In leaving a difficult marriage at this time, she forfeited money, security and her previous place in society. Despite the huge changes in her life, her overwhelming desire to paint remained constant. She ignored the disapproval of her friends and family and started to explore new ways of expressing herself on canvas. She moved to a studio in Chelsea, an area much favored by the artistic community. To support herself, her children and her painting she also found regular work as an artist’s model. She was tall, strikingly good looking and combined elegance with bohemianism. She also carried an air of mystery from her rich and privileged past, and so she became sought after as a fashion model. In the flat below hers lived an artist who had enjoyed some professional acclaim, Adrian Ryan...

Stanley Horace Gardiner. English ( b.1887 - d.1952 ). Tide Pools, Porthcurno Beach, Cornwall. Oil On Artist’s Board. Signed Lower Left. Image size 12.4 inches x 15.6 inches ( 31.5cm ...

Charles Napier Hemy. English ( b.1841 – d.1917 ). Making The Run For Home, Cornish Coast, 1915. Oil On Canvas. Monogram & Dated 1915 Lower Right. Image size 19.5 inches x 29.5 inches...

Nancy Bailey. English ( b.1913 - d.2012 ). Ben Nevis From Loch Eil, 1978. Oil On Canvas. Signed Lower Right. Image size 19.3 inches x 39.4 inches ( 49cm x 100cm ). Frame size 24.8 ...

Nancy Bailey. English ( b.1913 - d.2012 ). Working Boats, Porthleven, Cornwall, 1973. Oil On Canvas. Signed Lower Right. Image size 18.9 inches x 34.8 inches ( 48cm x 88.5cm ). Fram...

Gareth Parry. Welsh ( b.1951 ). Setting Pots. Oil On Canvas. Signed Lower Right. Image size 24 inches x 24 inches ( 61cm x 61cm ). Frame size 30.5 inches x 30.5 inches ( 77.5cm x 7...

Elisabeth Bardon. French ( b.1892 - d.1984 ). Ocean Gypsy. Oil On Panel. Signed Lower Left. Image size 18.1 inches x 15 inches ( 46cm x 38cm ). Frame size 23.8 inches x 20.9 inches (...

Joseph Edward Hennah. Welsh ( b.1896 - d.1963 ). St Catherine’s Chapel, The Fleet, Chesil Beach & Portland From Abbotsbury Hill. Dorset. Oil On Canvas. Signed Lower Right. Image size...

Robert Jones. English ( b.1943 ). The North Cliffs, Cornwall. 1995. Oil On Board. Signed & Dated Lower Right. Image size 20.7 inches x 27.4 inches ( 52.5cm x 69.5cm ). Frame size 3...