Brunelli Designs Ceramics

A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

From Japan, a beautiful hand-built, hand painted and glazed, blue and white "floral" tea bowl from the late Edo to earlhy Meiji period, 19th century, likely from an Arita pottery Kil...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

Japanese Satsuma, a fine and monumental 18" Meiji period charger Ozara with rare motif: Captain fisherman and his fish. Depicting a tale of Urashima Tarō* (see below), Signed Jyukan pottery by Chinjyu Makoto, in a lovely gold gilt and red detailed hand-painted composition Age: 1880-1900. Dimensions: 18 inches diameter and includes owner's signed wooden presentation box, tomobako. Hand made and hand painted. Finest quality. Provenance: Old Southern Japanese collection. Urashima Tarō (浦島 太郎?) is a Japanese legend about a fisherman who holds a fishing pole and rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin, the Dragon God, under the sea. He stays there for three days and upon his return to his village, finds himself 300 years in the future. Finest quality. Largest size. Original collector box tomobako included. Lifetime guarantee of authenticity: All of our Asian works of art come with our Lifetime Authenticity Guarantee. We are members of the North American Japanese Garden Association (NAJGA) specializing for ten years now in old and authentic Japanese stone...

Mint Kyo ware bowl From Japan, a beautiful hand-built, painted and glazed, Kyo ware large bowl or large tea bowl with a proud rooster and birds motif created in the 1930s.- over se...

An antique Chinese Cinnabar vase offers dragon and foliate decoration, c1920 Measures - 8"h x 3.25"diameter.  

This handsome pair of 20th century glazed and gilded Japanese Satsuma vases, with their vivid, jewel-like colours and elegant baluster-shaped forms, feature the traditional Japanese ...

A very beautiful pair of Chinese brass and cloisonné enamel vases with dragon design, circa early to mid-20th century, China. Vases are predominantly blue; Other colors include white...

These are a very good quality pair of earthenware Japanese Satsuma vases, beautifully hand decorated and from the Meiji period, circa 1880. The vases have a hexangular shape raised o...

A late 19th century baluster form vase, the body decorated with a polychrome dragon upon a green glazed ground. Now mounted as a lamp and set upon a turned giltwood base. Dimensio...

This figurine is perfect as a gift for the sea animal lovers, and fishing enthusiasts too! It would be a great addition to someone's growing collection. It could very well be a great...