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Big Sky Fine Art Still-life Paintings

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1944 St Ives School Framed Still Life Painting By Barbara Hepworth's Assistant
By Denis Mitchell
Located in Sutton Poyntz, Dorset
Denis Mitchell. English ( b.1912 - d.1993 ). Still Life Of Gourds With Japanese Celadon Vase And Dragon Decorated Plate, 1944. Oil On Tea Crate Plywood Panel. Signed & Dated Lower L...
Category

Mid-20th Century Modern Still-life Paintings

Materials

Plywood, Oil

Pink Primulas & Pot Plants Framed Modern British Still Life Flower Oil Painting
By Diana Maxwell Armfield
Located in Sutton Poyntz, Dorset
Diana Maxwell Armfield. English ( b.1920 ). Pink Primulas & A Collection Of Potted House Plants. Oil On Board. Signed Monogram Lower Left. Image size 12.6 inches x 10.6 inches ( 32...
Category

Late 20th Century Modern Still-life Paintings

Materials

Oil, Board

Carnations & Marigolds Framed Post Impressionist French Still Life Oil Painting
By Jean Chaleye
Located in Sutton Poyntz, Dorset
Jean Chaleye. French ( b.1878 - d.1960 ). Still Life Of Carnations & Marigolds. Oil On Board. Signed Lower Right. Image size 20.9 inches x 25.2 inches ( 53cm x 64cm ). Frame size 27...
Category

Early 20th Century Post-Impressionist Still-life Paintings

Materials

Oil, Board

Antique Bottle Collection Chemist Shop Garden Dig Finds Victorian Dump Tip
By Elin Sian Blake
Located in Sutton Poyntz, Dorset
Elin Siân Blake. Welsh ( b.1981). Antique Bottle Collection. Oil On Canvas. Signed Lower Left. Image size 11.2 inches x 9.3 inches ( 28.5cm ...
Category

21st Century and Contemporary Realist Still-life Paintings

Materials

Canvas, Oil

Three Pears Modern Welsh Still Life Impasto Palette Knife Framed Oil Painting
Located in Sutton Poyntz, Dorset
Gwilym Prichard. Welsh ( b.1931 - d.2015 ). Three Pears, 2011. Oil On Canvas Board. Signed With A Monogram Lower Left. Image size 9 inches x 6.1 inches ( 23cm x 15.5cm ). Frame size ...
Category

21st Century and Contemporary Modern Still-life Paintings

Materials

Oil

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Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...
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"Lanternes du Japon" Olio cm. 46 x 38 1910 ca
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