Brood Paintings and Screens

Horii Ko? 1897 to 1990 Kyoto people real name: Kiyotaro Horii issue: Ko? nurses: Kikuchi Chigiritsuki Kyoto School of Arts & Crafts, Kyoto painting...

Flower and bird painting Material: Paper on wooden frame, colored One piece: W660×H1825mm×D20mm, Unfolded size: W3860mm, 16kg Folded size: W660×H1825×D110mm Packaging (sandwiched wit...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

Japanese antique painting of flowers 19 C Weight 3kg ( 6.6lb)

Kawai Gyokudo (?? ??, November 24, 1873-June 30, 1957) was the pseudonym of a Japanese painter in the Nihongo school, active from Meiji through Showa period Japan. His real name was Kawai Yoshisaburo. Contents Biography Gyokudo was born in what is now Ichinomiya city, Aichi Prefecture, as the eldest son of a paper, ink and brush merchant. He went to Kyoto in 1887 to study under Kono Bairei of the Maruyama-Shijo school of painting. In 1896, he moved to Tokyo and he became the student of Hashimoto Gaho, of the Kano school. He also studied Western-style painting and developed a highly personal style, especially in the field of landscape painting. Gyokudo is noted for his polychrome and occasionally monochrome works depicting the mountains and rivers of Japan in the four seasons, with humans and animals shown as part of the natural landscape. Among his representative works are Futsuka zuki (“The New Moon”), Yuku haru (“The Departing Spring”), Mine-no-yu (“Evening at the Mountain Top”), and Bosetsu (“Snow in the Evening”). In 1898, Gyokudo joined with Okakura Tenshin and Yokoyama Taikan...

As you can see, Kashiro Asami brush flower and bird (sparrow) figure Axle. In addition to the flowers expressed in simple yet calm shades, the bird (sparrow) seen at the top is a w...

Some errors will occur in the dimensions. Please understand. Status: The condition is good, but please understand stains, wrinkles, and stains. Measures: Axis vertical 193 cm, hori...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

Lovely Nihonga scene Meiji/Taisho period scroll Japan artist painting. Painting size: (Width x height) mm 525 x 1499.

Bird and flower painting Material: Paper on wooden frame, colored One piece: W660×H1825mm×D20mm, Unfolded size: W3860mm, 16kg Folded size: W660×H1825×D110mm Packaging (sandwiched wit...

As you can see, this work depicts a sparrow in a bamboo grove with sunlight shining through it. ¦ Silk book / handwriting. ¦ There are some discolorations in the state era. ...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...