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Late 16th Century Audenarde Mythological Tapestry 21'6 x 11'4
Located in Secaucus, NJ
Audenarde mythological tapestry panel Audenarde, southern low countries, measures: 11'4 high x 21'6 wide late 16th century the tapestry has three distinct scenic sections: hunters to...
Category

Antique 17th Century Dutch Tapestries

Materials

Wool

French, Late 19th Century, Tapestry 5'3 x 8'6
Located in Secaucus, NJ
A French late 19th century copy, of a classical 17th century Flemish tapestry, depicting Nymphs holding up an arch, which is enclosing a magnificent porcelain pot, filled to brimming...
Category

Antique Late 19th Century French Tapestries

Materials

Wool

Antique French Needlepoint, Textile circa 1880 12'7 x 19'10
Located in Secaucus, NJ
An antique French needlepoint rug, circa 1880, four rows of fleur de lis style medallions two full and two at the sides are halves interposed with a black cross on a gold color flora...
Category

Antique 19th Century French Western European Rugs

Materials

Wool

19th Century French Countryside Scene Tapestry 4'4 x 9'4
Located in Secaucus, NJ
19th century French tapestry. A countryside scene with a stream running down to the large country houses in the background. A pair of birds are playing in the water with overhanging ...
Category

Antique 19th Century French Tapestries

Materials

Wool

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19th century Aubusson tapestry hunting scene - N° 1205 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fa...
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Rare, double-sided piece, this piece is 100% hand-loomed wool. Vivid reds, brown, terra cotta colors with hints of green.
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Moorish Tapestry with a 19th Century Orientalist Arabian Scene
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Early 20th Century French Moorish Tapestries

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19th Century Uzbek Silk Embroidered Suzani Tapestry
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19th Century Uzbek Silk Embroidered Suzani Tapestry
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Brussels Late 17th Century Tapestry Asia from a Four Continents Series 9'4 x 18
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Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...
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Materials

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