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Bologna Design Gallery Commodes and Chests of Drawers

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'Phonoschrank' Cabinet by Matteo Thun for Bieffeplast, Padua
By Bieffeplast, Matteo Thun
Located in Argelato, BO
Rare and iconic piece of furniture designed by the famous Italian architect and designer Matteo Thun for Bieffeplast. Materials: grey painted metal Matteo Thun is an Italian archit...
Category

Vintage 1980s Italian Mid-Century Modern Commodes and Chests of Drawers

Materials

Metal

Settimanale Chest of drawers / Tallboy by Matteo Thun for Bieffeplast, 1985
By Bieffeplast, Matteo Thun
Located in Argelato, BO
This tallboy chest designed for the Italian manufacturer Bieffeplast is a very good example of Thun’s aesthetic. Minimal, the design relies on a logical composition of draws each pun...
Category

Vintage 1980s Italian Minimalist Commodes and Chests of Drawers

Materials

Metal

George Nelson Nine Drawer Miniature Chest for Herman Miller Mod. 5517 Sideboard
By George Nelson
Located in Argelato, BO
George Nelson (Chicago 1908 - Barrington 1986) Vertical chest of nine drawers from the "Miniature Chests" series. Herman Miller production, design 1952, marketing 1952-1963. White pa...
Category

Vintage 1950s Mid-Century Modern Commodes and Chests of Drawers

Materials

Aluminum

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Joe Colombo ''Boby 3'' Italian Portable Storage System for Bieffeplast, 1960s
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Located in Roma, IT
Designed in 1969, Joe Colombo’s iconic "Boby 3" portable storage system was produced by Italian manufacturer Bieffeplast makes savvy use of space with its swivel design. This compact caddy is featured in the collection of the Museum of Modern Art in New York, but it’s perfect at home in domestic settings, offering ample storage with swing-out drawer trays provide and cubby holes for taller items. A one-of-a-kind piece that will complete a studio or a midcentury office. Measures (cm): height - 74 depth - 41 width - 43 Born in Milan in 1930, designer Cesare Colombo—who went by Joe—was the second of three brothers. His father, Giuseppe, was an industrialist who inherited a ribbon factory and turned it into an electrical conductor manufacturer. Colombo came to design relatively late, having spent most of his twenties pursuing painting and sculpture. He studied at the Accademia di Belle Arti in Brera, Milan, in the early 1950s. While there, he joined the Movimento Nucleare, an avant-garde art movement founded by Enrico Baj and Sergio Dangelo in 1951. Spurred on by international anxiety surrounding the nuclear bomb, this group of painters aimed to break free of the static boundaries of traditional painting. In 1953, Colombo made his first foray into design by creating a decorative ceiling for a Milan jazz club. In 1954, he made a series of television shrines for the Milan Trienniale. Inspired by these experiences, Colombo enrolled as an architecture student at Milan Polytechnic. When his father became ill in 1958, Colombo abandoned painting altogether; he and his younger brother, Gianni, took over the family business, using the factory as an experimental space for the latest production techniques and materials, including fiberglass, PVC, and polyethylene. In 1962, Colombo opened a design studio in Milan, from which he worked primarily on architectural commissions—including several ski lodges and mountain hotels—as well as product design. His furniture designs were characterized by optimistically bold, round forms, and he championed the notion of using modern technologies to create new design solutions. Colombo’s design career was cut tragically short in 1971 when he died of heart failure at age 41. However, he was remarkably prolific during his near decade as a designer. Notable projects include some of the most iconic designs of the 1960s, such as his 1963 Elda Armchair, made completely of fiberglass; the 1964 Ragno outdoor light, which doubled as a seat; the stackable Universale chair (1965/67), which came in varying heights and was created completely from polypropylene; his 1967 modular furniture series known as the Additional Living System, which was composed of different-size curved pieces that could be pinned together in various configurations to form chairs, sofas, or entire living areas, and which ultimately included the famous 1969 Tubo lounge chair; and the Optic alarm clock and Bobby trolley...
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George Nelson for Herman Miller 'Primavera' Nightstands, c. 1955, Signed
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Category

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