Butchoff Antiques Wall Mirrors

A Giltwood Neoclassical Mirror Carved from wood and elaborated with gesso detailing, the shield-shape mirror plate with beveled edge and housed in a gilded frame, with intricate, sc...

A Pair of English Rococo Style Mirrors Carved from wood and gilded, the almond-shaped mercury silvered plates surrounded in a Rococo asymmetrical frame cared with scrolls, acanthus ...

A Pair of Late 19th Century Giltwood Mirrors By Charles Andrea Nosotti Carved from wood and water-gilded on gesso, the rectangular mirror plates with rounded and stepped corners hou...

A Pair of George III Style Chinese Chippendale Mirrors Entirely of carved and gilded wood, the shaped mirrored plates housed in asymmetrical Rococo frames with carved scrolls, leafy...

A Black Forest Carved Mirror Carved from walnut, the bevelled oval mirror plate set within an architectural frame and flanking rustic branc...

With an elaborately caved gold leaf framed with free scrolling lappet branches in the rococo style, the base with inverted cabriole legs and a central shell and leaf cartouche, the p...

A Pair of mirrors, from Designs in Thomas Chippendale's 'Director' Constructed in carved gilded softwood, of asymmetrical addorsed form, the mirror plates housed within complex Rococo carving, incorporating 'S' & 'C' scrolls, foliage, and surmounted by Ho Ho birds, the design informed by Chippendale's Plate numbers 168, 169, 177 and 178. Circa 1850 Dimensions: H: 70 in / 177 cm W: 35.5 in / 90 cm Thomas Chippendale the Elder (1718-1779) Yorkshire born, a highly skilled cabinet maker and designer, published in 1754 his 'Gentleman & Cabinet Maker's Director', a volume of instantly recognisable and idiosyncratic designs, that was reprinted time and again, serving as an essential manual for cabinet makers the length and breadth of England. Working from 60-62 St Martins Lane, London his output is regarded as the ne plus ultra of 18th century English cabinet...

Constructed using a well figured flame mahogany and rising from rectangular plinth bases, having fielded panel backboards trimmed with a running pearl motif, the columns, rising from...

A fine mirror in the George III manner Constructed from giltwood, housing an oval mirror plate within a carved moulding, the top and base issuing scrolling acanthus leaves, a cent...

A George II Style Pier Glass in the manner of Matthias Lock Of rectangular form, constructed in giltwood and gesso, elaborately carved incorporating f...

A pair of George II style mirrors Constructed in carved giltwood, the wasted teardrop shaped mercury plates housed within asymmetrical conforming frames in the George II manner richly carved with scrolling foliates and flowering branch work; adorned with a floral crest and a relief carved flower pendant...

A pair of George II style mirrors Constructed in carved giltwood, the waisted teardrop shaped mercury plates housed within asymmetrical conforming frames in the George II manner richly carved with scrolling foliates and flowering branchwork; adorned with a floral crest and a relief carved flower pendant...

A giltwood mirror in the mid-18th century manner. Enclosed within a carved and gilded swept and shaped symmetrical frame, adorned with ‘C’ scrolls, foliated and floral ornamentati...

A fine and substantial mirror in the Robert Adam manner. Primarily giltwood, and having an the elliptical mirror plate housed within a continuous band of stiff leaf moulding, encl...

A George III style carved giltwood mirror After a design by Thomas Johnson Of grandiose proportions, the central oval glass plate built up in a concentric arrangement of mercury ...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...