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Blue Abstract Painted Vase by Scarlet Pottery
Located in Sammu-shi, Chiba
This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...
Category

2010s Japanese Japonisme Ceramics

Materials

Porcelain

Small Round Vase with dot painting by Scarlet Pottery
Located in Sammu-shi, Chiba
This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...
Category

2010s Japanese Japonisme Ceramics

Materials

Porcelain

Large White Vase with abstract painting by Scarlet Pottery
Located in Sammu-shi, Chiba
This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...
Category

2010s Japanese Japonisme Ceramics

Materials

Porcelain

Small White Vase with abstract painting by Scarlet Pottery
Located in Sammu-shi, Chiba
This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...
Category

2010s Japanese Japonisme Ceramics

Materials

Porcelain

Bicone Vase by U-Turn Ushiro
Located in Sammu-shi, Chiba
Bicone vase by U-Turn Ushiro. It is baked for several days in an anagama (a kiln that burns firewood). It is shaped vertically symmetrically. The copper contained in the clay blows out on the surface, and reddish-black spots can be seen partially. It is a work where you can see various reactions of various ingredients. U-Turn Ushiro While working at the fire station...
Category

2010s Japanese Japonisme Ceramics

Materials

Pottery

Column Clock by Papier Langackerhäusl
Located in Sammu-shi, Chiba
Column clock W255 D255 H1750 mm Standing tall and confident, our column clock elegantly refines the passing of time. With its clean lines and gently swaying pendulum, it reassures even the most anxious observer, that time will go on. Battery-operated Junghans quartz...
Category

2010s Austrian Modern Grandfather Clocks and Longcase Clocks

Materials

Parchment Paper

Terra Side Table by Papier Langackerhäusl
Located in Sammu-shi, Chiba
Terra Side Table W550 D600 H600 mm A deep impression. Textured, hemispherical vessels of handmade paper in various sizes shapes and colors. Suit...
Category

2010s Austrian Modern Abstract Sculptures

Materials

Parchment Paper

Caldera Midium by Papier Langackerhäusl
Located in Sammu-shi, Chiba
Caldera Midium Measures: W 260 D 280 H 120 mm A deep impression. Textured, hemispherical vessels of handmade paper in various sizes shapes and colors. Suitable for dry contents...
Category

2010s Austrian Modern Abstract Sculptures

Materials

Parchment Paper

Caldera Small by Papier Langackerhäusl
Located in Sammu-shi, Chiba
Caldera small Measures: W210 D210 H130 mm A deep impression. Textured, hemispherical vessels of handmade paper in various sizes shapes and colors. Suitable for dry contents. ...
Category

2010s Austrian Modern Abstract Sculptures

Materials

Parchment Paper

Particle Large Blue by Papier Langackerhäusl
Located in Sammu-shi, Chiba
Particle large blue Size: W 300 D 250 H 420 mm Art of the matter. Geometric sculptures of handmade paper in various shapes, sizes and colors. [PAPIER LANGACKERHA¨USL] "Papia...
Category

2010s Austrian Modern Abstract Sculptures

Materials

Parchment Paper

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Chinese Export Vase porcelain Blue & White hand painted dragons, Circa 1950
Located in Lincoln, Lincolnshire
This is an elegant porcelain Chinese export porcelain Bottle Vase raised on a low foot, all hand painted in a blue and white dragon pattern, which we date to the mid 20th century, circa 1950. The vase is fairly large and very well hand potted in a Classic bottle shape on a low foot having a clear white glaze with a light blue tinge. The base is also glazed to the centre and the foot rim has been carefully hand-cut. The vase is finely hand painted in a large range of cobalt blue tones from a light blue to a deep dark, almost black tones of cobalt blue, all around the body with two five toed dragons dancing among clouds. There are border patterns around the foot rim and the lower body all between blue circles with double blue circles just below the top rim. The base has a carefully hand painted underglaze-blue six-character apocryphal Qing - Qianlong ( 1736 to 1795) seal mark, though we date this vase to the mid 20th century. Approximate Weight: about 2.3Kg. unpacked. Overall a beautiful Chinese blue and white hand painted Vase
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Materials

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Rare Large Vase with White Slip Inlay Makuzu Kozan Meiji Period
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A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...
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