Bloomsbury Fine Art & Antiques Abstract Prints
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Original Op Art Abstract Color Screenprint "Planetary Folklore" Signed #2/250
By Victor Vasarely
Located in Portland, OR
A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997).
This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame.
This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall.
14" x 14.50" at sight without frame
Numered 2/250
A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...
Category
1960s Op Art Abstract Prints
Materials
Lithograph, Handmade Paper, Color, Screen
Surrealist Tete en Profil Lithograph in Color Young Womans Head Hors de Commerce
By Jean Cocteau
Located in Portland, OR
An original French Surrealist lithograph in colors by Jean Cocteau (1889-1963), titled "Tete un Profil", 1950.
This wonderful original lithograph by Jean Cocteau depicts a beautiful ...
Category
1950s Surrealist Abstract Prints
Materials
Lithograph
Monumental Original Surrealist Signed Color lithograph "Puzzle of Life" 1974 COA
By Salvador Dalí
Located in Portland, OR
A very rare "Hors de Commerce", monumental signed color lithograph by the surrealist Spanish genius Salvador Dali (1904-1989), titled "The Puzzle of Life", 1974. This artwork is a gu...
Category
1970s Surrealist Abstract Prints
Materials
Color
Original Italian MCM Modernist Signed Abstract Lithograph Marino Marini 1969
By Marino Marini
Located in Portland, OR
A color abstract geometric composition titled "From Color to Form IV", executed in 1969, by the celebrated Italian artist Marino Marini (1901-1980). A rare artist's proof
Marini was...
Category
1960s Abstract Geometric Abstract Prints
Materials
Paper
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Located in Surfside, FL
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Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...
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